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Book
Whitney Biennial 2019
Authors: --- ---
ISBN: 9780300242751 Year: 2019 Publisher: New Haven, Conn. Yale University Press

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Keywords

Art --- art [discipline] --- racial discrimination --- postcolonialism --- Cuthand, Thirza --- Eisenman, Nicole --- Ezawa, Kota --- Galanin, Nicholas --- Hammer, Barbara --- Issa, Iman --- Luna, James --- Mutu, Wangechi --- Simpson, Diane --- Fernandes, Brendan --- Woodgate, Agustina --- Sun Kim, Christine --- Kline, Josh --- Leigh, Simone --- Balema, Olga --- Ellis, Janiva --- Harrison, Matthew Angelo --- Nietas de Nonó, Las --- Arunanondchai, Korakrit --- Sepuya, Paul Mpagi --- Arroyo, Eddie --- Bassichis, Morgan --- Blitz Bazawule --- Bell, Alexandra --- Belott, Brian --- Bennani, Meriem --- Bittenbender, Robert --- Blalock, Lucas --- Bradley, Garrett --- Chow, Milano --- Edmonds, John --- Fischer, Marcus --- Ga, Ellie --- Gallisá Muriente, Sofía --- Gibson, Jeffrey --- Gray, Todd --- Green, Sam --- Harris-Babou, Ilana --- Hatleberg, Curran --- Hollander, Madeline --- Jackson, Tomashi --- Jemison, Steffani --- Khalil, Adam --- Khalil, Zack --- Polys, Jackson --- Knight, Autumn --- Lazard, Carolyn --- Lee, Maia Ruth --- Lind-Ramos, Daniel --- Mack, Eric N. --- Marcus, Calvin --- McClodden, Tiona Nekkia --- Michie, Troy --- Minter, Joe --- Monaghan, Keegan --- Monnet, Caroline --- Monroe, Darius Clark --- Moss, Ragen --- Motalebi, Sahra --- Mullen, Marlon --- Mundt, Jeanette --- Nkiru, Jenn --- Ortman, Laura --- Packer, Jennifer --- Pastrana Santiago, Nibia --- Pérez, Elle --- Phillips, Pat --- Porras-Kim, Gala --- Price, Walter --- Rodriguez, Carissa --- Shin, Heji --- Syms, Martine --- Thurman, Kyle --- Valencia, Mariana --- Forensic Architecture [London] --- Colectivo Los Ingrávidos [Tehuacán] --- Paper Tiger Television [New York, N.Y.] --- FIERCE [New York, N.Y.]


Book
Rachel Harrison : life hack
Authors: --- --- --- --- --- et al.
ISBN: 9780300246858 0300246854 Year: 2019 Publisher: New York, N.Y. Whitney Museum of American Art

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Created in close collaboration with the artist, this volume offers an in-depth examination of twenty-five years of Rachel Harrison's room-sized installations, sculptures, drawings, photographs, and books through scholarly essays and a unique plate section. The essays cover topics ranging from the artist's earliest work to recent complex installations and sculptures, which often combine quotidian objects such as metal trash cans and with sculptural elements, including large painted concrete forms, that Harrison creates herself.

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