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Met Contact verbindt Maarten Inghels (1988) nieuwe poëzie, beeld en performance. Zijn gedichten verschenen als tatoeage (‘Honger’), als enquête waarin hij de staat van de samenleving opvroeg (‘Volksbevraging’), en werden geplant met eetbare zaadjes (‘Wanneer wij zomer zaaien in elkaar’). Ook maakte Inghels een voettocht langs de Schelde van bron tot monding, om de stroom te controleren op onregelmatigheden en oneffenheden. Met ‘The Invisible Route’ publiceerde hij een kaart met daarop alle camera’s in Antwerpen en de laatste route om onzichtbaar door de stad te dwalen.

Dutch literature --- privacy --- performance art --- walking tours --- surveillance cameras --- seed [material] --- tattoos --- Inghels, Maarten --- Scheldt --- Antwerp --- Photography, Artistic. --- Performance art --- Site-specific art. --- Performance art. --- Antwerp (Belgium) --- Belgium. --- Belgium --- In art.

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The world is in transition. Established ideas and lifestyles are under pressure: everything is in flux. This volatility and ambivalence can lead to uncertainty and even fear. The 2018 Bruges Triennial: Liquid City offers a beacon of hope, presenting a fluid, open and engaged city; Bruges as an engine of social, cultural and political change; a creative melting pot for encounters of all kinds; and a breeding ground for urban innovation. The liquid city of Bruges - literally ringed by the water that once brought it prosperity and fame - becomes a metaphorical Liquid City, characterised by fluidity, transition, influx and exchange: a continuous artistic dynamism that at times flows gently and at others turbulently through the city. The 2018 Bruges Triennial: Liquid City invites internationally acclaimed artists and architects from around the world to interpret the 'Liquid City' theme. They create an art trail dotted with temporary hospitable spaces, conceptual representations and unexpected places for encounters within the historic city centre.

Art --- sculpture [visual works] --- installations [visual works] --- architecture [discipline] --- public art --- site-specific works --- Saraceno, Tomás --- Kozakiewicz, Jarosław --- Nicolodi, Renato --- Paine, Roxy --- Shahroudy Farmanfarmaian, Monir --- Powers, John --- selgascano --- Driessche, Van, Peter --- Meuris, Wesley --- Rotor [Brussels] --- NLÉ --- OBBA [Seoul] --- Ruimteveldwerk --- StudioKCA [New York, N.Y.] --- raumlaborberlin --- Bruges --- Site-specific art --- Public art --- Art, Modern --- 7.039 --- Kunst in de stad ; Brugge ; Triënnale ; 2018 --- Sculptuur en natuur ; kunst en water --- Installaties ; met simulatie van vloeibaarheid, beweeglijkheid --- Kunst in de openbare ruimte --- Beeldende kunst ; participatie van de toeschouwer --- Triënnale van Brugge --- Van dDiessche Peter --- Studiokca --- Shahroudy Farmanfarmaian Monir --- Selgascano --- Saraceno Tomás --- Rotor --- Powers John --- Paine Roxy --- OBBA --- Adeyemi Kunlé --- Nlé --- Nicolodi Renato --- Meuris Wesley --- Kosakiewivz Jaroslaw --- kunst --- Brugge --- kunst en architectuur --- stedenbouw --- raumlabor --- architectuur --- BelgIë --- kunst en openbare ruimte --- stedelijkheid --- Civic art --- Site art --- Site-specific arts --- Arts, Modern --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Triennale Brugge --- 72.078 --- Architectuurtentoonstellingen --- Hedendaagse kunst