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Le cinéma, la bande dessinée et les séries télévisées ne seraient rien sans eux. Ces auteurs ont réinterprété les mythes, inventé les héros les plus célèbres de la pop culture, et ont abreuvé notre imaginaire commun. De J. R. R. Tolkien à George R. R. Martin, en passant par Philip K. Dick, H. G. Wells, Isaac Asimov ou encore Ian Fleming, redécouvrez plus de 50 auteurs des littératures de l'imaginaire et leurs oeuvres phares, richement illustrées.
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Middle Ages in literature. --- Fantasy literature --- Popular literature --- Medieval influences. --- Medieval influences.
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Jüngst war sie wieder da: die "Krise des Lesens". Doch es gibt sie noch, die Zonen, in denen Literatur auch gegenwärtig massenhaft gelesen und enthusiastisch diskutiert wird, in denen Popularität und Konsum keine Schimpfwörter sind. Die Nachrichten aus dem Literaturbetrieb scheinen dem guten alten Kulturpessimismus recht zu geben: Der Buchmarkt schrumpft, die Verlage stehen unter Druck, der stationäre Buchhandel kämpft ums Überleben und die Zeitfenster für die tägliche Lektüre werden in der Medienkonkurrenz immer kleiner. Für welche literarischen Bereiche und Lektürepraktiken aber gilt dies eigentlich? Der Sonderband zielt auf Bereiche der Gegenwartsliteratur, in denen weiterhin dicke Bücher verschlungen werden, immer noch astronomisch hohe Erstauflagen auf den Markt kommen und der Lesehunger unersättlich zu sein scheint. Die Beiträge erkunden, welche Werke besonders häufig bemerkt, gekauft, heruntergeladen, besprochen, weiterempfohlen werden. Die differenzierte Verständigung über den aktuellen Stand der literarischen Dinge soll nicht zuletzt Auskunft darüber geben, woran man sie überhaupt erkennen kann: die tatsächlich "gelesene Literatur".
Sociology of literature --- Mass media and literature. --- Popular literature --- Popular literature. --- History and criticism. --- Littérature --- Livres et lecture --- Écrivains --- Livres --- Édition --- Best-sellers --- Littérature populaire --- Médias --- Société numérique. --- Industrie et commerce
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Provides a unique snapshot of themes and trends within popular fiction in the twenty-first centuryThis groundbreaking collection captures the state of popular fiction in present day. It features twenty new essays on key authors associated with a wide range of genres and sub-genres, providing chapter-length discussions of major post-2000 works of contemporary popular fiction. The lively, accessible and academically rigorous essays presented here cover a wider range of established popular fiction genres such as fantasy, horror and the romance, as well as more niche areas such as Domestic Noir, Steampunk, the New Weird, Nordic Noir and Zombie Lit. The collection will primarily appeal to undergraduate and postgraduate students but general readers may also find the focus on many of today’s most prominent and influential authors to be of interest.Key FeaturesProvides students with a timely and accessible overview of current trends within contemporary popular fictionIncludes timely reassessments of recent fiction by established figures such as Stephen King, George R.R. Martin, Larry McMurtry, Neil Gaiman, J.K. Rowling, Jodi Picoult, China Miéville, Grant Morrison, Terry Pratchett and Nora Roberts as well as consideration of authors who have emerged more recently, amongst them Stephenie Meyer, Gillian Flynn, E.L. James, Hugh Howey, Cherie Priest, and Max BrooksIncludes supplementary material such recommended further reading at the end of each chapter
English fiction --- American literature --- Popular literature --- Literature, Popular --- Books and reading --- Popular culture --- English literature --- Agrarians (Group of writers) --- History and criticism. --- American literature. --- English fiction. --- Popular literature. --- History and criticism --- 2000-2099. --- 2000-2099
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This book presents a cogent case that librarians can use to work towards prioritization of reading in libraries and in schools, by providing proof of the library's vital role in readers' lives, information that may be used to justify services and collections.
Books and reading. --- Libraries and community. --- Popular literature. --- Public services (Libraries) --- Reading interests. --- Reading promotion. --- Reading --- Social aspects.
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"Examining reactions to bestselling fiction in America from 1850-1920, the period in which popular novels became national phenomena, Guilty Pleasures argues that ambivalence about public taste sparked a wide-ranging exploration of individualism and national identity"--
Literature and society --- Popular literature --- American fiction --- American fiction --- History. --- History and criticism. --- History and criticism. --- History and criticism.
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This Companion offers a compelling survey of American literature in the 1930s. These thirteen new essays by accomplished scholars in the field provide re-examinations of crucial trends in the decade: the rise of the proletarian novel; the intersection of radical politics and experimental aesthetics; the documentary turn; the rise of left-wing theatres; popular fictional genres; the impact of Marxist thought on African-American historical writing; the relation of modernist prose to mass entertainment. Placing such issues in their political and economic contexts, this Companion constitutes an excellent introduction to a vital area of critical and scholarly inquiry. This collection also functions as a valuable reference guide to Depression-era cultural practice, furnishing readers with a chronology of important historical events in the decade and crucial publication dates, as well as a wide-ranging bibliography for those interested in reading further into the field.
American literature --- Literature and society --- Popular literature --- Depressions in literature. --- History and criticism. --- History --- History and criticism.
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In a compact, readable, and accessible book, Roger B. Salomon explores the nature of horror in literature and in life. Rather than minimizing horror by narrowly associating it with psychological drives, persecution, or extremism, he approaches horror through the medium of narrative as a significant and enduring physical and metaphysical reality. Salomon focuses on fictions of horror, including eighteenth-century Gothic and nineteenth-century ghost stories. He does not, however, isolate literary examples from more general human issues, including religious belief. Mazes of the Serpent takes up examples of horror from historical and personal narratives-including battle memoirs and Holocaust testimonies-as Salomon identifies certain common themes and qualities that cross the boundary between fiction and actual human experience.
Narration (Rhetoric) --- Horror tales, English --- Popular literature --- Horror tales, American --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and criticism.
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Female masturbation. --- Gender identity in literature. --- Heterosexism. --- Popular literature. --- Queer theory. --- Romance fiction. --- Women and literature. --- Women --- Women --- Books and reading. --- Sexual behavior.
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