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"Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture"--
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la 4e de couv. indique : "Les marbriers qui travaillaient pour le roi de France n'ont sans doute jamais atteint la renommée et la célébrité des peintres, sculpteurs, architectes ou même des ébénistes du Grand Siècle. Ils furent pourtant des artisans indispensables à certaines des plus grandes réalisations des XVIIe et XVIIIe siècles. C'est à partir des sources anciennes, de documents conservés aux Archives nationales et de l'étude des oeuvres que cette « histoire du marbre » est présentée. Explorant tant la matière et les enjeux de son approvisionnement que les hommes qui la façonnaient, ou encore les oeuvres produites qui composaient de véritables tableaux polychromes, Versailles en ses marbres apporte un regard inédit sur les décors qui firent la gloire et la beauté des demeures de Louis XIV."
Marbriers --- Marbriers. --- Architecture --- Versailles (Yvelines) --- Château. --- Marble industry and trade --- Marble in interior decoration --- Stone carvers --- History --- History $ --- Château de Versailles (Versailles, France) --- Marble --- Marble in art --- Palaces --- Château de Versailles (Versailles, France) --- Marble - France - Versailles - History --- Marble industry and trade - France - Versailles - History --- Marble in interior decoration - France - Versailles - History --- Marble in art - History --- Palaces - France - Versailles - History --- History $.
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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Marble sculpture, Roman. --- Struts (Stone carving) --- Stone carving --- Roman marble sculpture
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"Marble is one of the great veins through the architectural tradition and fundamental building block of the Mediterranean world, from the Parthenon of mid-fifth century Athens, which was constructed of pentelic marble, to Justinian's Hagia Sophia in Constantinople and the Renaissance and Baroque basilica of St. Peter's in the Vatican. Scholarship has done much in recent years to reveal the ways and means of marble. The use of colored marbles in Roman imperial architecture has recently been the subject of a major exhibition and the medieval traditions of marble working have been studied in the context of family genealogies and social networks. In addition, architectural historians have revealed the meanings evoked by marble revetted and paved surfaces, from Heavenly Jerusalem to frozen water. The present volume builds upon the body of recent and emerging research - from antiquity to the present day - to embrace a global focus and addressing the more unusual (or at least unexpected) uses, meanings, and aesthetic appeal of marble. It presents instances where the use of marble has revolutionized architectural practice, suggested new meaning for the built environment, or defined a new aesthetic - moments where this well-known material has been put to radical use."--Provided by publisher.
Building materials. Building technology --- marble [rock] --- architecture [discipline] --- architectural history --- Architecture --- Marble buildings --- History. --- Marble in interior decoration --- Marble sculpture --- History --- 691.2 --- Bouwmaterialen ; marmer --- Beeldhouwkunst ; marmer --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Buildings --- Bouwmaterialen ; natuursteen
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Marble sculpture, Greek. --- Marble sculpture, Greek --- Sculpture materials --- Conservation and restoration --- Recycling --- Athena --- Nike --- Fondazione Sorgente Group --- Art collections.
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Sculpture --- installations [visual works] --- racks [supporting devices] --- site-specific works --- marble [rock] --- Vo, Danh --- Vo, Danh, --- Exhibitions.
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Sculpture --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- humor --- light art --- found object sculpture --- utensils --- marble [rock] --- Hien, Albert
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Art --- collages [visual works] --- sculpture [visual works] --- drawing [image-making] --- brains --- religious objects --- marble [rock] --- animal art --- Fabre, Jan
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Art --- drawings [visual works] --- sculpture [visual works] --- bronzes [visual works] --- installations [visual works] --- gender issues --- political art --- heads [animal components] --- marble [rock] --- human figures [visual works] --- Redl, Markus
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