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Politics --- Art --- propaganda --- kunst en politiek --- anno 1960-1969 --- anno 1970-1979 --- France
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Art --- propaganda --- patronage --- kunst en politiek --- portraits --- anno 1500-1799 --- anno 1400-1499 --- Spain
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Politics --- Art --- Sculpture --- sculpture [visual works] --- kunst en politiek --- Rol-Tanguy, Henri --- Giacometti, Alberto --- France
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kunst --- politiek --- kunst en politiek --- 7.038/039 --- activisme --- 7.01 --- twintigste eeuw --- eenentwintigste eeuw --- affiches --- posters --- Art --- Protest movements --- Political posters --- Political aspects --- History
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avant-garde --- Surrealist --- Politics --- Art styles --- Situationist --- Breton, André --- Antin, David --- Nougé, Paul --- Magritte, René --- Vaneigem, Raoul --- Cage, John --- anno 1900-1999 --- Belgium --- Avant garde (Aesthetics) --- Modernism (Art) --- Modernism (Literature) --- Surrealism --- Surrealism (Literature) --- Political aspects. --- Internationale situationniste. --- kunst en politiek
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Jarenlang was internationaal werken voor muzikanten, beeldend kunstenaars en podiumkunstenaars iets vanzelfsprekends. Maar het onbehagen groeit. Met de economische druk nemen ongelijkheid en precariteit toe. Geopolitieke turbulenties en ecologische besognes ontdoen onze evidenties van hun onschuld. Hoe moeten we dit alles begrijpen? Wat is de eigenlijke waarde en betekenis van internationaal werken, in een verschuivende maatschappelijke context? Welke fricties en contradicties doen zich voor? Welke antwoorden of alternatieven ontwikkelen artiesten en organisaties? Hoe kan het toekomstige internationale werken in de kunsten eruit zien?
kunst --- eenentwintigste eeuw --- 7.01 --- kunst en ecologie --- kunst en recht --- kunst en economie --- kunst en politiek --- kunsttheorie --- België --- internationalisering --- artists [visual artists] --- Philosophy and psychology of culture --- onderzoek in de kunsten --- globalization
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The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital age. Trevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings. This book presents over three decades of Paglen's groundbreaking work, making visible the structures and technologies that impact our lives.
Art, Modern --- bewaking --- surveillance --- activisme --- literatuur --- fotografie --- kunst --- Verenigde Staten --- installaties --- eenentwintigste eeuw --- Paglen Trevor --- kunst en politiek --- 7.071 PAGLEN --- kunst en economie --- Contemporary art --- Paglen, Trevor --- installations [visual works] --- art [fine art] --- technology --- photography [process] --- Art --- political art --- video art --- Modernism (Art) --- Paglen, Trevor, --- technology [general associated concept] --- Trevor Paglen --- 7.07 --- Paglen, Trevor °1974 (°Camp Springs, Verenigde Staten) --- Kunst en politiek --- Kunst en maatschappijkritiek ; activisme --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Paglen, Trevor, - 1974 --- -Art, Modern --- -Paglen, Trevor, - 1974 --- -Art --- art [discipline] --- -Trevor Paglen
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AES+F ; Akomfrah, John ; Barbey, bruno ; Berry, Ian ; Biemann, Ursula ; Tavares, Paulo ; Brodsky, Marcelo ; Burri, René ; Caron, Gilles ; Depardon, Raymond ; Douglas, stan ; Fatmi, Mounir ; Freed, Leonard ; Gaumy, Jean ; Glinn, Burt ; Hamaya, Hiroshi ; Jantjes, Gavin ; Loskutov, Artem ; Mendel, Gideon ; Ressler, Olivier ; Sacco, Graciela ; Sansour, Larissa ; Schapiro, Steve ; Schulze Eldowy, Gundula ; Serralongue, Bruno ; Storck, Henri ; Mellaerts , Hugo ; Tillmans, Wolfgang ; Williamson, Sue ; Willis, Thomas ; Hank ; Xu, Yong
kunst --- politiek --- kunst en politiek --- Yong Xu --- Willis Thomas Hank --- Williamson Sue --- Tillmans Wolfgang --- Mellaerts Hugo --- Storck Henri --- Serralongue Bruno --- Schulze Eldowy Gundula --- Schapiro Steve --- Sansour Larissa --- Sacco Gracielo --- Ressier Oliver --- Mendel Gideon --- Loskutov Artem --- Jantjes Gavin --- Hamaya Hiroshi --- Glinn Burt --- Gaumy Jean --- Freed Leonard --- fatmi mounir --- Douglas Stan --- Depardon Raymond --- Caron Gilles --- Burri René --- Brodsky Marcelo --- Tavares Paulo --- Biemann Ursula --- Berry Ian --- Barbey Bruno --- Alÿs Francis --- Akomfrah John --- AES+F --- 7.038/039 --- 7.039 --- 7.038 --- 77.038/039 --- 77.039 --- 77.038 --- sixties --- fotografie --- activisme --- mei 68 --- Exhibitions --- Documentaire fotografie --- Kunst en maatschappijkritiek --- Kunst en politiek --- Protestdemonstraties --- Fotografie ; 1950 - 2000
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Alÿs, Francis ; Araeen, Rasheed ; Arakawa ; Attia, Kader ; Belmore, Rebecca ; Bronson, AA ; Clark, Lygia ; Critical Art Ensemble ; Gates, Theaster ; Gins, Madeline ; Group Material ; Hsieh, Tehching ; Facettes, Huit ; Kelly, Mary ; Montano, Linda M. ; Oliveros, Pauline ; Ono, Yoko ; Piper, Adrian ; Pussy Riot ; Puusemp, Raivo ; Rainer, Yvonne ; Rammellzee ; Schneemann, Carolee ; Shvarts, Aliza ; Situationist International ; Staal, Jonas ; Stelarc ; Tan, Fiona ; Tanaka, Min ; Tjanpi Desert Weavers ; Vicuña, Cecilia ; Womanhouse
Art --- art [fine art] --- art theory --- Practice (Philosophy) --- Art, Modern --- Kunst --- kunst --- kunsttheorie --- praktijk --- kunstenaarspraktijk --- praxis --- 130.2 --- 7.039 --- 7.01 --- kunst en pôlitiek --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Philosophy --- Contemporary art --- Modernism (Art) --- Kunstpraktijk --- Kunst ; theorie, filosofie, esthetica --- art [discipline]
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The way we see the world has changed drastically since NASA released the 'blue marble' image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger's Ways of Seeing and Alvin Tofflers Future Shock, this book - part memoir, part critical analysis - should prove essential for anyone interested in the changing world of the internet.
art criticism --- new media art --- Art --- Internet --- digital art [visual works] --- computer art [visual works] --- Kholeif, Omar --- Art and the Internet --- Art, Modern --- kunst --- kunst en politiek --- 7.01 --- 7.039 --- internet --- nieuwe media --- kunst en wetenschap --- kunst en technologie --- kunsttheorie --- Internet and art --- Social aspects
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