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icons [devotional images] --- Madonna-beeld --- Renaissance --- Lucas schildert de Madonna --- Cleve, van, Joos
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Painting --- icons [devotional images] --- private collections [object groupings] --- religious art --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Greece
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Fragments presents one hundred and ten entries- from Acheiropoieton to Zwischenraum- that explore new insights and observations for research and criticism in art history, iconology and cultural anthropology. It offers a unique anthology of Barbara Baert's oeuvre. Each lemma bears the stamp of the author's personality and work, sometimes in the form of an encompassing explanation, sometimes a brief experimental musing, illustratied by iconic artefacts. This extraordinary glossary leverages the power of interdisciplinary research in art and human sciences, and invites the reader to consider the beauty of these disciplines by embracing multiple genres. Fragments is Barbara Baert's response to her being awarded the Belgian Francqui Prize Human Sciences 2016. This celebration book within the series Studies in Iconology is a token of gratitude and a sign of encouragement towards the desire of a deeper understanding of our artistic environments.
Iconografie --- Art --- Symbolism in art. --- Themes, motives. --- Philosophy. --- 070.4 --- 070.4 Pers: redaktionele organisatie --- Pers: redaktionele organisatie --- Icons --- Themes, motives --- Iconography
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This title provides an investigation of the icon-theology of St Theodore the Studite, mainly as it is presented in his three refutations of the iconoclasts, the Antirrhetici tres adversus iconomachos. Torstein Theodor Tollefsen explores Theodore's 'philosophy of images', namely his doctrine of images and his arguments that justify the legitimacy of images in general and of Christ in particular. Tollefsen offers a historical, theological, and philosophical exploration of Theodore's doctrine of images and his arguments justifying the legitimacy of images and of Christ.
235.3 THEODORUS STUDITA --- 235.3 THEODORUS STUDITA Hagiografie--THEODORUS STUDITA --- 235.3 THEODORUS STUDITA Hagiographie--THEODORUS STUDITA --- Hagiografie--THEODORUS STUDITA --- Hagiographie--THEODORUS STUDITA --- Iconoclasm --- Icons --- Image (Theology) --- Cult --- History of doctrines --- Theodore, --- Iconoclasm - Europe - To 1500 --- Icons - Cult - Byzantine Empire - Early works to 1800 --- Image (Theology) - History of doctrines - Middle Ages, 600-1500 --- Theodorus Studita --- Iconoclasme --- Theodore, - Studites, Saint, - 759-826. - Antirrheticus adversus iconomachos --- History --- Idols and images --- Worship --- Feodor, --- Teodor Studyta, --- Teodoro, Estudita, --- Teodoro, --- Theodor, --- Theodōros, --- Theodorus Studita, --- Феодор,
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Das sogenannte Lukasbild des Freisinger Diözesanmuseums gehört zu den kostbarsten byzantinischen Kunstwerken in Bayern. Zahlreiche Wissenschaftler aus unterschiedlichen historischen und kunsttechnologischen Spezialgebieten haben sich mit ihrer Entstehung, Veränderung und abenteuerlichen Geschichte beschäftigt. Beiträge eines internationalen Symposiums mit Spezialisten aus Geschichte und Kunstgeschichte, Theologie und Byzantinistik rekonstruieren die mit der Ikone verknüpften Ambitionen. Sie widmen sich u.a. dem Phänomen der Ikone und ihrer wundersamen Entstehung, der Aussagekraft einer Bildreliquie als Kultbild sowie der Frage nach ihrer Einbettung in westliche Repräsentationsformen. In einem internationalen Projekt wurden die Ikone und ihr mit Emailarbeiten kostbar geschmückter Silberbeschlag mit neuesten kunsttechnologischen Methoden untersucht.
Icons, Byzantine --- Mary, --- Freisinger Lukasbild (Icon) --- Mary, Blessed Virgin, Saint. --- Icons, Byzantine. --- Byzantine icons --- Christian art and symbolism --- Near Infrared (NIR) reflectography --- Osmanen --- Macro X-Ray Fluorescence scanning (Macro XRF) --- Konstantinopel --- Infrarotreflektographie --- Ikone --- Icon --- Hope of the Hopeless --- Ottoman --- Radiocarbon (C14)-Datierung --- Radiocarbon dating --- Radiographie --- Röntgenfluoreszenz-Imaging --- Saint Luke --- Saloniki --- Thessaloniki --- Venedig --- Venice --- X-radiography --- Byzantium --- Byzanz --- Constantinople --- Freising --- Hl. Lukas --- Hoffnung der Hoffnungslosen --- Icons, Byzantine - Congresses. --- Lucas evangelista --- Portrait de Marie --- Mary, - Blessed Virgin, Saint - Art - Congresses. --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Majka Isusova --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin, --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana, --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Emmitsburg --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María, --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria, --- مريم --- مريم العذراء --- 성모마리아 --- Mary, - Blessed Virgin, Saint
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The Second Council of Nicaea (787) decreed that religious images were to set up in churches and venerated. It thereby established the cult of icons as a central element in the piety of the Orthodox churches, as it has remained ever since. In the West its decrees received a new emphasis in the Counter-Reformation, in the defence of the role of art in religion. It is a text of prime importance for the iconoclast controversy of eighth-century Byzantium, one of the most explored and contested topics in Byzantine history. But it has also a more general significance - in the history of culture and the history of art. This edition offers the first translation that is based on the new critical edition of this text in the Acta Conciliorum Oecumenicorum series, and the first full commentary of this work that has ever been written. It will be of interest to a wide range of readers from a variety of disciplines.
Icons --- Cult --- History --- Council of Nicaea --- 262.5*17 --- 262.5*17 Nicea II--(787) --- Nicea II--(787) --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Concilio niceno --- Convegno niceno --- Council of Nicaea, --- Konzil von Nizäa --- Councils and synods --- Veneration of saints and Christian union --- Iconoclasm. --- Catholic Church --- Orthodox Eastern Church --- Veneration of saints and Christian union. --- Councils and synods. --- Cult. --- Orthodox Eastern Church. --- Catholic Church. --- Council of Nicaea. --- Concilium Nicaeum (787) --- To 1500 --- Councils and synods - History - To 1500 - Sources. --- Veneration of saints and Christian union - History - To 1500. --- Concile de Nicée (2ème, 787)
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Published for the first time: a rich epistolary dialogue revealing one master teacher's power to shape the cultural canon and one great composer's desire to embed himself within historical narratives.
Conductors (Music) --- Boulanger, Nadia --- Stravinsky, Igor, --- Boulanger, Nadia. --- Music conductors --- Music directors --- Musicians --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Stravinskij, Igor' Fëdorovič --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Igor Stravinsky. --- Nadia Boulanger. --- Selected correspondence. --- Stravinsky family. --- composer correspondence. --- cultural icons. --- historical narratives. --- modernist period. --- music conversation. --- music education. --- music history. --- music legacy. --- music relationship. --- music researchers. --- music scholars. --- musical dialogue.
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