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Auteur Ignace Schretlen draagt dit boek op aan zijn kinderen Cédric en Vivienne die zijn ogen nog meer openden voor het wonder van de creativiteit. Na "The biology of art" van Desmond Morris en "La peinture des singes" van Thierry Lenain is dit het derde boek dat wordt gewijd aan tekeningen en schilderwerken van mensapen. Schretlen onderzoekt in dit boek in hoeverre apenkrabbels en mensenkrabbels van elkaar te onderscheiden zijn en waarom beiden naast elkaar kunnen staan. De auteur heeft ook aandacht voor de Métamic 10, de tekenmachine van de Zwitserse kunstenaar Jean Tinguely, die ook krabbels produceert.

Drawing --- drawing [image-making] --- Primates [order] --- primaten

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Drawing --- drawing [image-making] --- Giacometti, Alberto --- Paris

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Sculpture --- sculpture [visual works] --- drawing [image-making] --- human figures [visual works] --- Bernhard, Franz

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Accompanying an exhibition at the Morgan Library & Museum, New York, and the National Gallery of Art, Washington, D.C., this substantial monograph offers a full overview of the drawings of Jacopo Tintoretto, one of the most celebrated artists of the Italian Renaissance. Drawing in Tintorettos Venice is a comprehensive account of Tintorettos work as a draftsman and also includes discussion of drawings by his closest Venetian contemporaries.

Jacopo Tintoretto (1518/19-1594) was among the most distinctive artists of the Italian Renaissance. Yet, although his bold paintings are immediately recognizable, his drawings remain unfamiliar even to many scholars. Drawing in Tintorettos Venice offers a complete overview of Tintoretto as a draftsman. It begins with a look at drawings by Tintorettos precedents and contemporaries, a discussion intended to illuminate Tintorettos sources as well as his originality, and also to explore the historiographical and critical questions that have framed all previous discussion of Tintorettos graphic work. Subsequent chapters explore Tintorettos evolution as a draftsman and the role that drawings played in his artistic practiceboth preparatory drawings for his paintings and the many studies after sculptures by Michelangelo and othersthus examining the use of drawings within the studio as well as teaching practices in the workshop. Later chapters focus on the changes to Tintorettos style as he undertook ever larger commissions and accordingly began to manage a growing number of assistants, with special attention paid to Domenico Tintoretto, Palma Giovane, and other artists whose drawing style was influenced by their time working with the master.

Drawing --- drawing [image-making] --- Venetiaanse school --- Tintoretto --- anno 1500-1599 --- Venice

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Sculpture --- sculpture [visual works] --- drawing [image-making] --- polychromy --- wood [plant material] --- Balkenhol, Stephan