Listing 1 - 10 of 13 | << page >> |
Sort by
|
Choose an application
Balls (Parties) --- Ballroom dancing --- Dance --- Dance parties --- Human body
Choose an application
Trump and Trumpism, 21st century warfare, chronic illness, intellectual property: These are just some of the issues examined here. Inspired by the work of Michel Foucault, this book includes articles from scholars employing political genealogy as a methodology and model of theoretical inquiry representing a wide range of disciplines, from the social sciences to the humanities, from philosophy to medicine, to economics, to political and cultural theory. Featuring some of the best and most current work in political genealogy, this work invites us to rethink many of the key concepts in political theory as well as cultural types of expression that we do not routinely think of as political, such as dance, romantic movies, and literature. Broadly conceived, this volume contains essays-excursions, explorations, experimentations-into how political genealogy helps us to understand what Foucault calls "the history of our present," while at the same time looking to our future, to what being a political subject will look like in the 21st century.
Dance --- Political science --- Political aspects. --- Philosophy. --- Political philosophy --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
Choose an application
This book addresses the need for critical scholarship about contemporary dance practices in Ireland. Bringing together key voices from a new wave of scholarship to examine recent practice and research in the field of contemporary dance, it examines the excitingly diverse range of choreographers and works that are transforming Ireland’s performance landscape. The first section provides a chronologically-ordered collection of critical essays to ground the reader in some of the most important issues currently at play in contemporary dance in Ireland. The second section then provides an interrogation of individual choreographers’ processes. The book traces new choreographic work and trends through a broad array of topics, including somatics in performance, screendance, cultural trauma, dance archives, affect studies, feminist perspectives, choreographic process, the dancer’s voice, interdisciplinarity, and pedagogical paradigms.
Dance --- Social aspects --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance. --- Performing arts. --- Performing Arts. --- Show business --- Arts --- Performance art
Choose an application
This is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Sehgal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
Performance art. --- Arts, Modern --- Happenings (Art) --- Performing arts --- Performing arts. --- Dance. --- Performing Arts. --- Dances --- Dancing --- Amusements --- Balls (Parties) --- Eurythmics --- Show business --- Arts --- Performance art
Choose an application
Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius. The volume is divided into two parts: while the second part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and literary treatments of dance interacted with other areas of cultural expression, whether language and poetry, rhetoric and art, or philosophy and religion. Its distinctive contribution lies in this juxtaposition of ancient theorizations of dance and philosophical analyses of the medium with literary depictions of dance scenes and performances, and it attends not only to the highly encoded genre of pantomime, which dominated the stage in the Roman Empire, but also to acrobatic, non-representational dances. This twofold nature of dance sparked highly sophisticated reflections on the relationship between dance and meaning in the ancient world, and the volume defends the novel claim that in the imperial period it became more and more palpable that dance, unlike painting or sculpture, could be representational or not: a performance of nothing but itself. It argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing, and that its way to cognition and action is physical experience.
Dance --- Dance in literature --- Dancing in literature --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- History --- E-books --- Civilization, Greco-Roman. --- History. --- Anthropological aspects --- Civilization, Greco-Roman
Choose an application
This book explores Black British dance from a number of previously-untold perspectives. Bringing together the voices of dance-artists, scholars, teachers and choreographers, it looks at a range of performing arts from dancehall to ballet, providing valuable insights into dance theory, performance, pedagogy, identity and culture. It challenges the presumption that Blackness, Britishness or dance are monolithic entities, instead arguing that all three are living networks created by rich histories, diverse faces and infinite future possibilities. Through a variety of critical and creative essays, this book suggests a widening of our conceptions of what Black British dance looks like, where it appears, and who is involved in its creation.
Dance, Black --- Black dance --- Blacks --- Dancing --- Culture—Study and teaching. --- Dance. --- Performing arts. --- Popular Science in Cultural and Media Studies. --- Performing Arts. --- Dances --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Show business --- Arts --- Performance art
Choose an application
How might spoken words be translated into choreography? This book addresses the field of verbatim dance-theatre, around which there is currently limited existing scholarly writing. Grounded in extensive research, the project combines dance studies and performance studies theory, detailed analysis of professional choreographic work and examples of experimental practice to then employ the framework of translation studies in order to consider what a focus on movement and an attempt to dance/move other people’s words can offer to the field of verbatim theatre. It investigates ways to understand, articulate and engage in the process of choreographing movement as a response to verbatim spoken language. It is directed at an international audience of dance studies scholars, theatre and performance studies scholars and dance-theatre practitioners, and it would be appropriate reading material for undergraduate students seeking to develop their understanding of choreographic processes that use written/spoken text as a starting point and graduate students working in the area of adaptation, verbatim theatre, physical theatre or devised theatre.
Dance --- Research. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance. --- Performing arts. --- Theater. --- Performing Arts. --- Contemporary Theatre. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Show business --- Arts --- Performance art
Choose an application
This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter. In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
Performing arts --- Theater --- Dance --- Show business --- Arts --- Performance art --- Dances --- Dancing --- Amusements --- Balls (Parties) --- Eurythmics --- Moral and ethical aspects. --- Moral and religious aspects --- Theater. --- Theatre and Performance Studies. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors
Choose an application
This book investigates the global hub airport as an exemplar of cosmopolitan culture and space. A machine made for movement, itself perched at the crossroads of the world’s incessant mobility, the airport is both a symbol of and stage for the ways in which we construct and inhabit the world today. Taking an ethnographically-inflected approach, this study brings together knowledge of the moving body from dance and performance and the study of systems of mobility within cultural and mobilities studies, in order to call attention to the kinaesthetic experience of global space. What is the choreography of the global airport? How does it perform on us. How do we perform within it? Extending thinking about contemporary cosmopolitanism and cultural identity, and the performativity of places and identities, this book is essential reading for those interested in cultural debates around globalisation, the innovative application of performance theory towards everyday experience, and interdisciplinary methodologies.
Airports --- Air travel --- Emigration and immigration. --- Social aspects. --- Performing arts. --- Culture. --- Dance. --- Technology. --- Performing Arts. --- Global/International Culture. --- Culture and Technology. --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Show business --- Arts --- Performance art --- Social aspects
Choose an application
This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum ’n’ bass. Dancing is revealed as the central way in which drum ’n’ bass clubbers construct and perform their identities, which are informed, although not defined, by the club culture’s histories. The intertextual and intercultural development of drum ’n’ bass musical and clubbing culture is shown to be represented in the dancing body, prompting a challenge to the discourse of cultural appropriation. Popular representations of identities are embodied by drum ’n’ bass clubbers through affective transmission via the popular screen, and in this process are re-valued in their embodiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance. .
Electronic dance music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
Listing 1 - 10 of 13 | << page >> |
Sort by
|