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Geometry --- Architecture --- architecture [discipline] --- architectural history --- morphology [attribute] --- geometric shape
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color [perceived attribute] --- self-portraits --- palettes [painting equipment]
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Philosophy of nature --- Evolution. Phylogeny --- growth --- morphology [attribute]
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BGP is an interdomain routing protocol, used to learn and propagate prefixes in the Internet. It is used by ASes to exchange reachability information. To indicate the reachability of a subnet, an AS can send route advertisements to its neighbouring ASes. When multiple routes are available to join a given destination, the routing decision taken by BGP to select the best route relies on mechanisms that can be enforced by BGP attributes. This thesis focuses on one of these attributes: the BGP community. The BGP community attribute is a means to label a route to add information to it. Measurements and analyses spanning the history of BGP communities are used to evaluate the usage of that attribute. A taxonomy refining the proposition made by Donnet and Bonaventure ten years ago is proposed to enable the classification of the BGP communities. A quantification of the BGP communities based on that taxonomy contributes to uncover the recent trends ruling the usage of BGP communities. A website gathering information about the communities of the studied ASes is presented (http://www.montefiore.ulg.ac.be/~bgp_communities/).
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color [perceived attribute] --- costume [mode of fashion] --- slavenhandel --- anno 1500-1799 --- Angola --- Congo
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Painting --- color [perceived attribute] --- easel paintings [paintings by form] --- Iturrino, Francisco
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Art --- installations [visual works] --- relief [sculpture techniques] --- drawing [image-making] --- photography [process] --- color [perceived attribute] --- texture [physical attribute] --- video art --- film stills --- architectural elements --- patterns [design elements] --- mixed media works --- Barriball, Anna
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Art --- woodcuts [prints] --- sculpture [visual works] --- drawing [image-making] --- Abstract [fine arts style] --- raised [form attribute] --- Pape, Lygia
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Claude Monet steht wie kein anderer für die Malerei des Impressionismus. Der Band beleuchtet Monets Werdegang vom Realismus über den Impressionismus bis hin zu einer Malweise, bei der sich die Farben und das Licht allmählich vom Gegenstand lösen. Im Fokus stehen sein bislang wenig untersuchtes Farbkonzept und seine leidenschaftliche Auseinandersetzung mit Motiven seines Gartens in Giverny. Der französische „Meister des Lichts“ (1840–1926) war ein zentraler Wegbereiter der Malerei im 20. Jahrhundert. Er malte am Meer, an der Steilküste der Normandie und an den Ufern der Seine. Monets Licht und Farben wechseln auf der Leinwand mit der sich stets verändernden Natur. Um die Vielfalt an atmosphärischen Eindrücken zu erfassen, malt er viele seiner Motive in Serien. Bei der Beschäftigung mit der Pflanzen- und Wasserwelt seines Gartens wird das Motiv nach und nach von der Naturbeobachtung unabhängig. So bereitet der Künstler mit seinem Spätwerk den Boden für die Malerei des abstrakten Expressionismus.
Art styles --- Painting --- color [perceived attribute] --- easel paintings [paintings by form] --- Nature --- landscapes [representations] --- Impressionist [style] --- Monet, Claude
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