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Yang Mu is a towering figure in modern Chinese poetry. His poetic voice is subtle and lyrical, and his work is rich with precise images and crystalline thoughts invoking temporality and remembrance. A bold innovator and superb craftsman, he elegantly combines cosmopolitan experimentation with poetic forms and an allusive reverence for classical Chinese poetry while remaining rooted in his native Taiwan and its colonial history.Hawk of the Mind is a comprehensive collection of Yang Mu's poetry that presents crucial works from the many stages of his long creative career, rendered into English by a team of distinguished translators. It conveys the complexity and beauty of Yang Mu's work in a stately and lucid English poetic register that displays his ability to range from meditative to playful and colloquial to archaic. The volume includes an editor's introduction and definitive commentary that offer insights into the poet's major themes and motifs, explaining how he draws on deep engagement with Chinese and Western literary traditions, history, and art as well as mythology, philosophy, and music and a profound love for the natural world to create a nuanced and multifaceted artistic universe. It also contains translations of prefaces and afterwords written by Yang Mu for collections of his poetry. Hawk of the Mind demonstrates the breadth and depth of Yang Mu's oeuvre, illustrating the distinctive style and affective power of a great poet.
POETRY / Asian / Chinese. --- Yang, Mu, --- 楊牧, --- 杨牧, --- Wang, C. H. --- Ye, Shan, --- Yang, Mu --- 楊牧 --- 杨牧 --- Ye, Shan
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This book is a short introduction to classical field theory, and is most suitable for undergraduate students who have completed at least intermediate-level courses in electromagnetism and classical mechanics. The main theme of the book is showcasing the role of fields in mediating action-at-a-distance interactions. Suitable technical machinery is developed to explore at least some aspect of each of the four known fundamental forces in nature. Beginning with the physically-motivated introduction to field theory, the text covers the relativistic formulation of electromagnetism in great detail so that aspects of gravity and the nuclear interaction not usually encountered at the undergraduate level can be covered by using analogies with familiar electromagnetism. Special topics such as the behavior of gravity in extra, compactified dimensions, magnetic monopoles and electromagnetic duality, and the Higgs mechanism are also briefly considered.
Teoría cuántica de campos --- Field theory (Physics) --- Electromagnetism. --- Yang-Mills theory. --- Gravity.
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Art --- chairs [furniture forms] --- tables [support furniture] --- installations [visual works] --- art [discipline] --- taste [aesthetics] --- social stratification --- Yang, Haegue
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Art --- mural paintings [visual works] --- sculpture [visual works] --- video art --- light art --- mixed media --- odors --- spices --- sound art --- Yang, Haegue --- Duras, Marguerite --- Yun, Isang
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Owing to efforts in both theoretical and experimental research, a better understanding of the interpretation and many fundamental principles of quantum mechanics has been achieved. These include the complementarity principle, the geometrical phase, the topological phase, the boundary between quantum and classical mechanics, quantum mechanics on the macroscopic level, and so on. Part of this book is devoted to introducing these developments. Significant progress in the frontier research in various branches of physics has been achieved by making use of the insights and judgements originating from quantum mechanics. Part of this book is devoted to introducing some of these fields, namely quantum information, cavity quantum electrodynamics, the quantum Hall effect and the Bose-Einstein condensation. Basic physical ideas and methods are emphasized, instead of going into technical details. The Yang-Baxter system has become a prosperous field of mathematical physics. The last part of the book is devoted to introducing its application to some basic problems in quantum mechanics, and again basic physical ideas are emphasized.
Quantum theory. --- Quantum field theory. --- Bose-Einstein condensation. --- Van der Waals forces. --- Casimir effect. --- Yang-Baxter equation. --- Quantum groups. --- Théorie quantique. --- Théorie quantique des champs. --- Condensation de Bose-Einstein. --- Van der Waals, Forces de. --- Casimir, Effet. --- Yang-Baxter, Équation de. --- Groupes quantiques.
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This comprehensive catalogue raisonné documents and depicts Yangʼs entire oeuvre, from early action-based objects to lacquer paintings, photographs, works on paper and video, anthropomorphic sculptures, performative works, and large-scale installations with venetian blinds. The abbreviation ETA is internationally recognized as meaning estimated time of arrival, among other things, and points to an artistic career in transit and the constant itineracy of an artist who has exhibited internationally since 1994.
Art --- collages [visual works] --- installations [visual works] --- photography [process] --- light art --- easel paintings [paintings by form] --- recycling --- interactive art --- straw [plant material] --- sound art --- mixed media works --- Yang, Haegue --- paintings [visual works]
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Seoul (Korea) --- Economic conditions. --- Economic integration. --- Seoul Metropolitan Government (Korea) --- Sye-ul (Korea) --- Wang-ching (Korea) --- Wō-jō (Korea) --- Kyŏngsŏng (Korea) --- Keijō (Korea) --- Choei-yuen (Korea) --- Hang-yang-tcheng (Korea) --- Han-yang (Korea) --- Hâ-seng (Korea) --- Kan-yō-jō (Korea) --- Keizyō (Korea) --- Kiung (Korea) --- Seul (Korea) --- Sŏul (Korea) --- Sŏul T'ŭkpyŏlsi (Korea) --- Sīʼūl (Korea) --- Seoul Special City (Korea) --- 서울 (Korea) --- Seoul-teukbyeolsi (Korea) --- 서울특별시 (Korea) --- Keijō-fu (Korea) --- Keijō-shi (Korea) --- Kēzyō (Korea) --- Kyŏngsŏng-bu (Korea) --- Special City of Seoul (Korea) --- Seoul City (Korea) --- Sŏul-si (Korea) --- Economic history. --- Economic conditions --- History, Economic --- Economics
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To understand a city fully, writes Di Wang, we must observe its most basic units of social life. In The Teahouse under Socialism, Wang does just that, arguing that the teahouses of Chengdu, the capital of Sichuan Province, are some of the most important public spaces-perfect sites for examining the social and economic activities of everyday Chinese. Wang looks at the transformation of these teahouses from private businesses to collective ownership and how state policy and the proprietors' response to it changed the overall economic and social structure of the city. He uses this transformation to illuminate broader trends in China's urban public life from 1950 through the end of the Cultural Revolution and into the post-Mao reform era. In doing so, The Teahouse under Socialism charts the fluctuations in fortune of this ancient cultural institution and analyzes how it survived, and even thrived, under bleak conditions. Throughout, Wang asks such questions as: Why and how did state power intervene in the operation of small businesses? How was "socialist entertainment" established in a local society? How did the well-known waves of political contestation and struggle in China change Chengdu's teahouses and public life? In the end, Wang argues, the answers to such questions enhance our understanding of public life and political culture in the Communist state.
Socialism and culture --- Tearooms --- Tea houses (Restaurants) --- Tea rooms --- Tea shops --- Teahouses (Restaurants) --- Teashops --- Restaurants --- Culture and socialism --- Culture --- History --- Chengdu (China) --- 成都 (China) --- Chengtu, China --- Tschengtu (China) --- Chʻeng-tu (China) --- Chʻeng-tu-shih (China) --- Hua-yang (China) --- Chengdu Shi (China) --- Chʻeng-tu-hsien (China) --- Politics and government --- Social life and customs --- China Chinese. --- 成都市(China) --- Chʻeng-tu shih (China) --- Khreng-tuʼu (China)
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"A unique and visionary generation of young Chinese artists are coming to prominence in the art world - just as China cements its place as the second largest art market on the planet. Building on the new frontiers opened up by the Chinese artists of the late 1980s and 1990s, artists such as Ai Wei Wei who came to the West and became household names, this new generation are provocative, exciting and bold. But what does it mean to be a Chinese artist today? And how can we better understand their work? Here, renowned critic Barbara Pollack presents the first book to tell the story of how these Chinese millennials, fast becoming global art superstars, negotiate their cultural heritage, and what this means for China's impact on the future of global culture."--Provided by publisher.
Art, Chinese --- Art --- S17/1950 --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Songzhuang (Group of artists) --- China: Art and archaeology--Post-modern and contemporary art --- art [fine art] --- Cao Fei --- Chi Peng --- Jin Shan --- Liang Shuo --- Liang Yuanwei --- Liu Wei --- Qiu Xiaofei --- Wen Ma, Jennifer --- Xu Zhen --- Zhang Ding --- Ma, Qiusha --- Yu Ji --- Yang, Lu --- Yan, Xing --- Yang, Dongxue --- Zhao, Yao --- Zhao Zhao --- Guan, Xiao --- Wang, Xu --- Tianzhuo, Chen --- Zhou, Chen --- Ran, Cheng --- Jie, Cui --- Ling, Gao --- He, Bill --- Shangyu, Hua --- Jin Nv --- Kong Mo --- Liao Li --- Liao, Pixy --- Lin Ke --- Liu Di --- Miao Ying --- Tao Hui --- Wu, Cici --- Ye Funa --- anno 2010-2019 --- China --- Art, Primitive --- Ji, Yu --- art [discipline]
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An illuminating study tracing the evolution of drone technology and counterterrorism policy from the Reagan to the Obama administrations This eye-opening study uncovers the history of the most important instrument of U.S. counterterrorism today: the armed drone. It reveals that, contrary to popular belief, the CIA's covert drone program is not a product of 9/11. Rather, it is the result of U.S. counterterrorism practices extending back to an influential group of policy makers in the Reagan administration. Tracing the evolution of counterterrorism policy and drone technology from the fallout of Iran-Contra and the CIA's "Eagle Program" prototype in the mid-1980s to the emergence of al-Qaeda, Fuller shows how George W. Bush and Obama built upon or discarded strategies from the Reagan and Clinton eras as they responded to changes in the partisan environment, the perceived level of threat, and technological advances. Examining a range of counterterrorism strategies, he reveals why the CIA's drones became the United States' preferred tool for pursuing the decades-old goal of preemptively targeting anti-American terrorists around the world.
Drone aircraft --- Drones (Aircraft) --- Pilotless aircraft --- Remotely piloted aircraft --- UAVs (Unmanned aerial vehicles) --- Unmanned aerial vehicles --- Flying-machines --- Vehicles, Remotely piloted --- Airplanes --- Government policy --- Radio control --- United States. --- Agjencia Qendrore e Inteligjencës --- Central Intelligence Agency (U.S.) --- CIA (Central Intelligence Agency) --- CIP (United States. Centrālās izlūkošanas pārvalde) --- Mei-kuo chung yang chʻing pao ch --- National Security Council (U.S.). --- Si Aing Ei --- T͡Sentralʹnoe razvedyvatelʹnoe upravlenie SShA --- T͡SRU SShA --- T͡SRU (T͡Sentralʹnoe razvedyvatelʹnoe upravlenie SShA) --- National Security Council (U.S.) --- Mei-kuo chung yang chʻing pao chü --- T︠S︡entralʹnoe razvedyvatelʹnoe upravlenie SShA --- T︠S︡RU SShA --- T︠S︡RU (T︠S︡entralʹnoe razvedyvatelʹnoe upravlenie SShA) --- ЦРУ США --- ЦРУ (Центральное разведывательное управление США) --- Центральное разведывательное управление США --- ארצות הברית. --- 美國. --- Terrorism --- Prevention. --- Anti-terrorism --- Antiterrorism --- Counter-terrorism --- Counterterrorism
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