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"L'ouvrage est consacré à la réception de l'architecture antique, médiévale et moderne à travers les témoignages textuels et graphiques laissés par les voyageurs français et étrangers, depuis le XVe siècle où apparaissent les premiers témoignages significatifs, jusqu'au chantier de Versailles qui focalise durablement l'attention des visiteurs. Les descriptions les plus connues, citées souvent à partir d'extraits publiés à la fin du XIXe ou dans la première moitié du XXe siècle, sont envisagées dans leur ensemble et mises en parallèle. Les autres, souvent inédites, sont prises en compte pour les témoignages qu'elles apportent aussi bien sur les antiquités gallo-romaines que sur les édifices civils et religieux plus récents ou strictement contemporains. Les bâtiments sont donc étudiés à un moment de leur histoire mais aussi analysés et contextualisés en fonction des intérêts et des goûts manifestés par les divers voyageurs, selon l'époque, l'itinéraire, la durée du séjour, éventuellement la nationalité. L'étude de la réception de ces édifices vus dans le long terme et dans tous leurs états, en chantier, restructurés, agrandis, modernisés sous des propriétaires différents, en constante mutation et devenir dans leurs dedans comme dans leurs dehors, permet d'écrire une histoire du goût et de la curiosité comme de l'art d'habiter en France à l'époque moderne"--Back cover.

Architecture de la Renaissance --- Architecture --- Architecture, French --- French architecture --- Architecture de la Renaissance. --- travel --- anno 1400-1499 --- anno 1600-1699 --- France --- architectural history --- 72 <44> --- 72.034 --- 72.034 Architectuur van de renaissance; barok; rococo en koloniale stijl --- Architectuur van de renaissance; barok; rococo en koloniale stijl --- 72 <44> Architectuur. Bouwkunst--Frankrijk --- Architectuur. Bouwkunst--Frankrijk --- Architecture - France - 15th century --- Architecture - France - 16th century --- Architecture - France - 17th century --- receptiegeschiedenis

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easel paintings [paintings by form] --- Painting --- iconography --- liberal arts [cross-disciplinary studies] --- Iconography --- allegory [artistic device] --- Vos, de, Maarten --- 625.1 Schilderkunst --- 75.034 --- schilderkunst --- barok --- Maerten de Vos --- schilderkunst - barok, koloniale stijl, renaissance en rococo --- iconografie --- de Vos, Maerten --- 16de eeuw --- Symbolism in art --- Allegories --- De Vos, Maarten --- iconografie. --- de Vos, Maerten. --- 16de eeuw.

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The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms.

Painting --- French [culture or style] --- easel paintings [paintings by form] --- Rococo --- National Gallery [London] --- anno 1700-1799 --- France --- Painting, French --- Peinture française --- Peinture --- 20.00 art sciences: general. --- National Gallery (Great Britain) --- 1700-1799 --- England --- Portrait painting, French --- Peinturede portraits française

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"What was the role of women artists in Late Renaissance and Baroque Italy? How did they come into their own artistically in a male-dominated world? Such is the premise of the fall exhibition of the Museum of Fine Arts Ghent (MSK). Featuring some fifty paintings, the exhibition sheds light on the critical role of women painters in Italy from 1550 to 1680. Artemisia Gentileschi (1593-1652), arguably the most famous female artist of 17th-century Italian art, figures prominently in the exhibition, which compares her work with that of her female contemporaries. The inclusion of decorative art objects from the period serve to contextualize the works of these women. During the 16th and 17th centuries, women artists in Venice, Rome, Naples, and Bologna undeniably shared a common ground that earned them their own place in the Baroque aesthetics. These women chose to dedicate themselves to painting and, consequently, to compete with accomplished male artists and their studios...'The ladies of the baroque' shows how these painters tackled the restrictions of their time in inventive ways. To that end, the MSK has brought together an exceptional selection of works from both prestigious museum such as the Galleria degli Uffizi (Firenze), the Gemäldegalerie (Berlin) and the Galleria Borghese (Rome), as well as finds from important private collections. Many of these works have been on public display only occasionally or are presented now for the first time."-- Museum voor Schone Kunsten Gent website.

Painting, Baroque --- Women artists --- 75.034 --- Schilderkunst ; Italië ; 16de en 17de eeuw --- Schilderkunst ; Barok --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Gent ; Museum voor Schone Kunsten --- Artists, Women --- Women as artists --- Artists --- Schilderkunst ; Renaissance. Barok. Rococo --- Exhibitions --- 75.034(450) --- Schilderkunst ; Renaissance. Barok. Roccoco ; Italië --- Painting --- women [female humans] --- Italian Renaissance-Baroque styles --- anno 1600-1699 --- anno 1500-1599 --- Italy --- vrouw in de kunst --- Fontana, Lavinia --- Sirani, Elisabetta --- Vezzi, Virginia --- Caccia, Orsola Maddalena [Suor] --- Galizia, Fede --- Garzoni, Giovanna --- Gentileschi, Artemisia --- Anguissola, Sofonisba --- easel paintings [paintings by form] --- kunst --- zeventiende eeuw --- zestiende eeuw --- gender studies --- feminisme --- Italië --- barok --- schilderkunst --- contrareformatie --- vrouwelijke kunstenaars --- Cacci, Orsola Maddalena --- Robusti, Marietta --- 16de eeuw --- 17de eeuw --- vrouwelijke kunstenaars. --- barok. --- contrareformatie. --- Anguissola, Sofonisba. --- Garzoni, Giovanna. --- Robusti, Marietta. --- Fontana, Lavinia. --- Galizia, Fede. --- Cacci, Orsola Maddalena. --- Gentileschi, Artemisia. --- Vezzi, Virginia. --- Sirani, Elisabetta. --- 16de eeuw. --- 17de eeuw. --- Italië. --- Painting, Italian --- Women painters --- History --- vrouwelijke kunstenaar --- Leicester Galleries. --- Sadler, Michael.