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As Teresa Longo's groundbreaking examination reveals, North America's dissident literature has its roots in the Latin American literary tradition. From Pablo Neruda's Canto General to Eduardo Galeano's Open Veins of Latin America to Gabriel García Márquez's One Hundred Years of Solitude--among others--contemporary writers throughout the Americas have forced us to reconsider the United States's relationship with Latin America, and more broadly with the Global South. Highlighting the importance of reading and re-reading the Latin American canon in the United States, Longo finds that literature can be an instrument of progressive social change, and argues that small literary presses--City Lights, Curbstone, and Seven Stories--have made that dissent visible in the United States. In the book's final two chapters on the Robert F. Kennedy Center's Speak Truth to Power initiative and the publication of Marc Falkoff's Poems from Guantánamo, the author turns our attention further outward, probing the role poetry, theater, and photography play in global human rights work. Locating the work of artists and writers alongside that of scholars and legal advocates, Visible Dissent not only unveils the staying-power of committed writing, it honors the cross-currents and the on-the-ground implications of humane political engagement.

Small presses --- Protest literature, Spanish --- Latin American poetry --- History. --- History and criticism.

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In the seventeenth century, Balthasar Moretus I was master of the Plantin Press. The Baroque era was in full sway and proved highly influential on developments in the world of books. Balthasar succeeded in getting leading artists to work on his book designs. This included collaborating with Peter Paul Rubens on more than twenty projects. Even today, publishers still play the role of director in terms of book innovation, and the relationship between publisher and artist remains as important now as it was in the past. "Balthasar Moretus and the passion of publishing" introduces the reader to fascinating publishing projects that make us look at books in a new light. We learn how both publisher and artist are constantly reinventing the book together.

graphic design --- Moretus, Balthasar I --- grafische vormgeving --- Moretus, Balthasar, --- Rubens, Peter Paul, --- Moretus, Balthasar --- Rubens, Petrus Paulus --- 094.0 MORETUS --- 655.15 <493 ANTWERPEN> --- 094.0 MORETUS Techniek van het oude boek (typografie)--MORETUS --- Techniek van het oude boek (typografie)--MORETUS --- 655.15 <493 ANTWERPEN> Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België--ANTWERPEN --- 655.15 <493 ANTWERPEN> Printing houses, presses and related businesses--België--ANTWERPEN --- Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België--ANTWERPEN --- Printing houses, presses and related businesses--België--ANTWERPEN --- Exhibitions --- Book history --- book history --- Rubens, Peter Paul

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Deux volumes des 'Nugae' seront consacrés à la thèse de Renaud Adam. Le premier livre est un historique détaillé de l'introduction de l'art typographique dans les Pays-Bas méridionaux et de son évolution jusqu'en 1520, complété par un dictionnaire prosopographique. Le second livre répond à la question: comment les premiers imprimeurs se sont-ils intégrés au tissu socio-économique des Pays-Bas méridionaux et de la principauté de Liège au tournant des XVe et XVIe siècles. Cette étude a été structurée autour de deux axes. Les regards se sont portés sur le métier d'imprimeur avec des questionnements centrés sur le statut juridique et l'organisation de cette profession, sur le fonctionnement interne d'une imprimerie ainsi que sur la commercialisation des livres et le profil de la clientèle. Les résultats de la dernière partie sont le fruit d'une investigation dans la composition de la communauté typographique et d'une tentative de décorticage des trames réticulaires nouées avec les autres acteurs de la société urbaine.

378.4 <493 LEUVEN> --- 094.1 <493> --- 655.11 --- 655.15 <493> --- 655.15 <493> Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België --- 655.15 <493> Printing houses, presses and related businesses--België --- Drukkerij en verwante ondernemingen: organisatie; gebruiken; beroepsvereniging--België --- Printing houses, presses and related businesses--België --- 655.11 Boekdrukkunst: ontstaan--algemeen --- 655.11 History of printing. Discovery of book-printing techniques --- Boekdrukkunst: ontstaan--algemeen --- History of printing. Discovery of book-printing techniques --- 094.1 <493> Oude drukken: bibliografie----Europa--België --- Oude drukken: bibliografie----Europa--België --- Universiteiten--België--LEUVEN --- Printing --- Publishers and publishing --- History --- Origin and antecedents --- Book history --- History of the Low Countries --- studios [work spaces] --- privileges [permissions] --- bookselling --- book history --- printers [people] --- anno 1400-1499 --- anno 1500-1599 --- Printing - Netherlands - History --- Printing - Netherlands - Biography - Dictionaries --- Histoire du livre --- Édition --- Histoire --- Biographie --- Pays-Bas --- Typographie --- Pays-Bas bourguignons --- Pays-Bas espagnols --- Imprimerie --- Imprimeurs --- Livres --- Industrie et commerce

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This book presents a survey of ninety of the finest and most interesting medieval manuscripts produced in the southern Netherlands. present-day Belgium . which ended up in Dutch public collections at various points in time.0This largely unknown cultural heritage is displayed here in a vast panoramic context ranging from the tenth to the mid-sixteenth century. The painted scenes in these handwritten books are not only of a high artistic quality, but also present a richly-textured picture of medieval life. The emphasis is on the role of books in the society of the Middle Ages: they served as expressions of sumptuousness on the part of the aristocracy, as richly-decorated books for church services, and as cherished objects used by affluent burghers for their private devotion. The authors also devote attention to the large-size, superbly-illustrated works of history and literature that were produced under the patronage of the dukes of Burgundy. Other subjects include the Order of the Golden Fleece, the artistic ties between the northern and southern Netherlands, pilgrim badges, and the transition from manuscripts to printed books.00Exhibition: Museum Catharijneconvent, Utrecht, The Netherlands (23.02.-03.06.2018).

Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Renaissance --- Renaissance illumination of books and manuscripts --- 091 <492/493> --- 930.85.42 --- 949.3.015 <0...> --- 949.3.015 <0...> Geschiedenis van België: Bourgondische periode--(1384-1482) --- Geschiedenis van België: Bourgondische periode--(1384-1482) --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Cultuurgeschiedenis: Middeleeuwen --- 091 <492/493> Handschriftenkunde. Handschriftencatalogi--De Nederlanden --- Handschriftenkunde. Handschriftencatalogi--De Nederlanden --- Exhibitions --- illuminations [visual works] --- Painting --- Book history --- Medieval [European] --- illuminated manuscripts --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- Flanders --- Christian art and symbolism --- Christian art and symbolism. --- Illumination of books and manuscripts, Dutch --- Illumination of books and manuscripts, Dutch. --- Netherlands. --- 091.31 <493> --- 091 <492 'S GRAVENHAGE> --- 091 <492 'S GRAVENHAGE> Handschriftenkunde. Handschriftencatalogi--Nederland--'S GRAVENHAGE --- Handschriftenkunde. Handschriftencatalogi--Nederland--'S GRAVENHAGE --- Verluchte handschriften--België --- 091.31 <493> Verluchte handschriften--België --- Painting, Medieval --- illuminations [painting] --- Illumination of books and manuscripts, Flemish --- Enluminure --- --Moyen âge, --- Manuscrit à peinture flamand --- --XIVe-XVe s., --- Exposition --- --2018 --- --Utrecht --- --Catalogue --- --Christian art and symbolism --- --091.31 <493> --- adellijke personen --- geschiedenis --- getijdenboek --- kloosters --- kunsthandel --- manuscripten --- mecenaat --- middeleeuwen --- miniaturen --- religieuze kunst --- trompe l'oeil --- verzamelingen --- Filips van Kleef (Heer van Ravestein) --- Bourgondië --- Nederland --- Zuidelijke Nederlanden --- --Illumination of books and manuscripts, Medieval --- 096 --- 096 Private presses --- Private presses --- abdij, klooster, convent, kloostergemeenschap --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Illumination of books and manuscripts, Medieval - Netherlands - Exhibitions --- Illumination of books and manuscripts, Renaissance - Netherlands - Exhibitions --- Illumination of books and manuscripts, Flemish - Flanders - Exhibitions --- Moyen âge, 476-1492 --- XIVe-XVe s., 1301-1500 --- Catalogue --- Utrecht --- miniaturen. --- manuscripten. --- geschiedenis. --- religieuze kunst. --- abdij, klooster, convent, kloostergemeenschap. --- kunsthandel. --- trompe l'oeil. --- getijdenboek. --- verzamelingen. --- mecenaat. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- adellijke personen. --- Filips van Kleef (Heer van Ravestein). --- Zuidelijke Nederlanden. --- Nederland. --- Bourgondië. --- illuminations [paintings]