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book (6)


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English (6)


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2018 (6)

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Book
Mughal Occidentalism, : Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630.
Author:
ISBN: 900437499X 9004371095 Year: 2018 Publisher: Leiden, Boston: Brill,

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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.


Book
Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture
Author:
ISBN: 9004352848 9789004352841 9789004340473 9004340475 Year: 2018 Publisher: Leiden, The Netherlands ; Boston, [Massachusetts] : Brill,

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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.


Book
Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture
Author:
ISBN: 9789004340473 Year: 2018 Publisher: Leiden ; Boston : Brill,

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Abstract

Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran, Turkey and India thus highlight the urban and intellectual changes that defined the early modern period.


Book
Mughal Occidentalism, : Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630.
Author:
ISBN: 9789004371095 9789004374997 900437499X 9004371095 Year: 2018 Publisher: Leiden, Boston: Brill,

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Abstract

In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.


Book
Rembrandt and the inspiration of India
Authors: --- --- ---
ISBN: 9781606065525 1606065521 Year: 2018 Publisher: Los Angeles: The J. Paul Getty Museum,

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Abstract

Late in Rembrandt's career, the celebrated Dutch artist took inspiration from Mughal paintings. The twenty-three surviving drawings, produced during the late 1650s, stand out among his oeuvre not only for their foreign subject matter but also for their meticulous style. This volume brings together these drawings with Mughal paintings for the first time and challenges the prevailing notion that Rembrandt "brought life" to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays demonstrate how Rembrandt's contact with Mughal paintings inspired him to draw in a refined style on Asian paper - an approach that was shaped by the Dutch trade in Surat and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt's engagement with India enriches our understanding of collecting in seventeenth-century Amsterdan, the Dutch global economy, and Rembrandt's artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.


Book
Babur : Timurid Prince and Mughal Emperor, 1483-1530
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ISBN: 1316227553 1108470076 Year: 2018 Publisher: Cambridge, England : Cambridge University Press,

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This book is a concise biography of Babur, who founded the Timurid-Mughal Empire of South Asia. Based primarily on his autobiography and existential verse, it chronicles the life and career of a Central Asian, Turco-Mongol Muslim who, driven from his homeland by Uzbeks in 1504, ruled Kabul for two decades before invading 'Hindustan' in 1526. It offers a revealing portrait of Babur's Perso-Islamic culture, Timurid imperial ambition and turbulent emotional life. It is, above all, a humanistic portrait of an individual, who even as he triumphed in South Asia, suffered the regretful anguish of an exile who felt himself to be a stranger in a strange land.

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