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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
Painting, Mogul Empire --- Art, European --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Mogul Empire painting --- Painting, Mogul --- European influences. --- Themes, motives. --- Influence.
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
Emotions in art. --- Art, Ottoman. --- Art, Mogul Empire. --- Art, Safavid. --- Architecture, Mogul Empire. --- Art, Moghul Empire --- Art, Mogul --- Art, Mughal Empire --- Art, Mughul Empire --- Moghul Empire art --- Mogul Empire art --- Mughal Empire art --- Mughul Empire art --- Ottoman art --- Safavid art --- Architecture, Indo-Muslim --- Architecture, Moghul Empire --- Architecture, Mogul --- Architecture, Mughal Empire --- Architecture, Mughul Empire --- Indo-Muslim architecture --- Moghul Empire architecture --- Mogul Empire architecture --- Mughal Empire architecture --- Mughul Empire architecture --- Turkey --- India --- Iran --- Civilization --- Civilization. --- Art, Mughal Empire. --- Architecture, Mughal Empire.
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran, Turkey and India thus highlight the urban and intellectual changes that defined the early modern period.
Emotions in art --- Art, Ottoman --- Art, Mogul Empire --- Art, Safavid --- Architecture, Mogul Empire --- Architecture, Indo-Muslim --- Indo-Muslim architecture --- Mogul architecture --- Safavid art --- Mogul art --- Ottoman art --- Turkey --- India --- Iran --- Civilization --- Civilization. --- Architecture, Moghul Empire --- Architecture, Mogul --- Architecture, Mughal Empire --- Architecture, Mughul Empire --- Moghul Empire architecture --- Mogul Empire architecture --- Mughal Empire architecture --- Mughul Empire architecture --- Art, Moghul Empire --- Art, Mogul --- Art, Mughal Empire --- Art, Mughul Empire --- Moghul Empire art --- Mogul Empire art --- Mughal Empire art --- Mughul Empire art --- Emotions in art. --- Architecture, Mogul Empire. --- Themes, motives.
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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
Iconography --- Mughal --- anno 1500-1599 --- anno 1600-1699 --- Europe --- India --- Peinture moghole --- Art --- Art, European --- Painting, Mogul Empire --- Influence européenne. --- Thèmes, motifs. --- Influence. --- European influences. --- Themes, motives. --- Painting, Mughal Empire
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Late in Rembrandt's career, the celebrated Dutch artist took inspiration from Mughal paintings. The twenty-three surviving drawings, produced during the late 1650s, stand out among his oeuvre not only for their foreign subject matter but also for their meticulous style. This volume brings together these drawings with Mughal paintings for the first time and challenges the prevailing notion that Rembrandt "brought life" to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays demonstrate how Rembrandt's contact with Mughal paintings inspired him to draw in a refined style on Asian paper - an approach that was shaped by the Dutch trade in Surat and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt's engagement with India enriches our understanding of collecting in seventeenth-century Amsterdan, the Dutch global economy, and Rembrandt's artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Drawing --- Painting --- Mughal --- drawings [visual works] --- easel paintings [paintings by form] --- Rembrandt --- South Asia --- Art, Mogul Empire --- Influence --- Rembrandt Harmenszoon van Rijn, --- Art, Mogul --- Influences --- Exhibitions. --- Mogul Empire art --- Rembrandt Harmenszoon van Rijn --- Rāmbirānt, --- Rembrandt Garmens van Reĭn --- Rembrandt van Rijn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Art, Mogul - Influences - Exhibitions --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Exhibitions --- invloed van Aziatische kunst --- cultural exchanges --- cultural diffusion --- Rembrandt Harmenszoon van Rijn, - 1606-1669 --- Art, Mughal Empire
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This book is a concise biography of Babur, who founded the Timurid-Mughal Empire of South Asia. Based primarily on his autobiography and existential verse, it chronicles the life and career of a Central Asian, Turco-Mongol Muslim who, driven from his homeland by Uzbeks in 1504, ruled Kabul for two decades before invading 'Hindustan' in 1526. It offers a revealing portrait of Babur's Perso-Islamic culture, Timurid imperial ambition and turbulent emotional life. It is, above all, a humanistic portrait of an individual, who even as he triumphed in South Asia, suffered the regretful anguish of an exile who felt himself to be a stranger in a strange land.
Babur, --- Zahīr al-Dīn Muḥammad, --- Muḥammad Bābar, Ẓahīr al-Dīn, --- Zakhir ad-Din Mukhammed Babur, --- Babur, Zakhir ad-Din Mukhammed, --- Zakhiriddin Mukhammad Babur, --- Babur, Zakhiriddin Mukhammad, --- Bobir, Zahiriddin Muhammad, --- Zahiriddin Muhammad Bobir, --- Zahiruddin Muhammed Babur, --- Baber, --- Babar, --- Babyr, Zakhir ad-din Mūkhammed, --- Bobur, Zaḣiriddin Muḣammad, --- Ẓahīr al-Dīn Muḥammad Bābur, --- Zahīru Dīn Muhanmado Bāburu, --- Bābara, Zahīruddīna Mohammada, --- Mohammada Bābara, Zahīruddīna, --- Zahīruddīna Mohammada Bābara, --- Zahiruddin Mohd. Babur, --- Babur, Zahiruddin Mohd., --- Bābar, Ẓahīruddīn Muḥammad, --- Ẓahīruddīn Muḥammad Bābar, --- Bābarshāh, Ẓahīr al-Dīn Muḥammad, --- Bāburshāh, Ẓahīr al-Dīn Muḥammad, --- Ẓahīr al-Dīn Muḥammad Bābarshāh, --- Babyr, Zahyreddin Muhammet, --- بابر، --- ،ظهير الدين محمد بابرشاه --- بابرشاه، ظهير الدين محمد، --- ظهير الدين محمد بابر, --- بابر، --- Mogul Empire --- History. --- Kings and rulers --- Mughal Empire
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