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Den Begriff des Tier(reichs) aufnehmend, entwerfen zwölf literarische Texte Ballhausens eine Zoologie des Imaginären. Auf der Basis des vierzehnteiligen mathematischen Denkspiels Stomachion entwickeln die digitalen Zeichnungen Peytchinskas ein Netz, ein sich faltend durch den Buchraum bewegendes theoretisches Tier (Origamion). Seine Linien, die gleichzeitig als Grenze und als Erweiterung von Sprache zu verstehen sind, verschränken sich in ihrer Bewegung mit dem Text. Literatur und Zeichnung treten in Dialog, ein Atlas der Sprachkunst manifestiert sich in Form einer neuen Ordnung. So wird FAUNA als ein zu öffnender Denkraum erfahrbar, ohne dass die Lesbarkeit dieser künstlerischen Unternehmung beeinträchtigt wird – Zeichnungen und Texte treffen sich als Akteure auf der Bühne des Buchraums. Referencing the animal kingdom, Ballhausen’s twelve literary texts create an imaginary zoological scenario. Based on Stomachion, the 14-part mathematical mind game, Peytchinska’s digital drawings develop a network – a theoretical animal (Origamion) that moves through the book space with the folding action. Its lines, which should be understood as boundary as well as an extension of language, interweave with the text as they move through the book. Literature and drawing enter into a dialog – an atlas of language art manifests in the form of a new order. In this way, FAUNA can be experienced as a thinking space that is to be opened – without however interfering with the readability of this artistic enterprise; drawings and text meet as actors on the stage of the book space.
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Avant-garde (Aesthetics) --- Literature, Experimental --- Arts, Modern --- History and criticism
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Avant-garde (Aesthetics) --- Literature, Experimental --- History and criticism
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Avant-garde (Aesthetics) --- Avant-garde (Aesthetics). --- Literature, Experimental --- Literature, Experimental. --- Russian literature --- Russian literature. --- Rysk litteratur --- History and criticism --- Historia. --- 1900-1999. --- 1900-talet. --- Russia (Federation). --- Russia.
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Poetics. --- Experimental poetry. --- Poetry --- Avant-garde poetry --- Literature, Experimental --- Social aspects. --- Technique
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Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors--like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White--as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
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General Strike, France, 1968 --- Riots --- French literature --- Social aspects. --- In literature. --- History and criticism --- Political aspects. --- Authors, French --- Literature, Experimental --- Politics and literature --- Social change in literature --- Political activity --- Authors, French - 20th century - Political activity --- Literature, Experimental - France - History and criticism --- French literature - 20th century - History and criticism --- Politics and literature - France
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Dadaist literature --- Dadaist literature. --- Literature, Experimental --- Literature, Experimental. --- Women authors, German. --- History and criticism. --- Ball-Hennings, Emmy, --- Criticism and interpretation. --- Women authors, German --- German women authors --- Dada literature --- Dadaism --- Literature --- History and criticism --- Ball, Emmy Hennings, --- Hennings, Emmy --- Ball-Hennings, Emmy
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"Postanarchism seeks to reframe and rethink our ontological and epistemological practices within and outside the academy. Anarchists in the Academy adopts postanarchism as a productive reading strategy for contemporary literature, particularly experimental poetry. Dani Spinosa takes up anarchism's power as a cultural and artistic ideology, rather than as a political philosophy, with a persistent emphasis on the common. Her micro-case studies of sixteen texts make a bold move toward politicizing readers and imbuing literary theory with an activist praxis--a sharp hope. This is a provocative volume for those interested in contemporary poetics, experimental literatures, and the digital humanities."--
aktivisme --- digital lyrikk --- Semiotics and literature. --- Experimental poetry --- Anarchism in literature. --- Avant-garde poetry --- Literature, Experimental --- Poetry --- Literature and semiotics --- Literature --- History and criticism. --- digital poesi --- postanarkisme --- Digital media. --- 2000-2099
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After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Informatics & the New American Poetry examines how some of the most well-known writers of the era described the tensions between the technical, literary and media cultures during the ascendency of computing. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac and Frank O'Hara, among others anthologized in Donald Allen's iconic The New American Poetry, 1945-1960, provided a canon of work that has proven increasingly relevant to our technological present. Engaging and elaborating upon the theories of contemporaneous technologists such as Norbert Wiener, Claude Shannon, J.C.R. Licklider, and a host of noteworthy others, these artists reveal the anxieties and avant-garde impulses they wrestled with as they came to terms with a complex of issues raised by the dawning of the nuclear age, computer-based automation, and the expansive reach of electronic media. As author Todd Tietchen reveals, even as these writers were generating novel forms and concerns, they often continued to question whether such technological changes were inherently progressive, or geared toward human well-being.
Science and the arts --- Technology and the arts --- Authors, American --- Beats (Persons) --- Literature, Experimental --- Literature and science --- Literature and technology --- American literature --- History --- Political and social views --- History and criticism --- History and criticsm
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