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Minoans --- Antiquities. --- Carinci, Filippo, --- Crete (Greece) --- Excavations (Archaeology) --- Antiquities --- Carinci, Filippo --- Minoans - Antiquities --- Crete (Greece) - Antiquities
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These inventories, are the most important testaments to the very considerable collecting activity of Philip II. They introduce readers to a place, the Royal Alcázar of Madrid, which was the king's main residence and the seat of the councils and, accordingly, the centre of government of the largest and most powerful monarchy of the day. The first and most important of these documents, the post-mortem Inventory of Philip II's possessions, was published in part by Sánchez Cantón between 1956 and 1959. As well as using current palaeographic criteria, the present work is the first complete edition, as it includes the record of the sale of most of these possessions to raise money to alleviate the kingdom's financial woes. This document contains valuable information about the destination and dispersal of many of the inventory items. The other document, the Inventory of Philip II's tapestries, was known only to scholars, who have mentioned a few of the entries. However, it had never been published in full and as a valuable document in its own right. This is the first complete and reliable edition of a set of documents that are essential to understanding the art collecting of the Prudent King, as Philip II was known.
Art --- Inventories --- Inventories. --- Private collections --- Private collections. --- Philip --- Art collections --- 1600-1699. --- Spain. --- Tapestry --- Fiber sculpture --- Tapestries --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Filips --- Felipe --- Filipe --- Philippe --- Filippe --- Philips --- Fīlīb --- Philipp --- Filippo
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Bruno, Giordano, --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו
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Michaël La Chance nous convie, dans son essai, à un vertigineux voyage à travers les niveaux de réalité. Il explore, avec rigueur mais aussi animé par une flamme visionnaire, l’interstice entre la mécanique quantique et la poésie. Loin de superposer les notions scientifiques et esthétiques, il découvre l’infinité du sens de l’information, radicalement nouvelle, circulant dans cet espace de l’entre-deux. Michaël La Chance interroge le langage dans son adhérence à la réalité et au réel. Son essai a la densité dramatique d’une pièce de théâtre où se croisent Borges et Heisenberg, Mallarmé et Giordano Bruno, Roberto Juarroz et Niels Bohr, Fernando Pessoa et David Bohm, Ezra Pound et Stephen Hawking. Au fond, Michaël La Chance nous convie au spectacle inouï de la beauté poétique du monde. Il illustre ainsi d’une manière brillante la vérité axiomatique énoncée par Heisenberg : « toute philosophie authentique se tient […] au seuil entre la science et la poésie ». Basarab Nicolescu
Quantum theory in literature. --- Poetry --- Poetics. --- Literature and science. --- Themes, motives. --- Bruno, Giordano, --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- Technique --- Subjects --- History and criticism --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו
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"Peter Paul Rubens and the Crisis of the Beati Moderni takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. Peter Paul Rubens and the Crisis of the Beati Moderni offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602."--Provided by publisher.
beati [people] --- Counter-Reformation and art --- Oratorians --- Santa Maria in Vallicella (Church : Rome, Italy) --- Christian church history --- Christian special devotions --- Rubens, Peter Paul --- Christian art and symbolism --- Altarpieces --- Counter-Reformation --- Neri, Filippo, --- Cult --- Counter-Reformation in art. --- Beatification --- Saints in art --- Rubens, Peter Paul, --- Jesuits --- Altarpieces - Italy - Rome --- Philippus Nerius --- Franciscus Xaverius --- Ignatius de Loyola --- Rubens --- Bienheureux (Congrégation des) --- Neri, Filippo, - Saint, - 1515-1595 - Cult --- Neri, Filippo, - Saint, - 1515-1595 --- Catholic Church. --- History --- History. --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Society of Jesus --- イエズス会 --- カトリック イエズス会 --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Oratory of Saint Philip Neri --- Congregação do Oratório --- Oratorianos --- Padres Oratorianos --- Pères de l'Oratoire --- Congregazione dell'Oratorio --- Filippini --- Oratoriani --- Congregación del Oratorio --- Confederation of the Oratory of St. Philip Neri --- Congregation of the Oratory of St. Philip Neri --- Institutum Oratorii Sancti Philippi Neri --- Confoederatio Oratorii Sancti Philippi Nerii --- C. Or. --- CO --- C.O. --- kunst en godsdienst
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Art --- art [discipline] --- public art --- MASBEDO --- Alves, Maria Thereza --- Ancarani, Yuri --- Baraya, Alberto --- Bonajo, Melanie --- Bruguera, Tania --- Clément, Gilles --- Colomer, Jordi --- Gerrard, John --- Lucas, Cristina --- Minelli, Filippo --- Orlow, Uriel --- Özgen, Erkan --- Paglen, Trevor --- Rabah, Khalil --- Senatore, Marinella --- Tabet, Rayyane --- Ourahmane, Lydia --- Bridle, James --- Makhacheva, Taus --- Zheng, Bo --- Contini, Leone --- Franzén, Malin --- Gqunta, Lungiswa --- Odutola, Toyin Ojih --- Wang, Michael --- Leotta, Renato --- Sapozhnikov, Sergey --- Cooking Sections --- Vijgen, Richard --- Kaersenhout, Patricia --- Poitras, Laura --- Atiku, Jelili --- Cassani, Matilde --- Turato, Nora --- Invernomuto --- Collovà, Roberto --- Attia, Kader --- Forensic Architecture [London] --- Rotor [Brussels] --- Fallen Fruit --- The Peng! Collective [Berlin] --- Coloco [Paris] --- Palermo
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