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Ce mémoire est consacré au sujet de la perte et de la continuité à partir de la dépossession vécue par des familles belgo-chiliennes dans le cadre de leur migration forcée (exil politique à partir de la dictature de Pinochet, 1973). En me focalisant sur la transmission de cette perte et leur remède entre les générations, mon objectif est d’analyser le rapport au « pays d’origine » pour comprendre les dimensions symbolique et matérielle de l’articulation entre migration, perte et continuité.
Migration d'exil, --- Perte et continuité --- Chili-Belgique --- Famille et générations --- Parenté fictive --- Famille dispersée et football --- Savoir et transmission --- Objets et espace domestique --- Troisième génération --- Sciences sociales & comportementales, psychologie > Anthropologie
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This book provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
Graphic novels --- Comic books, strips, etc. --- History and criticism. --- Comic books, strips, etc --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- History and criticism --- Graphic arts --- Literature --- Mass communications --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal
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"This book is intended to be both an introduction to comics as well as a text for specific, ready-to-use activities that instructors can immediate use"--
Comic books, strips, etc. --- Women in literature. --- Women in popular culture. --- Graphic novels --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Popular culture --- Women --- History and criticism. --- Public opinion
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"Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others."--Bloomsbury Publishing.
Comic books, strips, etc. --- Graphic novels --- Animals in literature --- Human-animal relationships in literature --- History and criticism --- ART / Techniques / Drawing. --- Animals in literature. --- Comic books, strips, etc --- Graphic novels. --- Human-animal relationships in literature. --- History and criticism. --- Bandes dessinées --- Romans graphiques --- Animaux --- Relations homme-animal --- Histoire et critique --- Dans la littérature --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Dans la littérature. --- Histoire et critique. --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal --- Bandes dessinées --- Dans la littérature.
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“E. Dawson Varughese’s in-depth readings of the form and content of lesser known narratives that powerfully enrich the range and scope of alternative comics foreground the importance of a corpus that tackles all basic issues of post-millennial modernity in India.” —Jan Baetens, co-author with Hugo Frey of The Graphic Novel “The ‘old’ and the ‘new’ are brought together in interesting ways in her understanding of post-millennial Indian identities through the graphic novel and other visual cultural forms. Varughese offers us a compelling read and invaluable insights.” —Rajinder Dudrah, Birmingham City University, UK This book investigates the intersection of Indian society, the encoding of post-millennial modernity and ‘ways of seeing’ through the medium of Indian graphic narratives. If seeing in Indian cultures is a mode of knowing then what might we decode and know from the Indian graphic narratives examined here? The book posits that the ‘seeing’ of post-millennial Indian graphic narratives revolves around a visuality of the inauspicious, complemented by narratives of the same. Examining both form and content across nine Indian, post-millennial graphic narratives, this book will appeal to those working in South Asian visual studies, cultural studies and comics-graphic novel studies more broadly. E. Dawson Varughese is an independent, global cultural studies scholar, specialising in post-millennial Indian visual and literary cultures. She publishes on genre fiction, book cover design and public wall art. Her latest book is Genre Fiction of New India (Routledge, 2016). She was a Visiting Fellow at the University of Delhi in 2017. www.beyondthepostcolonial.com.
Graphic novels --- Comic books, strips, etc. --- History and criticism. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Communication. --- Ethnology-Asia. --- Literature . --- Asia-History. --- Media and Communication. --- Asian Culture. --- Postcolonial/World Literature. --- History of South Asia. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Communication, Primitive --- Mass communication --- Sociology --- Ethnology—Asia. --- Asia—History.
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This edited volume brings together work in the field of empirical comics research. Drawing on computer and cognitive science, psychology and art history, linguistics and literary studies, each chapter presents innovative methods and establishes the practical and theoretical motivations for the quantitative study of comics, manga, and graphic novels. Individual chapters focus on corpus studies, the potential of crowdsourcing for comics research, annotation and narrative analysis, cognitive processing and reception studies. This volume opens up new perspectives for the study of visual narrative, making it a key reference for anyone interested in the scientific study of art and literature as well as the digital humanities.
Comic books, strips, etc. --- Graphic novels --- History and criticism. --- Comic books, strips, etc --- 741.51 --- narratologie --- kennisleer --- methodologie --- kunsttheorie --- twintigste eeuw --- striptheorie --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst --- strips --- tekenkunst --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- History and criticism --- Graphic novels. --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal --- Graphic arts --- comics [documents]
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Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by which the direct stimulation of the reader’s physical senses can be understood. A wide range of examples demonstrates how multisensory communication systems work in both commercial and more experimental contexts. The book concludes with a case study that looks at the works of Alan Moore and indicates areas of interest that multisensory analysis can draw out, but which are overlooked by more conventional approaches.
Comic books, strips, etc. --- Graphic novels --- Senses and sensation in literature --- History and criticism --- Comic books, strips, etc --- #SBIB:309H240 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Analyse sensorielle. --- Graphic novels. --- Romans graphiques --- Sens et sensations dans la littérature. --- Senses and sensation in literature. --- Sensory evaluation. --- History and criticism. --- Histoire et critique. --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism
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First runner-up for the 2019 Ray and Pat Browne Award for the Best Edited Collection in Popular and American CultureCultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Graphic novels --- War in literature. --- Violence in literature. --- Psychic trauma in literature. --- Collective memory in literature. --- History and criticism. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc. --- Fiction --- Popular literature --- 82-931 --- 070.84 --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal --- Bosnian War. --- Boxer Rebellion. --- Falkland War. --- Irish independence. --- Israel-Lebanon War. --- Rwandan genocide. --- War on Terror. --- comics. --- culture. --- graphic novel. --- history. --- small-scale conflicts. --- war. --- Comic Books, Strips, Etc. --- War In Literature --- Violence In Literature --- Literary Criticism --- COMIC BOOKS, STRIPS, ETC. --- WAR IN LITERATURE --- VIOLENCE IN LITERATURE --- LITERARY CRITICISM --- War in literature --- Violence in literature --- Literary criticism
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