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Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor. Dieser Sammelband [ist] insgesamt als Bereicherung des virulenten Diskurses zum Verhältnis Tanz/Forschung zu betrachten.« Marcel Behn, [rezens.tfm], 2 (2017) Besprochen in: UP TO DANCE, 2 (2017) XTRA, 333 (2017) Tanznetz.de - Das Spielzeitheft, 4 (2017), Anja K. Arend
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Last Year at Betty and Bob's: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived "fact" elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BOB, attuned urban rodent, are palindromic variants of a generic cast of Betty's and Bob's. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B's are more slippery and elusive.
Fiction --- Modern & contemporary fiction (post c 1945) --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Fiction. --- primary colors --- transhumanism --- fiction --- consumerism --- feminism --- art collective --- artistic research
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Last Year at Betty and Bob's: An Adventure is the second in a series of three novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB red, is fashioned by thinking through the felt unthought of this between space -- a fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders, and phenotypes. Occurrences of lived "fact" elide with a hallucinatory real as speculation. In An Adventure, a feral feminist artist collective, The Bettys, inhabit a timeless Arcades Project. This is their experiment in wild hypo-consumerism. The event of Red Betty's fall generates the advent of a turn. A cleaving. The intra-play of personal politics and activist artistic practices is surreally suffused with attention to color, to life and death, to lightness and heaviness.
Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Fiction. --- primary colors --- transhumanism --- fiction --- consumerism --- feminism --- art collective --- artistic research
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»Über Projektionen« gibt Einsichten in Weltkarten, ihre Darstellungsweisen und den damit verbundenen Weltanschauungen. Die Projektion wird dabei einerseits als ideelle Projektion im Sinne einer Weltanschauung dargelegt, die vorherrschende Vorstellungsbilder, Wertmaßstäbe, Ordnungsprinzipien, Denkweisen oder Erklärungsmodelle der Welt beschreibt. Andererseits wird auf die geometrische Projektion, die Weltkarten zugrunde liegt, fokussiert: Jede Weltkarte steht vor der Schwierigkeit, die Kugeloberfläche in einer zweidimensionalen Ebene darzustellen. In einer Rekonstruktion werden anhand von Weltkarten verschiedene paradigmatische Weltanschauungen aufgezeigt. In einer Dekonstruktion sind konventionelle durch alternative Weltkarten kontrastiert. Die breite Vielfalt an möglichen Weltkarten zeigt, dass Weltkarten keinen Status quo abbilden, sondern lediglich eine subjektive Interpretation der Welt zu einem bestimmten Zeitpunkt sind, die ständigen Umbrüchen unterworfen bleiben. Besprochen in: Vier Viertel Kult, Winter 2019
Social & cultural history --- Art. --- Artistic Research. --- Cultural Geography. --- Cultural History. --- Cultural Theory. --- Design. --- Fine Arts. --- Image. --- Projection. --- Theory of Art. --- Viewpoints. --- Weltkarten; Weltanschauungen; Projektion; Künstlerische Forschung; Design; Bild; Kunst; Kulturgeschichte; Kulturtheorie; Kunsttheorie; Kulturgeographie; Kunstwissenschaft; World Maps; Viewpoints; Projection; Artistic Research; Image; Art; Cultural History; Cultural Theory; Theory of Art; Cultural Geography; Fine Arts
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What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.
Religion and culture --- Blasphemy --- Religious pluralism --- Social aspects. --- Freedom of speech --- Libel and slander --- Offenses against religion --- Pluralism (Religion) --- Pluralism --- Religion --- Religions --- Culture and religion --- Culture --- Postsäkularismus --- post-sekular --- visual culture --- religious conflict --- post-secularism --- post-secular --- populäre Ästhetik --- popular aesthetics --- politics of representation --- offensive images --- museums --- Museen --- Medienwissenschaft --- Literaturwissenschaft --- literary studies --- Kunstwissenschaft --- Kulturwissenschaft --- Islam --- imaging gender --- Hinduismus --- Hinduism --- Glaubenskonflikt --- Filmwissenschaft --- cultural studies --- co-existence --- anstößige Bilder --- artistic research --- Artistic Research --- Bildpolitik --- Bildwissenschaft --- Blasphemie --- blasphemy --- Christentum --- Christianity --- the arts --- Blasphemy.
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Between 2014 and 2017, the artistic research project "TransCoding - From 'Highbrow Art' to Participatory Culture" encouraged creative participation in multimedia art via social media. Based on the artworks that emerged from the project, Barbara Lüneburg investigates authorship, authority, motivational factors, and aesthetics in participatory art created with the help of web 2.0 technology. The interdisciplinary approach includes perspectives from sociology, cultural and media studies, and offers an exclusive view and analysis from the inside through the method of artistic research. In addition, the study documents selected community projects and the creation processes of the artworks Slices of Life and Read me. »Eine exemplarische Studie über die Möglichkeiten und Herausforderungen von Artistic Research, die diese Bezeichnung verdient.« Thomas Ballhausen, EIKON, 104 (2018) Besprochen in: Journal for Artistic Research, 23.06.2019, Pamela Breda
Interactive art. --- Art and the Internet. --- Cultural studies --- Art. --- Audiovisual Art. --- Crossover Culture. --- Cultural Studies. --- Culture. --- Digital Media. --- Internet. --- Media Art. --- Participatory Culture. --- Social Media. --- Sociology of Science. --- Artistic Research; Audiovisual Art; Participatory Culture; Social Media; Crossover Culture; Culture; Art; Internet; Cultural Studies; Media Art; Digital Media; Sociology of Science
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"Art and design research with its unique nature, its distinct practice-based research process and outcomes differs from scientific research and art and design praxis. The institutionalization of art and design research programmes in the past decade therefore poses major challenges for the parties involved. The contributions to this book address these challenges in different respects. The first part of the book is devoted to the institutionalization of art and design research in Flanders, the detrimental effects according to some authors, the opportunities it brings according to others. International contributors present an overview of the ways in which the uniqueness, the distinct research process, the exhibition of art and design research outcomes is dealt with in research evaluation practices in Australia, Norway, Sweden and Flanders. The second part of the book showcases investigate paths and subsequent findings followed and found by researchers affiliated to the Flemish Schools of Arts. The contributions address an audience of art and design research directors, coordinators and researchers and research professionals outside the field. It equally provides artists and designers with a selective overview of research activities being conducted within their domains of interest"--Dust jacket.
Arts --- Design --- kunst --- kunstonderwijs --- onderzoek in de kunsten --- 373.67 --- Journal for Artistic Research --- doctoraat in de kunsten --- België --- 7.01 --- academisering --- kunsttheorie --- Creation (Literary, artistic, etc.) --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Research --- Art and architecture --- België --- Arts, Primitive
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Non-conformist, non-linear, unruly thought and action have always led to great works of art, pathbreaking inventions and forward-looking perspectives. But how can this precious good find its way into our everyday working life to help us deal with social, ecological and economic challenges? The crucial step, Ursula Bertram contends, is to reach a synergy of logically justifiable knowledge and the capacity to navigate in open systems. To find out how such synergy could come about, Ursula Bertram has observed the strategies and principles of artists, choreographers, musicians and unruly thinkers and compared them with the statements of physicists, mathematicians, managers and researchers. She shows that when artistic thought is circulated and probed in non-artistic fields, an extremely efficient pattern called artistic transfer emerges. With contributions by Werner Preißing and others.
Creation (Literary, artistic, etc.) --- Creative ability. --- Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Creativeness --- Creativity --- Ability --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Social aspects --- Artistic Research; Artistic Transfer; Innovation; Art; Research; Intervention; Economy; Theory of Art; Economics; Fine Arts --- Art. --- Artistic Transfer. --- Economics. --- Economy. --- Fine Arts. --- Innovation. --- Intervention. --- Research. --- Theory of Art.
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Artistic research has become an established mode of inquiry and knowledge production in many fields. Johanna Schindler examines the collaborative practices of two artistic research projects in the fields of digital musical instrument design and responsive environments. How are individual research modes organized? Which forms of knowledge are at stake? And what sort of influence do institutional settings, spatial arrangements, and boundary objects have on the emerging research dynamics? Schindler's ethnographic study explores these questions and suggests concrete measurements that can be utilized to adapt the research environments, funding structures, and evaluation criteria of artistic research projects to the specific needs of this emerging field. »Schindlers ethnography of artistic research infrastructures offers a welcome critical distance from the commonplace celebrations of the potentials of artistic research, pointing to a promising discussion on the politics of its infrastructures.« Manuel Angel-Macia, Journal of Artistic Research, 23.06.2019
Art. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Artistic Research; Boundary Objects; Digital Musical Instruments; Atmospheres; Field Research; Art; Science; Design; Sociology of Art; Sociology of Science; Fine Arts; Cultural Studies --- Atmospheres. --- Boundary Objects. --- Cultural Studies. --- Design. --- Digital Musical Instruments. --- Field Research. --- Fine Arts. --- Science. --- Sociology of Art. --- Sociology of Science.
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Devoted to research and scholarship in nnn and nnn.
artistic research --- practise-based --- practise-led --- art --- artistic practices --- Social Sciences --- Humanities --- Arts --- Photography, Artistic --- Periodicals --- Sweden --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Arts, Daghestan --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Aesthetics --- Kingdom of Sweden --- Konungariket Sverige --- Schweden --- Shvet͡sii͡ --- Suecia --- Suède --- Suwēden --- Sverige --- Svezia --- Szwecja --- Zviedrija --- Zweden --- Arts, Primitive --- Art. --- Art, Primitive --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Visual --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries)
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