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Religion. --- Science. --- Occultism. --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Occultism --- Supernatural --- New Age movement --- Parapsychology --- Natural science --- Natural sciences --- Science of science --- Sciences --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology
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Spirit Matters explores the heterodox and unorthodox religions and spiritualities that arose in Victorian Britain as a result of the faltering of Christian faith in the face of modernity, the rise of the truth-telling authority of science, and the first full exposure of the West to non-Christian religions. J. Jeffrey Franklin investigates the diversity of ways that spiritual seekers struggled to maintain faith or to create new faiths by reconciling elements of the Judeo-Christian heritage with Spiritualism, Buddhism, occultism, and scientific naturalism. Spirit Matters covers a range of scenarios from the Victorian hearth and the state-Church altar to the frontiers of empire in Buddhist countries and Egyptian crypts. Franklin reveals how this diversity of elements provided the materials for the formation of new hybrid religions and the emergence in the 20th century of New Age spiritualities.Franklin investigates a broad spectrum of experiences through a series of representative case studies that together trace the development of unorthodox religious and spiritual discourses. The ideas and events discussed by Franklin through these case studies were considered outside the domain of orthodox religion yet still religious or spiritual rather than atheistic or materialistic. Among the works-obscure and canonical-he analyzes are Edward Bulwer-Lytton's Zanoni and A Strange Story; Forest Life in Ceylon, by William Knighton; Anthony Trollope's The Vicar of Bullhampton; Anna Leonowens's The English Governess at the Siamese Court; Literature and Dogma, by Matthew Arnold; and Bram Stoker's Dracula.
Religion and culture --- Spiritualism --- Occultism --- Spiritualism in literature. --- Occultism in literature. --- English prose literature --- Culture and religion --- Culture --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Supernatural --- New Age movement --- Parapsychology --- Communication with the dead --- Dead, Communication with the --- Metapsychology --- Spiritism --- History --- History and criticism. --- Great Britain --- Religion --- spirituality, materialism, Buddhism, occultism, New Age.
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For the first time, this work explores the thread of astrology that runs through Syrian-Orthodox literature. Astrology’s disreputable position among the sciences is gainsaid by extensive textual examples from different genres. The richest source is the Syrian Book of Medicine, which elucidates the practice of divination, revealing itself as a treasure trove of Syrian texts (including translations of Hippocrates and the Geoponica).
Occultism --- Astrology --- Astrology in literature --- Divination --- Science and astrology --- Medicine, Arabic --- History of Medicine --- Manuscripts, Medical as Topic --- Astrology and science --- Horoscopy --- Astronomy, Medieval --- Medical Writing --- Medicine, History --- History Medicines --- Medicine Histories --- Medicines, History --- Medicine --- Augury --- Soothsaying --- Worship --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Supernatural --- New Age movement --- Parapsychology --- History --- history --- 281.913 --- 281.913 Orthodoxen: patriarchaat van Antiochië --- Orthodoxen: patriarchaat van Antiochië
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"This is the first extensive monograph on the work of British artist and Turner Prize winner, Lubaina Himid. Including the artist's own writing from the 1990s to the present day, alongside archival images, and documentation from recent exhibitions and projects." One of the pioneers of the British Black Arts Movement, Lubaina Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, whom she felt were under-represented in the contemporary art scene. Himid's work challenges the stereotypical depictions of black figures in art history, foregrounding the contribution of the African diaspora to Western culture. 'Invisible Strategies' brings together a wide range of Himid's paintings from the 1980s to the present day, as well as sculptures, ceramics, and works on paper. The exhibition opens with Himid's monumental Freedom and Change, 1984, which appropriates and transforms the female figures from Picasso's 'Two Women Running on the Beach' ('The Race'), 1922, into black women, powerfully and humorously subverting one of the most canonical paintings in Western art history.
Art --- painting [image-making] --- #breakthecanon --- Himid, Lubaina --- Art, Black --- Women artists, Black --- Women, Black, in art --- Black people in art --- Racism in art --- African American women artists --- 75.071 --- kunst --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- installaties --- keramiek --- zwarte identiteit --- kolonialisme --- postkolonialisme --- 7.071 --- Groot-Brittannië --- Tanzania --- Black Art Group --- Turner Prize --- Afro-American women artists --- Women artists, African American --- Women artists --- Black women artists --- Black art --- Negro art --- Himid, Lubaina,
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Devisch convie à le suivre entre 1972 et 2003 dans le groupe-hôte de Yakaphones du sud-ouest du Congo et des bas quartiers de Kinshasa. L'analyse du deuil, de la malédiction, de la divination, des conseils familiaux et des masques dansants montre des modalités efficaces, attentives aux affects, de gestion du conflit, de domestication de l'altérité adverse et de régénération de l'univers local. Les communes néopentecôtistes s'affranchissent par la parodie, tel le pillage de Jésus, tant des modèles coloniaux que la politique du ventre. Une réflexivité met en évidence le tissage corps-groupe-monde activé par une résonance entre les multiples formes de vie. L'ouvrage s'achève par l'ensorcellement fatal viciant ces connexions. L'expérience conduit l'anthropologue, pris dans une alliance, à un renversement de perspective. Regarder l'ici depuis là-bas aide l'auteur et le lecteur à déceler une altérité en lui-même et dans sa culture natale. Pour mieux saisir l'en deçà du dire, la phénoménologie perspectiviste se tourne ci et là vers le dernier Lacan axé sur le corps parlant, le désir et l'indicible
Yaka (African people) --- Rites and ceremonies --- Funeral customs and rites --- Culture --- Occultism --- Witchcraft --- Ethnology --- #SBIB:39A73 --- #SBIB:39A10 --- Black art (Witchcraft) --- Sorcery --- Wicca --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Religions --- Supernatural --- New Age movement --- Parapsychology --- Bayaka (African people) --- Bayéké (African people) --- Djakka (African people) --- Giaka (African people) --- Iaka (African people) --- Jaca (African people) --- Joca (African people) --- Mayaka (African people) --- Ngiaka (African people) --- Yagga (African people) --- Bantu-speaking peoples --- Psychological aspects --- Etnografie: Afrika --- Antropologie: religie, riten, magie, hekserij --- Yaka (African people) - Rites and ceremonies --- Yaka (African people) - Funeral customs and rites
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This volume of essays examines the ways in which magical practices are found in different aspects of contemporary capitalist societies. From contract law to science, by way of finance, business, marketing, advertising, cultural production, and the political economy in general, each chapter argues that the kind of magic studied by anthropologists in less developed societies – shamanism, sorcery, enchantment, the occult – is not only alive and well, but flourishing in the midst of so-called ‘modernity’. Modern day magicians range from fashion designers and architects to Donald Trump and George Soros. Magical rites take place in the form of political summits, the transformation of products into brands through advertising campaigns, and the biannual fashion collections shown in New York, London, Milan and Paris. Magical language, in the form of magical spells, is used by everyone, from media to marketers and all others devoted to the art of ‘spin’. While magic may appear to be opposed to systems of rational economic thought, Moeran and Malefyt highlight the ways it may in fact be an accomplice to it.
Marketing. --- Schools of economics. --- Law and economics. --- Culture - Economic aspects. --- Anthropology. --- Economics. --- Cultural Economics. --- Law and Economics. --- Political Economy/Economic Policy. --- Heterodox Economics. --- Human beings --- Economics and jurisprudence --- Economics and law --- Jurisprudence and economics --- Economics --- Jurisprudence --- Consumer goods --- Domestic marketing --- Retail marketing --- Retail trade --- Industrial management --- Aftermarkets --- Selling --- Economics schools of thought --- Schools of economic thought --- Marketing --- Occultism --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Religions --- Supernatural --- New Age movement --- Parapsychology --- Economic policy. --- Economic Policy. --- Economic nationalism --- Economic planning --- National planning --- State planning --- Planning --- National security --- Social policy --- Culture—Economic aspects. --- Primitive societies --- Social sciences
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This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
History. --- Ethnology --- Africa --- World history. --- African literature. --- African History. --- World History, Global and Transnational History. --- African Culture. --- African Politics. --- African Literature. --- Universal history --- History --- Annals --- Auxiliary sciences of history --- Black literature (African) --- Authors, African --- Africa. --- Politics and government. --- Artists, Black --- Arts --- Political aspects. --- Black artists --- Negro artists --- Africa-History. --- Ethnology-Africa. --- Africa-Politics and government. --- Artists, Black. --- Art, Black --- Creative ability --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Originality --- Creativeness --- Creativity --- Ability --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Black art --- Negro art --- Political aspects --- Africa—History. --- Ethnology—Africa. --- Africa—Politics and government.
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