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"A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro : The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became--in the process--a New Negro himself"--
Locke, Alain L. --- Locke, Alain LeRoy, 1885-1954 --- Afro-Amerikaanse filosofen --- Afro-Amerikaanse intellectuelen --- Harlem Renaissance --- Afro-Amerikaanse kunsten --- Afro-Amerikanen --- Politieke en sociale denkbeelden --- Biografie --- Geschiedenis --- Intellectueel leven --- African American intellectuals --- African American philosophers --- African American college teachers --- Locke, Alain, --- Political and social views.
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One of the most intriguing photographers of her generation, Deana Lawson's subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large-format cameras and models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body-often nude-is central. Throughout her work, Lawson seeks to portray the personal and the powerful in black life. 'Deana Lawson: An Aperture Monograph' features forty-five beautifully reproduced photographs and an extensive interview with the filmmaker Arthur Jafa.
Portrait photography --- Blacks --- African Americans --- Africans --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- portretfotografie --- reportagefotografie (documentaire fotografie) --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Portraiture --- Ethnology --- Negroes --- Aesthetics --- Portraits --- Lawson, Deana, --- fotografie --- enscenering --- Afro-Amerikanen --- eenentwintigste eeuw --- Lawson Deana --- 77.071 LAWSON --- African American --- #breakthecanon --- Lawson, Deana --- Black persons
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"An actionable exploration of today's racial landscape, offering straightforward clarity that readers of all races need to contribute to the dismantling of the racial divide. Police brutality trials, white supremacist rallies, Black Lives Matter protests. Race is the story behind many of the issues that make headlines every day. But to talk about race itself--to examine the way it shapes our society, visibly and invisibly--can feel frightening and overwhelming, and even dangerous. In [this book], Ijeoma Oluo offers a clarifying discussion of the racial landscape in America, addressing head-on the issues that divide us. Positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo explains the concepts that continue to elude everyday Americans, and answers the questions readers don't dare ask, like 'What is cultural appropriation?' 'Why do I keep being told to check my privilege?' and 'If I don't support affirmative action, does that make me racist?' With language that's bold, prescient, funny, and finely tuned, Oluo offers hope for a better way by showing what's possible when connections are made across the divide."
Social problems --- United States --- Intercultural communication --- Racism --- Race Relations --- Communication --- BPB9999 --- Communication Programs --- Communications Personnel --- Misinformation --- Personal Communication --- Social Communication --- Communication Program --- Communication, Personal --- Communication, Social --- Communications, Social --- Personnel, Communications --- Program, Communication --- Programs, Communication --- Social Communications --- Interracial Relations --- Racial Relations --- Interracial Relation --- Relation, Interracial --- Relations, Interracial --- Relations, Race --- Relations, Racial --- Psychology, Social --- Cross-cultural communication --- Culture --- Cross-cultural orientation --- Cultural competence --- Multilingual communication --- Technical assistance --- Anthropological aspects --- United States. --- Race relations. --- Race question --- sociologie --- cultuursociologie --- maatschappijkritiek --- racisme --- eenentwintigste eeuw --- geschiedenis --- politiek --- Verenigde Staten --- Afro-Amerikanen --- 130.2 --- United States of America
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"The phenomenon of identity politics represents one of the primary impasses of the left, and has occasioned the reignition of frustrating debates between the partisans of race and class ad infinitum. In Mistaken Identity, Asad Haider reaches for a different approach - one rooted in the rich legacies of the black freedom struggle. Drawing from the words and deeds of black revolutionary theorists, he argues that identity politics is not synonymous with anti-racism, but instead amounts to the neutralisation of its movements. It marks a retreat from the crucial passage from identity to solidarity, and from individual recognition to collective struggle against an oppressive social structure. Mistaken Identity is a political and theoretical tour de force, an urgent call for alternative visions, languages, and practices against the white identity politics of right-wing populism. The idea of universal emancipation now seems old-fashioned and outmoded. But if we are attentive to the lines of struggle that lie outside the boundaries of the state, we will see that it has been placed on the agenda once again."--Publisher description
African Americans --- Identity politics --- Political culture --- Whites --- Politics and government. --- Politics and government --- United States --- Race relations --- Political aspects. --- Social conditions --- politiek --- racisme --- sociologie --- maatschappijkritiek --- Verenigde Staten --- eneentwintigste eeuw --- Afro-Amerikanen --- 130.2 --- White nationalism --- White supremacy movements --- White people --- Polarization (Social sciences) --- Supremacist movements, White --- Supremacy movements, White --- White supremacist movements --- Social movements --- Skinheads --- Nationalism --- Nationalism, White --- Supremacy, White (White nationalism) --- White supremacy (White nationalism) --- Identity (Psychology) --- Politics of identity --- Political participation --- Political science --- Social groups --- Social influence --- White persons --- Ethnology --- Caucasian race --- History --- Race identity --- Political aspects
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At the 1900 Paris Exposition, the famed sociologist and civil rights activist W. E. B. Du Bois presented a series of groundbreaking data visualizations advocating for African American progress. These graphs, charts, and maps provided powerful glimpses into the lives of black Americans to convey both a literal and figurative representation of what Du Bois famously referred to as "the color line." From advances in education to the lingering effects of slavery, these infographics - beautiful in design and impactful in content - made visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collets the complete set of infographics for the first time in full color, making their insights and innovations available to a contemporary audience while exploring their context in social and design history. As Du Bois's prophetic work continues to grow in potency and relevance, these images illustrate, in the words of the introduction, how "data might be reimagined as a form of accountability and even protest in the age of Black Lives Matter." -- From back cover.
African Americans --- Information visualization --- Sociology --- African American sociologists --- sociologie --- geschiedenis --- Verenigde Staten --- twintigste eeuw --- Afro-Amerikanen --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- gender studies --- racisme --- informatiedesign --- Du Bois William Edward Burghardt --- 766.022 --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Afro-American sociologists --- Negro sociologists --- Sociologists, African American --- Sociologists --- Data visualization --- Visualization of information --- Information science --- Visual analytics --- Social conditions --- History --- Du Bois, W. E. B. --- Du Bois, W. E. Burghardt --- Du Bois, W. E. --- Di︠u︡bua, Uilʹi︠a︡m Ėdvard Burgkhardt, --- Di︠u︡bua, Vilʹi︠a︡m, --- Du Bois, William Edward Burghardt, --- DuBois, W. E. B. --- Du Bois, William, --- Du Bois, W. B. --- Exposition universelle --- Weltausstellung --- Exposition universelle internationale de 1900 --- Bankoku Hakurankai --- Exposição Universal --- Exposition de Paris --- Exposition universelle de 1900 --- Maʻriḍ Pārīs al-ʻĀmm sanat --- Parī Bankoku Hakurankai --- Paris. --- Paris Universal Exposition --- Sen-kyūkyakunen Parī Bankoku Hakurankai --- Verdensudstillingen i Paris --- Vsemīrnai︠a︡ vystavka 1900 g. --- Welt-Ausstellung --- World's Fair --- Paris World's Fair --- Paris Exhibition --- Black people
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An exploration of what it means to be fabulous-and why eccentric style, fashion, and creativity are more political than ever Prince once told us not to hate him 'cause he's fabulous. But what does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfies-looking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating book that explores how queer, brown, and other marginalized outsiders use ideas, style, and creativity in everyday life. Moving from catwalks and nightclubs to the street, moore dialogues with a range of fabulous and creative powerhouses, including DJ Vjuan Allure, voguing superstar Lasseindra Ninja, fashion designer Patricia Field, performance artist Alok Vaid†'Menon, and a wide range of other aesthetic rebels from the worlds of art, fashion, and nightlife. In a riveting synthesis of autobiography, cultural analysis, and ethnography, moore positions fabulousness as a form of cultural criticism that allows those who perform it to thrive in a world where they are not supposed to exist.
Sexual minorities --- Gender-nonconforming people --- Gender identity --- Minorities --- Fashion --- 130.2 --- 7.01 --- dandyisme --- excentriciteit --- kunsttheorie --- cultuurfilosofie --- etnografie --- mode --- muziek --- erotiek --- seksualiteit --- Afro-Amerikaanse kunst --- gender studies --- eenentwintigste eeuw --- kunst --- Style in dress --- Clothing and dress --- Ethnic minorities --- Foreign population --- Minority groups --- Persons --- Assimilation (Sociology) --- Discrimination --- Ethnic relations --- Majorities --- Plebiscite --- Race relations --- Segregation --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Gender-creative people --- Gender-independent people --- Gender-non-normative people --- Gender-variant people --- Genderqueer people --- Non-binary people --- Gender minorities --- GLBT people --- GLBTQ people --- Lesbigay people --- LBG people --- LGBT people --- LGBTQ people --- Non-heterosexual people --- Non-heterosexuals --- Sexual dissidents --- Clothing --- Identity --- Social aspects --- Political aspects --- Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- ethnography --- gender [sociological concept] --- #breakthecanon --- 905.2 --- 21ste eeuw --- gender --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- queer --- homoseksualiteit --- nachtleven --- afro-amerikanen --- Verenigde Staten --- dandy --- vogue (voguen) --- cultuurfilosofie, -psychologie en -sociologie --- Gender expression --- Gender identity. --- Queer identity --- Clothing. --- Social aspects. --- Political aspects. --- Gender dysphoria
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