Listing 1 - 3 of 3 |
Sort by
|
Choose an application
Cet essai s'intéresse, à travers les œuvres de Cervantès, Flaubert, Tolstoï, Dostoïevski, Proust, Kafka, Gombrowicz, à la façon dont le roman moderne éclaire et explore le présent grâce à la mémoire qu'il a gardée de mondes disparus. Le roman n’est pas seulement, comme on le définit presque toujours, un art du présent et de la nouveauté. Il est aussi un art de la mémoire. En fait, c’est parce qu’il se souvient des mondes anciens et de leurs valeurs qu’il peut prendre acte de ce qui est nouveau. Cet essai s’intéresse à la façon dont le roman, depuis Cervantès, est le témoin des grandes disparitions qui hantent et façonnent la conscience moderne: la disparition du destin d’abord, dont les conséquences n’ont pas fini de s’épuiser, puis celle de l’héroïsme et, à partir du vingtième siècle, la disparition proprement vertigineuse du temps ordonné et de la mémoire elle-même. À partir des œuvres de Flaubert, Tolstoï, Dostoïevski, Proust, Kafka, Gombrowicz, ce livre montre comment le roman moderne, par la mémoire des mondes disparus qui est au coeur de son aventure, éclaire le présent comme aucun autre art n’y parvient.
Fiction --- Memory in literature. --- Mémoire dans la littérature --- Roman --- History and criticism. --- Authorship. --- Technique. --- Histoire et critique --- Art d'écrire --- Technique --- Memory --- Authorship --- 82-31 --- 82-31 Roman --- Mémoire dans la littérature --- Art d'écrire --- Fiction - Authorship --- Fiction - Technique --- Memory - Fiction --- Literature --- littérature --- mémoire --- roman
Choose an application
Barbara Foley here focuses on the relatively neglected genre of documentary fiction: novels that are continually near the borderline between factual and fictive discourse. She links the development of the genre over three centuries to the evolution of capitalism, but her analyses of literary texts depart significantly from those of most current Marxist critics. Foley maintains that Marxist theory has yet to produce a satisfactory theory of mimesis or of the development of genres, and she addresses such key issues as the problem of reference and the nature of generic distinctions. Among the authors whom Foley treats are Defoe, Scott, George Eliot, Joyce, Isherwood, Dos Passos, William Wells Brown, Ishmael Reed, and Ernest Gaines.
Fiction --- Comparative literature --- anno 1800-1999 --- 82-31 --- American fiction --- -Historical fiction, American --- -Marxist criticism --- Reportage literature, American --- -Nonfiction novel --- -Documentary story --- Journalistic novel --- New journalism --- Novel, Nonfiction --- Reportage literature --- American reportage literature --- American prose literature --- Criticism, Marxist --- Marxian criticism --- Marxist literary criticism --- Communism and literature --- Communist aesthetics --- Criticism --- American historical fiction --- American literature --- Roman --- History and criticism --- Historical fiction, American --- Marxist criticism. --- Nonfiction novel --- History and criticism. --- -Roman --- 82-31 Roman --- -Criticism, Marxist --- Documentary story --- Marxist criticism --- Literary theory
Choose an application
The Spanish romance Cárcel de amor blossomed into a transnational and multilingual phenomenon that captivated audiences throughout Europe at a time when literacy was expanding and print production was changing the nature of reading, writing, and of literature itself. In The Prison of Love, Emily Francomano offers the first comparative study of this sixteenth-century work as a transcultural, humanist fiction. Blending literary analysis and book history, Francomano provides us with the richly textured history of the translations, material books, and artefacts that make this tale of love, letters, and courtly intrigue an invaluable prism through which the multifaceted world of sixteenth-century literary and book cultures are refracted.
094:82-31 --- 094:860-3 --- 094 "15" --- 094 "15" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599 --- 094:860-3 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Spaanse literatuur : proza --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Spaanse literatuur : proza --- 094:82-31 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Roman --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Roman --- San Pedro, Diego de, --- De San Pedro, Diego, --- History and criticism. --- Books and reading --- Spanish literature --- Translating and interpreting --- History --- Cárcel de amor (San Pedro, Diego de) --- Europe. --- Europe --- Vie intellectuelle --- Intellectual life --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Translating --- Appraisal --- Evaluation --- Prison of love (San Pedro, Diego de) --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Book history --- Theory of literary translation --- Sociology of literature --- book history --- San Pedro, de, Diego --- anno 1500-1599
Listing 1 - 3 of 3 |
Sort by
|