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Provençal poetry --- Provençal language --- Rhetoric, Medieval. --- Troubadours. --- History and criticism. --- Versification.
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The drottkvett was a form of Old Norse skaldic poetry composed to glorify a chieftain's deeds or to lament his death. Kari Ellen Gade explores the structural peculiarities of ninth- and tenth-century drottkvett poetry and suggests a solution to the mystery of the origins of the drottkvett and its eventual demise in the fourteenth century.
Rhetoric, Medieval. --- Old Norse language --- Old Norse poetry --- Scalds and scaldic poetry. --- Metrics and rhythmics. --- History and criticism.
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"Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward's much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture. It is commonly believed that medieval writers were interested only in Christian truth, not in Graeco-Roman methods of 'persuasion' to whatever viewpoint the speaker/writer wanted. Dr Ward, however, investigates the content of well over one thousand medieval manuscripts and shows that medieval writers were fully conscious of and much dependent upon Graeco-Roman rhetorical methods of persuasion. The volume then demonstrates why and to what purpose this use of classical rhetoric took place."--
Education, Medieval. --- Rhetoric, Ancient. --- Rhetoric, Medieval. --- Rhetorik. --- Quintilian --- Cicero, Marcus Tullius --- Influence. --- Rhetorica ad Herennium. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Rhetoric
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Gendering the Master Narrative asks whether a female tradition of power might have existed distinct from the male one, and how such a tradition might have been transmitted. It describes women's progress toward power as a push-pull movement, showing how practices and institutions that ostensibly enabled women in the Middle Ages could sometimes erode their authority as well.This book provides a much-needed theoretical and historical reassessment of medieval women's power. It updates the conclusions from the editors' essential volume on that topic, Women and Power in the Middle Ages, which was published in 1988 and altered the prevailing view of female subservience by correcting the nearly ubiquitous equation of "power" with "public authority." Most scholars now accept a broader definition of power based on the interactions between men and women.In their Introduction, Mary C. Erler and Maryanne Kowaleski survey the directions in which the study of medieval women's agency has developed in the past fifteen years. Like its predecessor, this volume is richly interdisciplinary. It contains essays by highly regarded scholars of history, literature, and art history, and features seventeen black-and-white illustrations and two maps.
Rhetoric, Medieval. --- Women in literature. --- Narration (Rhetoric) --- Power (Social sciences) --- Social history --- Women and literature --- Literature, Medieval --- Women --- History --- Women authors --- History and criticism.
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Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.
Medieval rhetoric --- Middeleeuwse retorica --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Verhaal (Retoriek) --- English fiction -- Middle English, 1100-1500 -- History and criticism. --- Romances, English -- History and criticism. --- Romances, English --- English literature --- Literature and society --- Popular literature --- Books and reading --- Narrative poetry, English --- Rhetoric, Medieval --- English Literature --- English --- Languages & Literatures --- History and criticism --- History --- English fiction --- History and criticism. --- Romances [English ] --- Middle English, 1100-1500 --- England --- To 1500 --- Narrative poetry [English ] --- Books and reading. --- Literature and society. --- Littérature anglaise --- Littérature et société --- Livres et lecture --- Middelengels. --- Mittelenglisch. --- Mondelinge literatuur. --- Narration (Rhetoric). --- Narration. --- Narrative poetry, English. --- Paralittérature --- Popular literature. --- Poésie narrative anglaise --- Rhetoric, Medieval. --- Rhétorique médiévale. --- Roman courtois anglais --- Romancen. --- Romances, English. --- Romanze. --- Middle English. --- Histoire et critique --- Histoire --- Histoire et critique. --- To 1500. --- England. --- literature --- medieval --- romance --- Human cannibalism --- Middle English --- Sir Gowther --- Literature --- Literary Studies: Classical, Early & Medieval --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland
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A modest man of great accomplishments, Walahfrid Strabo was a fine poet, teacher, abbot, gardener, liturgist, and diplomat. His personal notebook reveals that he loved arithmetic and astronomy. For a decade, he tutored Carolus iunior, youngest son of Judith and Ludwig der Fromme, who became emperor Charles the Bald. On two occasions, Walahfrid found and transcribed formulae and explanations of time series, often correcting them. By identifying Walahfrid's sources and scripts, Professor Stevens is able to trace his life and scholarship, as they relate to Carolingian politics and schools in the first half of ninth-century Europe.
091 WALAHFRIDUS STRABO AUGIENSIS --- 930.272 =71 --- 091.14:003 --- 091.14:003 Codices--schrift-- Zie ook: {930.272} Paleografie --- Codices--schrift-- Zie ook: {930.272} Paleografie --- 930.272 =71 Paleografie--Latijn --- Paleografie--Latijn --- 091 WALAHFRIDUS STRABO AUGIENSIS Handschriftenkunde. Handschriftencatalogi--WALAHFRIDUS STRABO AUGIENSIS --- Handschriftenkunde. Handschriftencatalogi--WALAHFRIDUS STRABO AUGIENSIS --- 930.272 --- Walafrid Strabon (0808?-0849) --- Manuscripts [Medieval ] --- Rhetoric [Medieval ]
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"Les cisterciens sont moins connus pour avoir recherché et retravaillé les textes que pour leurs efforts de centralisation et d'unification dans l'architecture et les arts, la liturgie et la vie quotidienne, et pour leur utilisation active de l'écrit pragmatique - pour ne citer que ces quelques domaines. Et pourtant, leurs bibliothèques, parfois immenses, font mentir par leur richesse et les textes rarissimes ou inattendus qu'elles nous ont conservés l'idée d'un ordre peu consacré aux études. Où les cisterciens ont-ils trouvé ces textes? Quels étaient leurs réseaux? Avaient-il des critères pour choisir les textes à copier et les modèles? La recherche des textes était-elle dans ces abbayes réfléchie, concertée? En somme, les cisterciens ont-ils été des transmetteurs par hasard, ou parce que leur intérêt pour les textes allait bien au-delà de ce que nous croyons habituellement? Ce livre montre que la seconde réponse est certainement la plus juste."--
Manuscripts. Epigraphy. Paleography
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Christian religious orders
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Cistercians
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Cisterciens.
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Transmission des textes.
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Bibliothèque
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Histoire
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Vie intellectuelle
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Transmission of texts
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Intellectual life
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091:271
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271.12
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02 <09>
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028
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091.14 <3/9>
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091.14 <3/9> Scriptoria--
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Thomas Hoccleve, Margery Kempe, John Audelay and Charles d'Orleans present themselves as the makers not only of their texts, but also of the books that transmitted their writing. This new study argues that they elaborated a "self-publishing pose" with the aim of regaining their audiences' confidence in the face of the compromised social, physical and material conditions they inhabited. Dr Critten shows that while the strategies of self-presentation that these authors develop draw on trends in contemporary literature and book history (such as the proliferation of the "go, litel bok" motif and the increasing popularity of the single-author codex), their approach to writing differs fundamentally from that pursued by their immediate predecessors, Chaucer and Gower, and by their most prominent peer, Lydgate. Rather, in their unusual insistence on their co-identity with their manuscripts, they demonstrate a new awareness of the socially instrumental potential of Middle English writing.
Literature, Medieval --- 091 --- 091 <41> --- 091 "14/15" --- 091 "14/15" Handschriftenkunde. Handschriftencatalogi--Renaissance --- Handschriftenkunde. Handschriftencatalogi--Renaissance --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- History and criticism --- Handschriftenkunde. Handschriftencatalogi--Engels --- Old English literature --- Manuscripts. Epigraphy. Paleography --- English literature --- Rhetoric, Medieval. --- Manuscripts, English (Middle) --- Authorship --- History and criticism. --- History. --- History --- Hoccleve, Thomas, --- Audelay, John, --- Kempe, Margery, --- Charles, --- Criticism and interpretation. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Charles d'Orléans, --- D'Orléans, Charles, --- Orléans, Charles d', --- Kempe, Margery --- Burnham, Margery, --- Kempe, Margerie, --- Kempe, Margery Burnham, --- Kempe, Marjorie, --- Awdlay, John, --- Occleve, Thomas, --- Hoccleue, Thomas, --- Authorship. --- Chaucer. --- English Literature. --- Gower. --- Late Medieval. --- Lydgate. --- Manuscript Book. --- Middle English Writing. --- Self-Publishing.
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