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"Volume 1' is the first in a series of publications presenting different aspects of Michael Stipe's multifaceted artistic practice. 'Volume 1' includes a focused presentation of 35 images, bringing together 37 years of Stipe's practice of creating and collecting photographic materials, in addition to posing as a subject in the photographs of others. The book centers around his unconventional and deeply personal understanding of queerness, conflating figures in his own life with those in American history and popular culture. Throughout the book, the formal qualities of images often relate in a poetic or lyrical way, allowing for unlikely juxtapositions and connections to emerge between subjects. These relationships transcend logical associations between time, place, and social structures. 'Volume 1' is produced in collaboration with artist Jonathan Berger and designer Julian Bittiner." -- from www.damianieditore.com

Portrait photography --- Photograph collections --- Stipe, Michael,

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Portrait photography --- Artists --- Private collections --- Platen, Angelika, --- Photograph collections

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Richter, Gerhart M., 1875-1942 --- Richter, Gerhart M., 1875-1942 --- Photograph collections --- National Gallery of Art (U.S.). --- National Gallery of Art (U.S.)

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The 'V&A Photography Library' is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Marta Weiss, Assistant Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, 'Making it Up' shows how, throughout its history, photography has been used to depict fiction as well as fact. With c. 100 photographs supported by extended commentaries and an introduction of about 1,500 words, Making It Up illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Presenting work from the earliest through to the most contemporary of photographers, Making It Up puts paid to the fallacy that `the camera never lies', proving that quite the opposite may be true. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called "post-truth" age.

Staged photography --- 760.4 --- fotografie --- portretfotografie --- fictie --- mise-en-scène --- Directorial photography --- Fabricated photography --- Photography, Artistic --- fotografie als kunst --- Victoria and Albert Museum --- Victoria & Albert museum --- V&A --- South Kensington museum --- Museum of manufactures --- Exhibitions --- Photograph collections --- V & A Photography Centre (London, England) --- Victoria & Albert Museum --- Viktoria und Albert Museum --- Great Britain. --- V & A (Museum) --- Muzeʼon Ṿiḳṭoryah-Alberṭ --- Muzeĭ Viktorii i Alʹberta --- Музей Виктории и Альберта --- South Kensington Museum --- Science Museum (Great Britain) --- Museum of Ornamental Art --- Staged photography - Catalogs --- Photograph collections - England - London - Catalogs