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Art --- installations [visual works] --- photography [process] --- public art --- polyurethane --- Baghramian, Nairy
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Allen Ruppersberg: Intellectual Property 1968–2018 accompanies a major retrospective exhibition on one of conceptual art’s most inventive and acclaimed practitioners. Emerging in late-1960s Los Angeles, Ruppersberg was among that city’s first generation of conceptual artists to espouse a working method that privileges ideas and process over conventional aesthetic objects. Deploying posters, books, postcards and even a café and hotel, his projects have consistently had at their center a focus on the American vernacular―its music, popular imagery and ephemera―mining the nuances of culture through its unsung conventions. From his earliest works, the artist has also welcomed the involvement of the viewer as participant, inviting an immersive experience of his work through language, visual density, accumulated elements and ideas. This fully illustrated catalog is the most comprehensive publication to date on Ruppersberg’s work, featuring a wealth of scholarly content and critical writing connecting Ruppersberg’s work to the larger contemporary art field. Produced by the Walker’s award-winning design studio and in close collaboration with the artist, the book presents a holistic view of Ruppersberg’s wide-ranging, 50-year practice.
Art --- books --- installations [visual works] --- drawing [image-making] --- photography [process] --- letters [signs] --- public art --- site-specific works --- words [layout features] --- Conceptual --- Ruppersberg, Allen --- Art conceptuel
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In Tehran, children walking home from school would scrape their pencils against the walls, tracing their paths through the city and chanting "follow this line." Siah Armajani (born 1939) recounts that this simple gesture speaks to the desire to mark one's presence in space. 'Siah Armajani: Follow This Line' asks visitors to follow the artist across a shifting terrain, first within the context of pre-revolution Iran, and later, postwar and present-day America. Though Armajani is best known today for his works of public art--bridges, gazebos, reading rooms--located across the United States and Europe, this groundbreaking exhibition argues for a thoughtful reexamination of his studio as the site of a rich and generative practice. His works engage a range of references: from Persian calligraphy to the manifesto, letter and talisman; from poetry to mathematical equations and computer programming; from the abstract expressionist canvas to American vernacular architecture, Bauhaus design and Russian constructivism. Exhibition: Walker Art Center, Minneapolis, USA (09.09. - 30.12.2018) / The Metropolitan Museum of Art (The Met Breuer), New York, USA (20.02. - 02.06.2019).
Armajani, Siha --- Art --- stairs --- calligraphy [process] --- public art --- vernacular architecture --- gazebos --- bridges [built works] --- digital --- mixed media works --- Constructivist --- Bauhaus --- Abstract Expressionist --- Armajani, Siah --- Iran --- digital art [visual works] --- exile [sociological concept] --- United States --- ART / General. --- Male artists --- Male artists. --- Public art --- Public art. --- Sculpture, American --- Sculpture, American. --- Sculpture, Modern --- Sculpture, Modern. --- Themes, motives. --- Armajani, Siah, --- Criticism and interpretation. --- 1900-2099. --- Minnesota. --- stairs [series of steps] --- United States of America
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Art --- scores [documents for music] --- visual arts [discipline] --- performance art --- jazz --- sound art --- mixed media works --- Moran, Jason
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