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Les psychanalystes et la psychologue définissent les notions d'interdit et de limite, puis partagent leurs réflexions sur la nécessité de les percevoir comme des besoins individuels et collectifs et d'apprendre à les gérer pour jouir d'un fonctionnement psychique équilibré et d'une vie sociale harmonieuse. ©Electre 2019
Limite (philosophie) --- Transgression --- tabou --- état limite (psychiatrie) --- Transgression. --- Taboo --- Transgression (Ethics) --- Psychoanalysis
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Applied arts. Arts and crafts --- jewelry --- taboo --- ornaments [object genre] --- juweelkunst
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Taboo in literature. --- Tabous --- Dans la littérature. --- Storm, Theodor --- Critique et interprétation.
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Unbecoming Cinema explores the notion of cinema as a living, active agent, capable of unsettling and reconfiguring a person's thoughts, senses, and ethics. Film, according to David H. Fleming, is a dynamic force, arming audiences with the ability to see and make a difference in the world. Drawing heavily on Deleuze's philosophical insights, as well as those of Guattari and Badiou, the book critically examines unsettling and taboo footage from suicide documentaries to art therapy films, from portrayals of mental health and autism to torture porn. In investigating the effect of film on the mind and body, Fleming's shrewd analysis unites transgressive cinema with metaphysical concepts of the body and mind.
Sensationalism in motion pictures. --- Motion pictures --- Taboo in motion pictures. --- Psychological aspects. --- Exploitation films --- Media and Communications --- Alejandro Jodorowsky --- Autism --- Gilles Deleuze --- Suicide --- Vomiting
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Over the past two decades Frieke Janssens has built a solid reputation in staged photography. Her visual language is both surprising and playful and reveals a great sense of humor. It is often redolent with tension and her works exude an unspoken, tragic undercurrent. Janssens' images are sumptuously beautiful, but touch upon subjects that aren't: death, smoking, drinking, and the battle between the sexes. This combination of taboo and pure aestheticism marks her style, hence: The Sweetest Taboo.
761.2 --- 766.2 --- portretfotografie --- kinderfotografie --- dierenfotografie --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- Photography --- Photography, Artistic --- Portrait photography. --- Taboo --- Janssens, Frieke, --- Photography [Artistic ]
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This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.
Ineffable, The. --- Unutterable, The --- Language and languages --- Taboo, Linguistic --- Philosophy --- Philosophy. --- Religion. --- Philosophy of Religion. --- Religious Studies, general. --- Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- Mental philosophy --- Humanities --- Religion—Philosophy.
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Der Sturm (1910-1932) --- Die Brücke (1905-1913) --- Duits expressionisme --- Wereldoorlog I --- dans --- dodendans --- naakt --- satire --- seksualiteit --- trauma's --- Kirchner, Ernst Ludwig --- Nietzsche, Friedrich --- Richter, Hans --- 20ste eeuw --- Duitsland --- General ethics --- Art styles --- Painting --- Graphic arts --- prints [visual works] --- ethics [philosophical concept] --- easel paintings [paintings by form] --- taboo --- Entartete Kunst --- Expressionist [style] --- anno 1900-1999 --- dansen --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis) --- Die Brücke --- Duits expressionisme. --- Die Brücke. --- seksualiteit. --- trauma's. --- dansen. --- dodendans. --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis). --- Wereldoorlog I. --- Der Sturm (1910-1932). --- naakt. --- Kirchner, Ernst Ludwig. --- Richter, Hans. --- Nietzsche, Friedrich. --- 20ste eeuw. --- Duitsland. --- trauma (kunst)
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