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"The AJCC Cancer Staging Manual is used by physicians and health care professionals throughout the world to facilitate the uniform description and reporting of neoplastic diseases. Proper classification and staging of cancer is essential for the physician to assign proper treatment, evaluate results of management and clinical trials, and to serve as the standard for local, regional and international reporting on cancer incidence and outcome. --- Significantly expanded and developed by international disease site expert panels, the Eighth Edition AJCC Cancer Staging Manual brings together all the currently available knowledge on staging of cancer at various anatomic sites. In this edition, evidence-based TNM staging is supplemented, as appropriate, by selected molecular markers and newly acquired insights into the molecular underpinnings of cancer. This edition features 12 entirely new staging systems, a wide range of changed or new staging definitions, and a refined emphasis on a personalized-medicine approach. To enhance the print and electronic usability of the cancer staging forms, they are now available exclusively for access and downloading at www.cancerstaging.org. --- The Eighth Edition AJCC Cancer Staging Manual remains the gold standard reference for oncologists, surgeons, pathologists, radiologists, cancer registrars and medical professionals world-wide to ensure that all those caring for cancer patients are fully versed in the language of cancer staging." --- from back of book

Neoplasms Staging --- Neoplasms --- classification --- Neoplasm Staging --- Tumeurs --- diagnosis --- Classification --- Diagnostic --- Classification. --- Diagnostic. --- Neoplasms - classification --- Neoplasm Staging. --- classification. --- diagnosis.

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Wie verhält sich das Drama zu seiner potenziellen Inszenierung - und ist der Autor in ihm wirklich abwesend? Mit diesen Ausgangsfragen greift Kai Bremer Peter Szondis »Theorie des modernen Dramas« auf, die 1956 - im Todesjahr Brechts - erschienen ist. Historisch zeichnet die Studie die Dramatik seit Brecht nach, fokussiert die immer radikalere Episierung seit den 1970er Jahren und beleuchtet die Hinwendung zu älteren dramatischen Formen in den 1990er Jahren. Mit der Frage nach dem Stand des Tragischen und der Tragödie in der Gegenwart wird schließlich der Bogen zurück zu Peter Szondi geschlagen. »Bremers produktionsästhetische Argumente überzeugen.« Vincent Sauer, Theater der Zeit, 1 (2018)

Drama --- History and criticism. --- Drama; Literaturtheorie; Autor; Peter Szondi; Inszenierung; Theater; Theatergeschichte; Dramatik; Episierung; Bertolt Brecht; Tragödie; Literatur; Theaterwissenschaft; Germanistik; Literaturwissenschaft; Theory of Literature; Author; Staging; Theatre; History of Theatre; Tragedy; Literature; Theatre Studies; German Literature; Literary Studies --- Szondi, Peter. --- Author. --- Bertolt Brecht. --- German Literature. --- History of Theatre. --- Literary Studies. --- Literature. --- Peter Szondi. --- Staging. --- Theatre Studies. --- Theatre. --- Theory of Literature. --- Tragedy.

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This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.

Theaters --- Theater --- Sound effects. --- Production and direction [ --- Stage-setting and scenery. --- Théâtres --- Décors de théâtre. --- Effets sonores --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Scene painting --- Sound effects in theaters --- Models --- Sound effects --- Electronic sound control --- Stage-setting and scenery --- Effets sonores. --- Theater. --- Theatre and Performance Studies. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Théâtres --- Décors de théâtre.