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Politics --- Art --- kunst en politiek --- Courbet, Gustave --- France
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From conception onwards, Stuart offspring were presented to their subjects through texts, images and public celebrations. Audiences were exhorted to share in their development, establishing affective bonds with the royal family and its latest additions. Yet inviting the public into Stuart domestic affairs exposed them to intense scrutiny and private interactions were endowed with public dimensions. Images of royal children had the potential both to support and to undermine dynastic messages. In Imaging Stuart Family Politics, Catriona Murray explores the promotion of Stuart familial propaganda through the figure of the royal child. Bringing together royal ritual, court portraiture and popular prints, she offers a distinctive perspective on this crucial dimension of seventeenth-century political culture, exploring the fashioning and dismantling of reproductive imagery, as well as the vital role of visual display within these dialogues. This wide-ranging study will appeal to scholars of Stuart cultural, political and social history.
Art --- dynasties --- kunst en politiek --- imago --- Stuart [Dynasty] --- anno 1600-1699 --- England
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mantels [fireplace components] --- kunst en politiek --- Charles V [Holy Roman emperor] --- Brugse Vrije
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Art --- History of Mexico --- art [discipline] --- kunst en politiek --- anno 1900-1999
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The transformation of everyday and urban detritus is one of Chicago-based artist Theaster Gates’ (born 1973) fundamental artistic strategies. It is an approach that the works in this volume, some of which have been especially created for Kunsthaus Bregenz, encompassing sculptures and what are often large-scale installations, also adhere to. For the first time, elements of a collection that Edward J. Williams had assembled over many years and which Gates has titled Negrobilia, will be on public display. Williams’ aim was to remove these objects from the market and thus from any obvious visibility. Gates’ multilayered Black Archive and its critical engagement with political issues are addressed in a contribution by Romi Crawford, while Thomas D. Trummer focuses on expounding Gates’ artistic concept underlying the exhibition in Bregenz. Gates himself also provides a rumination on his own artistic practice.
politics --- Sculpture --- racial discrimination --- identity --- sculpture [visual works] --- installations [visual works] --- Gates, Theaster --- kunst en politiek --- social criticism
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Castillo Deball, Mariana ; Alves, Maria Thereza ; Hejduk, John ; Accardi, Carla ; La Rocca, Ketty ; Lai, Maria ; Ladik, Katalin ; Bratescu, Geta ; Galindo, Regina José
kunst --- kunst en politiek --- postkolonialisme --- kolonialisme --- Weil Simone --- Bottner Lorenza --- Maori --- Luxemburg Rosa --- 7.039 --- Documenta --- eenentwintigste eeuw --- Special issues
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kunst --- twintigste eeuw --- Duitsland --- 7.071 BEUYS --- concept art --- conceptuele kunst --- Beuys Joseph --- kunst en politiek --- Exhibitions --- Art --- Beuys, Joseph
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Colonisation. Decolonisation --- International relations. Foreign policy --- Belgium --- Congo --- French literature (outside France) --- manifestoes --- parody --- performance art --- dekolonisatie --- kunst en politiek
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Iconography --- Painting --- History of France --- wars --- kunst en politiek --- Hendrik IV-reeks --- anno 1500-1599 --- anno 1600-1699
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Art --- patronage --- hofcultuur --- kunst en politiek --- Christine of Lorraine [Grand duchess of Tuscany] --- Medici, de [Family] --- France --- Florence
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