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La 4ème de couv. indique : "Les IXe et VIIIe siècles av. J.-C. constituent une période décisive, dite Géométrique, de l'histoire du monde grec antique. Ils ont vu l'émergence de la cité-État, forme politique originale, porteuse de mutations essentielles pour son histoire et sa culture. À cette même époque, les Grecs explorent le pourtour de la Méditerranée et commencent à coloniser certains sites. Or, les seuls documents littéraires contemporains dont nous disposons sont les poèmes d'Homère (l'Iliade, l'Odyssée) et d'Hésiode (La Théogonie, Les travaux et les jours). Ces textes, les plus anciens de la littérature grecque, dont est proposée ici une analyse précise, constituent des témoignages majeurs de l'histoire de la culture grecque antique. Ils révèlent les fondements des sociétés grecques et laissent voir un ensemble de valeurs, de comportements et de pratiques communautaires destinés à forger de manière durable l'identité du citoyen grec. Ils permettent également de souligner l'interaction entre poésie et réalité historique : le héros homérique comme le paysan hésiodique sont à la base de la vision que les Grecs ont d'eux-mêmes et du monde qui les entoure.".
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Hymn to Hermes --- Homeric hymns. --- Homeric hymn to Hermes --- Ὕμνος εἰς Ἑρμῆν --- Εἰς Ἑρμῆν
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The relationship between the Homeric epics and archaeology has long suffered mixed fortunes, swinging between 'fundamentalist' attempts to use archaeology in order to demonstrate the essential historicity of the epics and their background, and outright rejection of the idea that archaeology is capable of contributing anything at all to our understanding and appreciation of the epics. Archaeology and the Homeric Epic concentrates less on historicity in favour of exploring a variety of other, perhaps sometimes more oblique, ways in which we can use a multi-disciplinary approach ? archaeology, philology, anthropology and social history ? to help offer insights into the epics, the contexts of their possibly prolonged creation, aspects of their 'prehistory', and what they may have stood for at various times in their long oral and written history. 0 0The effects of the Homeric epics on the history and popular reception of archaeology, especially in the particular context of modern Germany, is also a theme that is explored here. Contributors explore a variety of issues including the relationships between visual and verbal imagery, the social contexts of epic (or sub-epic) creation or re-creation, the roles of bards and their relationships to different types of patrons and audiences, the construction and uses of 'history' as traceable through both epic and archaeology and the relationship between 'prehistoric' (oral) and 'historical' (recorded in writing) periods. Throughout, the emphasis is on context and its relevance to the creation, transmission, re-creation and manipulation of epic in the present (or near-present) as well as in the ancient Greek past.
Epic poetry, Greek --- Civilization, Homeric. --- Excavations (Archaeology) --- Poésie épique grecque --- Civilisation homérique --- Fouilles (Archéologie) --- History and criticism. --- Histoire et critique --- Homer --- Influence. --- Archaeology --- Civilization, Homeric --- Archaeology - Greece --- Epic poetry, Greek - History and criticism. --- Homer - Influence.
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The relationship between the Homeric epics and archaeology has long suffered mixed fortunes, swinging between 'fundamentalist' attempts to use archaeology in order to demonstrate the essential historicity of the epics and their background, and outright rejection of the idea that archaeology is capable of contributing anything at all to our understanding and appreciation of the epics. Archaeology and the Homeric Epic concentrates less on historicity in favor of exploring a variety of other, perhaps sometimes more oblique, ways in which we can use a multidisciplinary approach – archaeology, philology, anthropology and social history – to help offer insights into the epics, the contexts of their possibly prolonged creation, aspects of their 'prehistory', and what they may have stood for at various times in their long oral and written history. The effects of the Homeric epics on the history and popular reception of archaeology, especially in the particular context of modern Germany, is also a theme that is explored here. Contributors explore a variety of issues including the relationships between visual and verbal imagery, the social contexts of epic (or sub-epic) creation or re-creation, the roles of bards and their relationships to different types of patrons and audiences, the construction and uses of 'history' as traceable through both epic and archaeology and the relationship between 'prehistoric' (oral) and 'historical' (recorded in writing) periods. Throughout, the emphasis is on context and its relevance to the creation, transmission, re-creation and manipulation of epic in the present (or near-present) as well as in the ancient Greek past.
Archaeology --- Homer --- Epic poetry, Greek --- Civilization, Homeric --- Homeric civilization --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Influence --- History and criticism --- E-books --- Civilization, Homeric. --- History and criticism. --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Influence. --- Homerus
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"On le comprend mieux désormais, les émotions sont au coeur de nos mécanismes cognitifs : souvenirs, jugements, prises de décision. C'est vrai aujourd'hui, tout comme ça l'était en Grèce archaïque. Dorénavant, ce domaine d'étude doit attirer notre attention, si l'on veut saisir ce qui faisait agir et réagir l'homme grec à l'époque d'Hésiode ou Sappho. Ce livre entreprend d'explorer les représentations d'émotions positives telles que le plaisir, la joie ou la gaieté. Quelles idées les Grecs de l'époque archaïque s'en faisaient-ils ? Quelles émotions positives valorisaient-ils et à quels moments ? Que nous apprennent les sources sur leur façon de les exprimer ou de les taire ? Parmi les causes de joie et de plaisir, certaines sont évidentes, mais d'autres le sont moins, car façonnées par le contexte socioculturel grec. Ensuite, avec la diversité des expériences, le champ sémantique se transforme. Alors les conceptions mises en avant se chevauchent ou progressent en ordre dispersé. Dans la poésie d'Homère, les héros ont un désir pressant d'agir chevillé au corps. Une partie de leurs émotions l'indique manifestement. À l'autre bout de la période, en revanche, l'âme recueille souvent la promesse de joies suaves. Entre temps, les ruptures et les continuités sont nombreuses et marquées. Elles élèvent quasiment les émotions positives au rang d'acteurs de l'histoire archaïque."--Page 4 of cover.
Bonheur (philosophie) --- Poésie grecque homérique --- Littérature grecque --- Philosophie grecque. --- Thèmes, motifs. --- Civilization, Homeric. --- Epic poetry, Greek --- Happiness --- Philosophy, Ancient. --- Themes, motives. --- To 146 B.C. --- Greece --- Civilization
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This book offers a new interpretation of ancient Greek sacrifice from a cultural poetic perspective. Through close readings of the Theogony, the Homeric Hymn to Demeter, the Homeric Hymn to Hermes, and the Odyssey in conjunction with evidence from material culture, it demonstrates how sacrifice narratives in early Greek hexameter poetry are intimately connected to a mythic-poetic discourse referred to as the 'politics of the belly'. This mythic-poetic discourse presents sacrifice as a site of symbolic conflict between the male stomach and female womb for both mortals and immortals. Ultimately, the book argues that the ritual of sacrifice operates as a cultural mechanism for the perpetuation of patriarchal ideology not just in early Greek hexameter, but throughout Greek cultural history.
Sacrifice in literature --- Homeric hymns --- Greek literature --- Sacrifice in literature. --- Sacrifice --- History and criticism. --- Hesiod. --- Homer. --- Homeric hymns. --- Burnt offering --- Worship --- Homerus. --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- History and criticism --- Hesiod --- Greek literature - History and criticism --- Sacrifice - Greece --- Hesiod - Theogony --- Homer. - Odyssey
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Despite the relevance of Eustathios to both Classical and Byzantine studies, no monograph and no collective volume in English has yet been devoted to his figure. This book attempts to fill in this gap by addressing the various facets of his output - above all his commentaries on Homer, Dionysius the Periegete, Pindar, and the Iambic Canon on the Pentecost; but also his historiographical work, his speeches and his theological production receive due attention. The book also tackles several aspects of Eustathios' style (proverbs, allusions, etc.), and the meaning of his work in the context of his historical moment. Addressed at specialists but also at graduate students with an interest in the reception of Classical antiquity and in Byzantine civilisation, the volume gathers papers by leading scholars from various countries, and it opens up new paths of research in several areas of philology and history, above all by interweaving and juxtaposing Eustathios' dimension as an Homerist and an immensely learned classical scholar with his capacities as an orator, a highly praised teacher, a rhetorically refined writer of Greek prose, an historian of his own turbulent times, and an archbishop who had to fulfil his everyday duties.
Eustathius, --- Eustathe, --- Eustathios, --- Eustazio, --- Tessalonica, Eustazio di, --- Thessalonike, Eustathios von, --- Eustathius Thessalonicensis --- Eustathius Corinthus --- Eustathius --- Eustathios of Thessalonike --- Eustathios von Thessalonike --- Criticism and interpretation. --- E-books --- Byzantine history. --- Byzantine philology. --- Byzantinische Geschichte. --- Byzantinische Philologie. --- Eustathios of Thessalonike. --- Eustathios von Thessalonike. --- Homerforschung. --- Homeric scholarship. --- LITERARY CRITICISM / Ancient & Classical.
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In the wake of recent advances in the treatment of longstanding problems pertaining to the interpretation of Homeric poetry, this volume brings together cutting-edge research from a cohort of acclaimed scholars on Homer and the Homeric Hymns. The variety of topics covered spans the entire field of Homeric philology: the methods and solutions provided for a new edition of the Odyssey, the puzzle of the relation between the festival of the Panathenaea and the Homeric text, the disclosure of the meaning of notorious cruces pertaining to arcane formulas, the two emblematic heroes of the Iliad and the Odyssey, Achilles and Odysseus, Homeric poetics, the range and use of repetition in a traditional medium, the composition of the Homeric epics, the Apologoi and 'Cyclic' Narrative, as well as the Homeric Hymns to Hermes and Aphrodite.
E-books --- Homer --- Criticism and interpretation. --- Homeros --- Homère --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Criticism and interpretation --- Homeric Hymns. --- Homerische Hymnen. --- Iliad. --- Ilias. --- Odyssee. --- Odyssey. --- LITERARY CRITICISM / Ancient & Classical. --- Homerus --- Homer - Criticism and interpretation
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