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Walt Disney Productions

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'Oswald the Lucky Rabbit' is an in-depth look at the origins of the Disney Brothers Cartoon Studio and their first major fully animated success in 1927 with the Oswald the Lucky Rabbit series. The narrative explores the historical importance of this character within The Walt Disney Company and recounts, first, the rejection of the first Oswald short, 'Poor Papa', followed by the overwhelmingly positive reception of second short, 'Trolley Troubles', and the ultimate loss of Disney's rights to the character and the company's modern-day journey to reclaim Disney's films.

Oswald the lucky rabbit --- Walt Disney Company. --- Animated films --- Disney characters --- Cartoon characters --- History and criticism --- History

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Comment Disney nous a-t-il dotés des oreilles de Mickey ? Des Trois Petits Cochons (1933) à La Reine des Neiges (2013), le succès des films et des chansons des studios Disney est international et traverse plusieurs générations. Le cinéma est l'un des médias qui a le plus investi nos vies, tant parce qu'il les traduit par la fiction que parce qu'il nous réunit collectivement dans les salles ou dans nos foyers. Cet ouvrage décrit les modalités de la constitution du voir et de l'entendre cinématographiques au travers du "cas" Disney. Univers qualifié de merveilleux, magique ou enchanté, le monde musical de Disney se laisse saisir par les discours des spectateurs de cinéma. Ils ont grandi avec ces musiques emblématiques qui sont devenues des tubes qui précèdent ou prolongent leur expérience devant le film [4e de couv.]

Motion pictures and music --- Animated film music --- History and criticism --- Walt Disney Company --- Influence --- Social aspects --- Disney, Walt, --- Animated film music - United States - History and criticism

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This book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney’s full-length animated features of the “golden era” as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man’s singular, perverse desire. What follows after is a discussion of the “second golden age” of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.

Fantasy --- Social aspects. --- Walt Disney Company. --- Day dreams --- Phantasy --- Defense mechanisms (Psychology) --- Dreams --- Imagination --- Visions --- Disney Studio --- 迪斯尼公司 --- Mei guo di shi ni gong si --- 美國迪士尼公司 --- Walt Disney Productions --- Motion pictures. --- Animated films. --- Aesthetics. --- Motion pictures-United States. --- Film genres. --- Film Theory. --- Animation. --- American Cinema and TV. --- Genre. --- Genre films --- Genres, Film --- Motion picture genres --- Motion pictures --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation (Cinematography) --- Animation cels --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Plots, themes, etc. --- Psychology --- History and criticism --- Motion pictures—United States. --- Radio broadcasting Aesthetics --- Aesthetics