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"In cultural history, the 1950s in Venezuela are commonly celebrated as a golden age of modernity, realized by a booming oil economy, dazzling modernist architecture, and nationwide modernization projects. But this is only half the story. In this path-breaking study, Lisa Blackmore reframes the concept of modernity as a complex cultural formation in which modern aesthetics became deeply entangled with authoritarian politics. Drawing on extensive archival research and presenting a wealth of previously unpublished visual materials, Blackmore revisits the decade-long dictatorship to unearth the spectacles of progress that offset repression and censorship. Analyses of a wide range of case studies--from housing projects to agricultural colonies, urban monuments to official exhibitions, and carnival processions to consumerculture--reveal the manifold apparatuses that mythologized visionary leadership, advocated technocratic development, and presented military rule as the only route to progress. Offering a sharp corrective to depoliticized accounts of the period, Spectacular Modernity instead exposes how Venezuelans were promised a radically transformed landscape in exchange for their democratic freedoms"-- "An analysis of how a decade of military rule in Venezuela produced a dominant ideology of progress so meticulously crafted that to this day audacious Modernist art and architecture and dictatorship are conflated under the term 'modernity'"--

Dictatorship --- Spectacular, The --- Architecture --- Art --- Modernism (Aesthetics) --- Social change --- Military government --- Military rule --- Public administration --- Civil-military relations --- Military occupation --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social history --- Social evolution --- Aesthetics --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Spectacle --- Absolutism --- Autocracy --- Tyranny --- Authoritarianism --- Despotism --- Totalitarianism --- Social aspects --- History --- Political aspects --- Design and construction --- Venezuela --- Venesuėla --- Republic of Venezuela --- República de Venezuela --- Bolivarian Republic of Venezuela --- República Bolivariana de Venezuela --- Gobierno Bolivariano --- Estados Unidos de Venezuela --- Венесуэла --- Баліварыянская Рэспубліка Венесуэла --- Balivaryi︠a︡nskai︠a︡ Rėspublika Venesuėla --- Венецуела --- Venet︠s︡uela --- Боливарска република Венецуела --- Bolivarska republika Venet︠s︡uela --- Βενεζουέλα --- Venezouela --- Μπολιβαριανή Δημοκρατία της Βενεζουέλας --- Bolivarianē Dēmokratia tēs Venezouelas --- 베네수엘라 --- Penesuella --- 베네수엘라 볼리바르 공화국 --- Penesuella Bollibarŭ Konghwaguk --- Венесуэл --- Venesuėl --- Bu̇gd Naĭramdakh Bolivaryn Venesuėl Uls --- ベネズエラ --- Benezuera --- ベネズエラ・ボリバル共和国 --- Benezuera Boribaru Kyōwakoku --- Боливарианская Республика Венесуэла --- Bolivarianskai︠a︡ Respublika Venesuėla --- Venecuela --- Bolivarska Republika Venecuela --- Venezuelan bolivariaaninen tasavalta --- Bolivarianska republiken Venezuela --- Bolivarcı Venezuela Cumhuriyeti --- Wenesuela --- Wenesuela Boliwar Respublikasy --- Венесуела --- Боліварианська Республіка Венесуела --- Bolivaryansʹka Respublika Venesuela --- 委內瑞拉 --- Weineiruila --- 委內瑞拉玻利瓦爾共和國 --- Weineiruila Boliwa'er Gongheguo --- Cultural policy. --- Politics and government --- Art, Primitive --- Architecture, Primitive

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The current practice of the cult of María Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, A Goddess in Motion shows how the innumerable images of this goddess—represented as an Indian, white or mestizo woman—move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating study that sheds light on the role of visual creativity in contemporary religious manifestations.

SOCIAL SCIENCE / Anthropology / Cultural & Social. --- Lionza, María --- Cult --- In popular culture. --- Venezuela --- Religious life and customs. --- Holy Mary of the jaguar --- Santa María de la Onza Talavera del Prato de Nívar --- Venesuėla --- Republic of Venezuela --- República de Venezuela --- Bolivarian Republic of Venezuela --- República Bolivariana de Venezuela --- Gobierno Bolivariano --- Estados Unidos de Venezuela --- Венесуэла --- Баліварыянская Рэспубліка Венесуэла --- Balivaryi︠a︡nskai︠a︡ Rėspublika Venesuėla --- Венецуела --- Venet︠s︡uela --- Боливарска република Венецуела --- Bolivarska republika Venet︠s︡uela --- Βενεζουέλα --- Venezouela --- Μπολιβαριανή Δημοκρατία της Βενεζουέλας --- Bolivarianē Dēmokratia tēs Venezouelas --- 베네수엘라 --- Penesuella --- 베네수엘라 볼리바르 공화국 --- Penesuella Bollibarŭ Konghwaguk --- Венесуэл --- Venesuėl --- Bu̇gd Naĭramdakh Bolivaryn Venesuėl Uls --- ベネズエラ --- Benezuera --- ベネズエラ・ボリバル共和国 --- Benezuera Boribaru Kyōwakoku --- Боливарианская Республика Венесуэла --- Bolivarianskai︠a︡ Respublika Venesuėla --- Venecuela --- Bolivarska Republika Venecuela --- Venezuelan bolivariaaninen tasavalta --- Bolivarianska republiken Venezuela --- Bolivarcı Venezuela Cumhuriyeti --- Wenesuela --- Wenesuela Boliwar Respublikasy --- Венесуела --- Боліварианська Республіка Венесуела --- Bolivaryansʹka Respublika Venesuela --- 委內瑞拉 --- Weineiruila --- 委內瑞拉玻利瓦爾共和國 --- Weineiruila Boliwa'er Gongheguo --- Anthropology of Religion, Anthropology (General), Cultural Studies (General).