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Athens (Greece) --- Athens (Greece), --- Tragédie grecque --- Tragédie grecque
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Tragédie grecque --- Athens (Greece) --- Athens (Greece), --- Aristophanes. --- Aristophanes --- Criticism, Textual. --- Tragédie grecque
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En 2015, Jan Fabre créait une oeuvre-performance de vingt-quatre heures, intitulée Mount Olympus. Le metteur en scène propose un panorama des trente-trois tragédies grecques écrites par Euripide, Eschyle et Sophocle. De Phèdre à Alceste, tous les personnages tragiques sont ici convoqués. Analyse des composantes du spectacle et des pratiques scéniques qu'il met en oeuvre. ©Electre 2017 En 2015, Jan Fabre bouleversait le paysage théâtral en offrant à ses spectateurs une pièce-performance de vingt-quatre heures intitulée Mount Olympus, une expérience unique pour le spectateur d’aujourd’hui. Le metteur en scène tente de nous donner à voir un panorama des trente-trois tragédies grecques écrites par Euripide, Eschyle et Sophocle. De Phèdre à Alceste,en passant par Agamemnon et Ulysse, tous les personnages tragiques y sont convoqués et viennent livrer au spectateur leurs dramatiques histoires. L’ambition de cet ouvrage est l’analyse de cette forme hybride qui, bien que puisant sa source dans l’Antiquité, deviendra à coup sûr l’une des œuvres emblématiques du théâtre contemporain du xxie siècle. Pour cela, chaque composant du spectacle a été attentivement observé, du fond à la forme. Nous reviendrons sur les mythes qui composent cette pièce et la façon dont Fabre fait résonner la voix des personnages tragiques dans notre présent, mais également sur les différentes pratiques artistiques représentéesur scène qui, combinées, font de Mount Olympus un chef d’œuvre colossal, transcendant les âges et les arts.
Tragédie grecque --- Fabre, Jan --- Greek drama (Tragedy) --- Transcendence (Philosophy) in motion pictures --- Fabre, Jan, --- Cognitive psychology --- Theatrical science
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Greek Fragments in Postmodern Frames' takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought.00.
Greek drama (Tragedy) --- Tragédie grecque --- Adaptations --- History and criticism --- Histoire et critique --- History and criticism. --- Tragédie grecque --- Histoire et critique.
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"This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions"--
Greek drama (Tragedy) --- Emotions in literature. --- Tragédie grecque --- Emotions dans la littérature --- History and criticism. --- Histoire et critique --- Plato. --- Emotions in literature --- History and criticism --- Tragédie grecque --- Emotions dans la littérature --- Greek drama (Tragedy). --- Republic (Plato).
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Brill's Companion to the Reception of Sophocles offers a comprehensive account of the influence, reception and appropriation of all extant Sophoclean plays, as well as the fragmentary Satyr play The Trackers , from Antiquity to Modernity, across cultures and civilizations, encompassing multiple perspectives and within a broad range of cultural trends and manifestations: literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern, which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
Sophocles --- Appreciation --- Criticism and interpretation --- Influence --- Appreciation. --- Criticism and interpretation. --- Influence. --- Greek drama (Tragedy) --- Tragédie grecque --- History and criticism. --- Histoire et critique --- Tragédie grecque --- Art appreciation. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Appreciation of art --- Art criticism --- Analysis, interpretation, appreciation --- Sophocles. --- Sofocle --- Sófocles --- Sofokl --- Sofokles --- Sofoklis --- Sofokŭl --- Sophocle --- Sophokles --- Sūfūklīs --- Sūtmūklīs --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Sophoclis --- Sophocles - Appreciation --- Sophocles - Criticism and interpretation --- Sophocles - Influence
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