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Silversmiths in Elizabethan and Stuart London is one of the most important works of silver scholarship in recent years. Taking the first surviving makers' mark plate in the archives of the London Assay Office as its starting point, David Mitchell's meticulous research has allowed him to identify some of these previously unknown craftsmen and to piece together the narratives of their lives and trade. The first part of the book tells the story of the silversmiths' trade in the Elizabethan and Stuart periods, including the range of silver plate available between 1560 and 1700 and the many influences on silversmiths and the wider trade, from the impact of French design and 'Stranger' silversmiths through to Plague, Fire and Civil War. The second part of the book identifies previously unknown makers, containing attributions for 540 separate marks and some 400 individual biographies compiled from the author's research. Richly illustrated with over 200 images, this work combines social, economic and art history and casts new light on a fascinating period. It will be of interest not only to students and scholars of early modern history and the history of London and to museums with respective art collections, but also to those interested in the Elizabethan and Stuart periods, silver and the decorative arts.
Hallmarks --- Silverwork --- Silver articles --- Silver objects --- Silver work --- Silversmithing --- Art metal-work --- Metal-work --- Jewelry making --- Hall-marks --- Marks on plate --- Gold --- Plate --- Silver --- History --- Standards of fineness --- London (England) --- Great Britain --- Applied arts. Arts and crafts --- History of the United Kingdom and Ireland --- silverwork --- makers' marks --- silversmiths --- anno 1500-1599 --- anno 1600-1699 --- London --- edelsmeedkunst
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This catalogue raisonné is the first study of this area of the Royal Collection for more than a hundred years. Extensive research has uncovered much new information relating to the European silver in the Collection since the last publication on the subject in the early twentieth century. 0The catalogue discusses more than 350 objects of pre-twentieth-century silver made in France, Germany, the Netherlands and Russia, with a smaller collection of pieces from Italy, Scandinavia, Spain, Portugal and the Austro-Hungarian empire. 0An introduction on the history of collecting European silver is followed by catalogue entries on silver objects used for dining and drinking, tea, coffee and chocolate wares; toilet services; desk accessories and church plate. Highlights include the German Kunstzkammer objects acquired by George IV, and items formerly belonging to Napoleon which have subsequently entered the Royal Collection
private collections --- silverwork --- Applied arts. Arts and crafts --- Royal Collection Trust [London] --- Europe --- Silverwork --- Silver articles --- Silver objects --- Silver work --- Silversmithing --- Art metal-work --- Metal-work --- Jewelry making --- Private collections --- Elizabeth --- Elisabetta --- אליזבטה --- Art collections --- Royal Collection (Great Britain) --- Collection, Royal --- Royal Collection Trust --- Elizabeṭah --- Mountbatten-Windsor, Elizabeth, --- Windsor, Elizabeth, --- Windsor, Elizabeth Alexandra Mary, --- Windsor-Mountbatten, Elizabeth, --- Windsor (Royal house : --- private collections [object groupings] --- collecting, United Kingdom
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