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Higher education and state --- Education, Higher --- Universities and colleges --- History --- History. --- Dawkins, John, --- Influence. --- University of Sydney
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The theatrical, the satirical and the macabre come together in arresting fashion in the art of James Ensor. He was very successful in his lifetime and exerted considerable influence on the development of Expressionism. An innovator and an outsider, he rebelled against the conservative art teachings of the late 19th century academy in Brussels, drawn instead to the avant-garde salons where his radical creative vision could thrive. The imagery of masks and carnivals runs through much of his work, from vibrant colours and flamboyant costumes to an ever-present sense of drama and satire. Curated by Luc Tuymans, this exhibition will present a truly original body of work, seen through the eyes of one of today's leading painters. Tuymans will look back at Ensor's singular career through a selection of his most bizarrely brilliant and gloriously surreal creations.
Ensor, James --- Tuymans, Luc --- maskers --- masker --- Artists --- Art, Belgian --- Grotesque in art --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- Persons --- Ensor, James, --- Tuymans, Luc, --- Ensor, James Sydney --- Ensor, James Sydney Edouard --- masker. --- Ensor, James. --- Tuymans, Luc.
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This book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Brontë, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- English literature --- Literature --- History --- cultuur --- emancipatie --- literatuur --- vrouwen --- gender --- literatuurgeschiedenis --- Engelse literatuur --- Wollstonecraft, Mary --- Simcox, E. --- Hays, Mary --- Landon, Letitia --- Norton, Caroline --- Gaskell, Elizabeth --- Dixie, Florence --- Browning, Elizabeth Barrett --- Morgan, Sydney Owenson --- Montagu, Mary Wortley --- Martineau, Harriet --- Brontë, Charlotte --- Hemans, Felicia --- Eliot, George --- anno 1800-1899 --- anno 1900-1999 --- Great Britain --- Ireland
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The housing projects built in Camden in the 1960s and 1970s when Sydney Cook was borough architect are widely regarded as the most important urban housing built in the UK in the past 100 years. The schemes - which included Alexandra Road, Branch Hill, Fleet Road, Highgate New Town and Maiden Lane - set out a model of street-based housing that continues to command interest and admiration from architects to this day. Cook recruited some of the brightest talent available in London at the time, including Neave Brown, Benson & Forsyth and Peter Tabori, and also commissioned up-and-coming practices such as Colquhoun & Miller, Edward Cullinan and Farrell Grimshaw. 00The Camden projects represented a new type of urban housing based on a return to streets with front doors. In place of tower blocks, the Camden architects showed how the required densities could be achieved without building high, creating a new kind of urbanism that integrated with, rather than broke from, its cultural and physical context.
Camden --- Cook, Sydney --- 728 --- Woningbouw (architectuur) --- Woningen (architectuur) --- modern British architecture styles and movements --- Private houses --- low-rise buildings --- row houses --- anno 1960-1969 --- anno 1970-1979 --- London --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- 728.2 --- 711.13 --- 72.038(410) --- 71.038(410) --- Architectuur ; Londen ; Camden ; o.l.v. S. Cook ; 1965-1975 --- Residentiële woningbouw ; low-rise, high-density --- Sociale woningbouw ; in terrasbouw --- Radicale experimantele architectuur ; 20ste eeuw ; 1965-1975 --- Urban landscapes ; built landscapes --- Na-oorlogs Modernisme --- Tuinwijken --- Garden cities --- Cook, Sydney 1910-1979 (°Groot-Brittannië)Trefwoord --- Brown, Neave --- Benson & Forsyth ; Gordon Benson & Alan Forsyth --- Tabori, Peter --- Colquhoun, Alan & John Miller --- Cullinan, Edward --- Grimshaw, Farrel --- Woningbouw ; woningblokken, meergezinshuizen, maisonettes --- Stedenbouw. Ruimtelijke ordening ; sociale geografie ; socio-economische aspecten ; stadsgeografie --- Architectuurgeschiedenis ; 1950 - 2000 ; Groot-Brittanië --- Geschiedenis van de stedenbouw ; 1950 - 2000 ; Groot-Brittannië --- Architecture domestique --- Habitations en bandes --- Habitations --- Logement social --- Architectes --- Immeubles d'habitation --- Architecture, Domestic --- Row houses --- Dwellings --- Architects --- Architecture, Domestic. --- Buildings. --- Row houses. --- Critique et interprétation --- History --- Social aspects --- Criticism and interpretation --- Cook, Sydney, --- 1900-1999 --- Londres (GB) --- Camden (London, England) --- England --- Quartier de Hampstead --- Constructions --- Buildings, structures, etc. --- Buildings --- Critique et interprétation. --- Constructions. --- Histoire --- Camden (Londres, Angleterre) --- Construcions --- Critique et interprétation.
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This book investigates how, alongside Beatrice Webb’s ground-breaking pre- World War One anti-poverty campaigns, George Bernard Shaw helped launch the public debate about the relationship between equality and democracy in a developed economy. The ten years following his great 1905 play on poverty Major Barbara present a puzzle to Shaw scholars, who have hitherto failed to appreciate both the centrality of the idea of equality in major plays like Getting Married, Misalliance, and Pygmalion, and to understand that his major political work, 1928’s The Intelligent Woman’s Guide to Socialism and Capitalism had its roots in this period before the Great War. As both the era’s leading dramatist and leader of the Fabian Society, Shaw proposed his radical postulate of equal incomes as a solution to those twin scourges of a modern industrial society: poverty and inequality. Set against the backdrop of Beatrice Webb’s famous Minority Report of the Royal Commission on the Poor Law 1905-1909 – a publication which led to grass-roots campaigns against destitution and eventually the Welfare State – this book considers how Shaw worked with Fabian colleagues, Sidney and Beatrice Webb, and H. G. Wells to explore through a series of major lectures, prefaces and plays, the social, economic, political, and even religious implications of human equality as the basis for modern democracy.
Culture --- Ethnology --- Theater --- Social history. --- Literature, Modern --- British literature. --- Cultural and Media Studies. --- Theatre History. --- Social History. --- British Culture. --- British and Irish Literature. --- Twentieth-Century Literature. --- Study and teaching. --- Europe. --- History. --- 20th century. --- Shaw, Bernard, --- Webb, Beatrice, --- Literature --- Descriptive sociology --- Social conditions --- Social history --- Cultural studies --- Webb, Beatrice Potter, --- Passfield, Beatrice Potter Webb, --- Uebb, Beatrisa, --- Vebb, Beatrisa, --- Webb, Sidney, --- Potter, Beatrice, --- Potter, Martha Beatrice, --- Vebb, Bitris, --- Webbu, Biatorisu, --- Webb, Sydney, --- וועבב, ביטריס, --- Birnārd Shū, --- Shū, Birnārd, --- Hsiao, Po-na, --- Shou, Dzhordzh Bernard, --- Corno di Bassetto, --- Bassetto, Corno di, --- Fellow of the Royal Society of Literature, --- Shou, Bernard, --- Shaw, George Bernard, --- Shaw, G. B. --- Shō, Bānādo, --- Shiyou, Baanādo, --- Shaw, G. Bernard --- Pern̲āṭṣā, --- Pern̲ārṭuṣā, --- Cā, Pern̲āṭ, --- Ṣā, Pern̲ārṭ, --- Ṣā, Jārj Pern̲ārṭu, --- Шоу, Джордж Бернард, --- שאו, בערנארד --- שאו, בערנארד, --- שאו, ברנארד, --- שאו, ברנארד --- שאו, ברנרד --- שאו, ג׳ורג׳ ברנרד --- شو، برنارد، --- Theater-History. --- Ethnology-Europe. --- Literature, Modern-20th century. --- History --- Sociology --- Theater—History. --- Ethnology—Europe. --- Literature, Modern—20th century.
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