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How did rhetoric begin and what was it before it was called "rhetoric"? Must art have a name to be considered art? What is the difference between eloquence and rhetoric? And what were the differences among poets, philosophers, sophists, and rhetoricians before Plato emphasized--or perhaps invented--their differences? In Logos without Rhetoric: The Arts of Language before Plato, Robin Reames attempts to intervene in these and other questions by examining the status of rhetorical theory in texts that predate Plato's coining of the term "rhetoric" (c. 380 B.C.E.). From Homer and Hesiod to Parmenides and Heraclitus to Gorgias, Theodorus, and Isocrates, the case studies contained here examine the status of the discipline of rhetoric prior to and therefore in the absence of the influence of Plato and Aristotle's full-fledged development of rhetorical theory in the fourth century B.C.E.The essays in this volume make a case for a porous boundary between theory and practice and promote skepticism about anachronistic distinctions between myth and reason and between philosophy and rhetoric in the historiography of rhetoric's beginning. The result is an enlarged understanding of the rhetorical content of pre-fourth-century Greek texts.
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Narration. --- Rhetoric, Ancient. --- Homer --- Homer. --- Homerus, --- Literary style.
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"This book addresses a relatively neglected area in the study of ancient rhetoric: the performance of the speeches that have come down to us in textual form. Although it has never been doubted that Athenian oratory was performed, only a limited amount of scholarly attention has been devoted to this dimension of the corpus. Scholarly opinion has tended to consider it an impossible task to reconstruct performance through an interpretation of the text or to elaborate on the exact nature of the relationship between oratory and theatre. Attic Oratory and Performance fills this gap by providing an in-depth analysis of the ways Attic orators wrote for and executed performance."-- "This book addresses a relatively neglected area in the study of ancient rhetoric: the performance of the speeches that have come down to us in textual form. Although it has never been doubted that Athenian oratory was performed, only a limited amount of scholarly attention has been devoted to this dimension of the corpus. Scholarly opinion has tended to consider it an impossible task to reconstruct performance through an interpretation of the text or to elaborate on the exact nature of the relationship between oratory and theatre. Attic Oratory and Performance fills this gap by providing an in-depth analysis of the ways Attic orators wrote for and executed performance."--
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Greek drama (Tragedy) --- Greek drama (Tragedy). --- Griechisch. --- Rhetoric, Ancient. --- Rhetorik. --- History and criticism. --- Drama.
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"This study discusses the question of whether there is a linguistic difference between classical Attic prose texts intended for public oral delivery and those intended for written circulation and private performance. Identifying such a difference which exclusively reflects these disparities in modes of reception has proven to be a difficult challenge for both literary scholars and cultural historians of the ancient world, with answers not always satisfactory from a methodological and an analytical point of view. The legitimacy of the question is first addressed through a definition of what such slippery notions as 'orality' and 'oral performance' mean in the context of classical Athens, reconstruction of the situations in which the extant prose texts were meant to be received, and an explanation of the grounds on which we may expect linguistic features of the texts to be related to such situations. The idea that texts conceived for public delivery needed to be as clear as possible is substantiated by available cultural-historical and anthropological facts; however, these do not imply that the opposite was required of texts conceived for private reception. In establishing a rigorous methodology for the reconstruction of the native perception of clarity in the original contexts of textual reception this study offers a novel approach to assessing orality in classical Greek prose through examination of linguistic and grammatical features of style. It builds upon the theoretical insights and current experimental findings of modern psycholinguistics, providing scholars with a new key to the minds of ancient writers and audiences."--
Rhetoric, Ancient --- Oratory, Ancient --- Speeches, addresses, etc., Greek --- History and criticism
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In ancient Athenian courts of law, litigants presented their cases before juries of several hundred citizens. Their speeches effectively constituted performances that used the speakers’ appearances, gestures, tones of voice, and emotional appeals as much as their words to persuade the jury. Today, all that remains of Attic forensic speeches from the fifth and fourth centuries BCE are written texts, but, as Peter A. O’Connell convincingly demonstrates in this innovative book, a careful study of the speeches’ rhetoric of seeing can bring their performative aspect to life. Offering new interpretations of a wide range of Athenian forensic speeches, including detailed discussions of Demosthenes’ On the False Embassy, Aeschines’ Against Ktesiphon, and Lysias’ Against Andocides, O’Connell shows how litigants turned the jurors’ scrutiny to their advantage by manipulating their sense of sight. He analyzes how the litigants’ words work together with their movements and physical appearance, how they exploit the Athenian preference for visual evidence through the language of seeing and showing, and how they plant images in their jurors’ minds. These findings, which draw on ancient rhetorical theories about performance, seeing, and knowledge as well as modern legal discourse analysis, deepen our understanding of Athenian notions of visuality. They also uncover parallels among forensic, medical, sophistic, and historiographic discourses that reflect a shared concern with how listeners come to know what they have not seen.
Speeches, addresses, etc., Greek --- Forensic orations --- Rhetoric, Ancient. --- Oratory, Ancient. --- History and criticism. --- History and criticism.
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La rhétorique apprenait un certain type de regard, pour percevoir une œuvre comme totalité. La thèse de cet ouvrage est donc que le regard rhétorique est, ou était, un regard synthétique. Une telle thèse oblige à reprendre un problème très classique, celui de la construction d?ensemble d?un ouvrage
Literary rhetorics --- anno 1600-1699 --- anno 1700-1799 --- anno 1500-1599 --- anno 1500-1799 --- Rhétorique --- Rhetoric, Ancient --- Rhetoric --- Rhétorique ancienne --- History --- Histoire --- Rhétorique ancienne --- Rhétorique --- Rhetoric, Ancient.
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This book offers a discriminating overview of Lucian's work, explains his place in the literature and culture of the Roman Empire, takes a look behind the authorial masks, analyzes the poiesis of his most important literary inventions—the comic dialogues—and discusses questions of the staging, publication, and translation of his works.
Authors, Greek --- Authors, Greek. --- Philosophy in literature. --- Rhetoric, Ancient. --- Rhetoricians --- Rhetoricians. --- Satirists --- Satirists. --- Second Sophistic movement. --- Technique. --- Themes, motives. --- Lucian,
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Direct Speech in Nonnus’ Dionysiaca is the first more extensive study of the use and functions of direct speech in Nonnus’ Dionysiaca (5th century AD). Its long soliloquies and scarcity of dialogues have often been pointed out as striking characteristics of Nonnus’ epic style, but nonetheless this fascinating subject received relatively little attention. Berenice Verhelst aims to reveal the poem’s constant interplay between the epic tradition and the late antique literary context with its clear rhetorical stamp. She focusses on the changed functions of direct speech and their implications for the presentation of the mythological story. Organized around six case studies, this book presents an in-depth analysis of a representative part of the vast corpus of the Dionysiaca’s 305 speeches. The digital appendix to this book ( Database of Direct Speech in Greek Epic Poetry ) can be consulted online at www.dsgep.ugent.be .
E-books --- Direct discourse in literature. --- Rhetoric, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Discourse, Direct, in literature --- Quotation --- Indirect discourse in literature --- Rhetoric --- Nonnus, --- Discours direct dans la littérature --- Rhétorique ancienne --- Rhetoric, ancient. --- Literary criticism / ancient & classical. --- Dionysiaca (Nonnus, of Panopolis). --- Direct discourse in literature --- Rhetoric, Ancient --- Nonnus, - of Panopolis. - Dionysiaca
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