Narrow your search

Library

ULB (2)


Resource type

book (2)


Language

English (1)

French (1)


Year
From To Submit

2017 (2)

Listing 1 - 2 of 2
Sort by

Book
Building the Operatic Museum : eighteenth-century opera in fin-de-siècle Paris
Author:
ISBN: 9781580465878 Year: 2017 Publisher: (New York) : University Of Rochester Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

The pathbreaking revival in Paris ca. 1900 of long-neglected operas by Mozart, Gluck, and Rameau -- and what this meant to French audiences, critics, and composers. Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness.


Book
The Rameau compendium
Author:
ISBN: 9781783271924 Year: 2017 Publisher: Woodbridge : Boydell & Brewer,

Loading...
Export citation

Choose an application

Bookmark

Abstract

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information.

Listing 1 - 2 of 2
Sort by