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This study proposes a new view of glossing as a universal phenomenon. Starting from the Psalter, a centrepiece of devotion and education in early medieval Europe, it combines historical sociolinguistics, comparative philology, manuscript studies and cultural history in order to assess and compare the interface of Latin with Old Irish, Old English, Old Frisian, Old Saxon and Old High German within the context of its multilingual and textual culture. The close study of thirteen glossed manuscripts, such as the Anglo-Saxon Vespasian Psalter and the Old Irish Milan Glosses, reveals when and why scribes switched from Latin into the vernacular, how the vernacular was used in studying Latin, how glosses interact with construe marks and punctuation, and how such manuscripts were intended to be read in a period covering the seventh to the twelfth centuries and in an area stretching from Ireland to Central Europe. The book is an essential textbook for specialists in the growing field of glossing, and also reaches out to scholars of early medieval liturgy, education, palaeography and Christian literature
Dialectology --- Book history --- Manuscripts. Epigraphy. Paleography --- Sociolinguistics --- anno 700-799 --- anno 600-699 --- anno 800-1199 --- Europe --- Translating and interpreting --- Languages in contact --- Annotating, Book --- Marginalia --- History. --- History --- Bible. --- Psalters. --- Criticism, interpretation, etc. --- Manuscripts, Latin. --- Translating.
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"The Ormesby psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the 'East Anglian School', a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript's main decorated folios, as well as many smaller initials and numerous comparative illustrations."--
Enluminure médiévale --- Douce, Francis, --- Bibliothèque --- Bodleian library (Oxford, GB) --- Manuscrits médiévaux. --- 091.31 <41> --- 091:2 --- 091:2 Handschriftenkunde. Handschriftencatalogi-:-Godsdienst. Theologie --- Handschriftenkunde. Handschriftencatalogi-:-Godsdienst. Theologie --- 091.31 <41> Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Verluchte handschriften--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Psalters --- Illumination of books and manuscripts, English --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Gothic --- Illumination of books and manuscripts --- Illuminated manuscripts --- Manuscripts --- Manuscripts, Illuminated --- Miniatures (Illumination of books and manuscripts) --- Ornamental alphabets --- Illustration of books --- Alphabets --- Initials --- Paleography --- Scriptoria --- Liturgies --- Illustrations --- Ormesby psalter. --- Gothic illumination of books and manuscripts --- Painting, Medieval --- English illumination of books and manuscripts
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