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Der Pontifikat Urbans VIII. Barberini (1623?1644) war nicht nur der längste des 17. Jahrhunderts, sondern stellt zugleich eine Epochenschwelle dar. Im Laufe der fast einundzwanzigjährigen Herrschaft dieses Papstes entwickelte Rom einen künstlerischen und kulturellen Glanz, der nach ganz Europa ausstrahlte. Gleichzeitig sank das Papsttum im Zuge der grossen europäischen Konflikte, die im Dreissigjährigen Krieg eskalierten, zu einer politischen Macht zweiten Ranges ab. Eine intensive Verwandtenförderung etablierte die Angehörigen der Papstfamilie in den Kreisen des römischen Hochadels? und führte dazu, dass nicht lange nach dem Tod des Papstes eben diese Verwandten unter skandalösen Umständen ins französische Exil flüchten mussten. Die vorliegende Studie untersucht auf der Basis bisher unerschlossenen Quellenmaterials und innovativer Fragestellungen den Nepotismus als Strukturmerkmal päpstlicher Herrschaftsorganisation der Vormoderne und seine konkreten Auswirkungen auf die politischen und gesellschaftlichen Entwicklungen während des Dreissigjährigen Krieges. Die Herrschaft Urbans VIII. erweist sich dabei als ein Schlüsselpontifikat der Frühen Neuzeit.

Papacy --- Nepotism --- 262.13 URBANUS VIII --- 262.13 URBANUS VIII Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--URBANUS VIII --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--URBANUS VIII --- History --- Urban --- Barberini family. --- Barberini, Taddeo, --- Barberini, Maffeo, --- Urbano --- Urbanus --- Business ethics --- Political ethics --- Urban VIII [Pope] --- Barberini family --- Barberini, Maffeo Vincenzo, --- Barberino, Maffeo, --- Urbain --- Népotisme --- Nepotism. --- Papes --- Popes --- Pouvoir temporel --- Temporal power --- Urbain VIII --- Influence. --- Papacy - History - 1566-1799 --- Nepotism - Italy - Papal States --- Urbanus VIII p. --- Urban - VIII, - Pope, - 1568-1644 --- Barberini, Taddeo, - 1603-1647 --- Népotisme

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"After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded twenty-three women artists working in the city, although many of these, until recently, were lost and ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna's unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552-1614), whose career emerged during the aftermath of the Counter -Reformation, to her brilliant successor, Elisabetta Sirani (1638-1665), who organized the first school for women artists. Patricia Rocco further sheds light on Sirani's students and colleagues, including the little-known engraver Veronica Fontana and the innovative but understudied etcher Giuseppe Maria Mitelli. Combining analysis of iconography, patronage, gender, and reception studies, Rocco integrates painting, popular prints, book illustration, and embroidery to open a wider lens onto the relationship between women, virtue, and the visual arts during a period of religious crisis. A reminder of the lasting power of images, The Devout Hand highlights women's active role in sixteenth- and seventeenth-century Christian reform and artistic production."--

Sociology of the family. Sociology of sexuality --- Art --- History of civilization --- History of Italy --- sex role --- Italian Renaissance-Baroque styles --- Fontana, Veronica --- Mitelli, Giuseppe Maria --- Fontana, Lavinia --- Sirani, Elisabetta --- anno 1500-1599 --- anno 1600-1699 --- Bologna --- Art, Italian --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Bologna (Italy) --- Intellectual life --- History --- Papal States --- Bononia (Italy) --- Bologne (Italy) --- Bolonia (Italy) --- Bononia Pinguis (Italy) --- Felsina (Italy) --- cultuurgeschiedenis --- vrouwelijke kunstenaar