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Christian church history --- History of Antwerp --- brotherhoods [associations] --- Cathedral of Our Lady [Antwerp]

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Akathists --- Hymns, Greek --- Greek hymns --- Hymns, Byzantine --- Acathists --- Acathistus --- Akathistoi --- Akathistos --- Texts --- Mary, --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Orthodox Eastern Church. --- Orthodox Eastern Church --- Liturgy --- Majka Isusova --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,

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Le 13 mai 1917 à la Cova da Iria, une belle dame vêtue de blanc apparaît à 3 petits bergers de la commune rurale de Fatima. En pleine guerre mondiale, elle leur demande de dire le chapelet, leur promet le ciel mais leur annonce aussi de grandes souffrances pour eux-mêmes, pour l’Église et pour le monde. Déjà l’année précédente, l’ange du Portugal avait préparé les enfants à cette venue. À six reprises, ils vont découvrir le message de Notre-Dame du Rosaire avant le miracle du soleil le 13 octobre 1917. Les apparitions de Fatima sont connues dans le monde entier. Elles ont peu à peu développé la dévotion au Cœur immaculé de Marie et réveillé la récitation du Rosaire pour demander la paix. Si la révélation progressive des 3 parties du « secret » a fait l’objet de très nombreuses études, voire polémiques, cette BD souhaite avant tout remettre le message essentiel de la Vierge au centre de l’attention : la conversion des cœurs, l’adoration et la récitation du chapelet sont les seules « armes » face aux totalitarismes, à la barbarie, à l’hérésie. Le contexte historique du XXe siècle au Portugal et dans le reste du monde est largement expliqué et permet de mieux saisir la portée et l’urgence du message de Fatima.

Fatima, Our Lady of --- Apparitions de la Vierge Marie --- Mary, - Blessed Virgin, Saint --- Mary, - Blessed Virgin, Saint - Apparitions and miracles - Portugal - Fátima --- Fátima (Portugal) - Religious life and customs

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Marian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation.

Sequences (Music) --- Mary, --- In literature --- Songs and music --- Frömmigkeit. --- Liturgie. --- Poetics. --- Poetik. --- liturgy. --- piety. --- Übersetzung --- Hymne --- Marienlyrik --- Sequenz --- Marienfest --- Latein --- Deutsch --- Marienverehrung --- Liturgie --- LITERARY CRITICISM / Medieval. --- Christentum --- Christliche Liturgie --- Gottesdienst --- Liturgik --- Verehrung --- Marienfrömmigkeit --- Marienkult --- Heiligenverehrung --- Maria --- Neuhochdeutsch --- Deutsche Sprache --- Hochdeutsch --- Südgermanische Sprachen --- Lateinisch --- Lateinische Sprache --- Latinofaliskisch --- Latinistik --- Kirchenfest --- Gregorianischer Gesang --- Sequentiar --- Lyrik --- Mariendichtung --- Hymnus --- Hymnen --- Preisgedicht --- Hymnodie --- Sprachübersetzung --- Translation --- Textübersetzung --- Übersetzen --- Übertragung --- Sprachmitteln --- Sprachmittlung --- Übersetzungswissenschaft --- Südgermanische Sprachen --- Marienfrömmigkeit --- Maria Deipara --- Hymnologie --- Séquences liturgiques --- Mary, - Blessed Virgin, Saint - In literature --- Mary, - Blessed Virgin, Saint - Songs and music --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Majka Isusova --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin, --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana, --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Emmitsburg --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María, --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria, --- مريم --- مريم العذراء --- 성모마리아 --- Mary, - Blessed Virgin, Saint

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Mater Misericordiae, Mother of Mercy, emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author’s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.

Mercy, Our Lady of --- Christian art and symbolism --- Mary, --- Devotion to --- Mercy, Our Lady of. --- Art et symbolisme chrétiens --- Art. --- barmhartigheid --- Christian special devotions --- Art --- Mariale devoties --- iconography --- Mariaverering --- Mary [s.] --- anno 1400-1499 --- anno 1200-1299 --- anno 1300-1399 --- anno 1500-1599 --- Italy --- Art et symbolisme chrétiens --- Christian art and symbolism - Italy - Medieval, 500-1500 --- Christian art and symbolism - Italy - Renaissance, 1450-1600 --- Maria Deipara --- Iconographie --- Mater misericordiae --- Mary, - Blessed Virgin, Saint - Art --- Mary, - Blessed Virgin, Saint - Devotion to - Italy --- Mary, - Blessed Virgin, Saint --- Christelijke kunst --- heiligenverering