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First organized in Brussels in 1912 by precocious young Belgian musicians, the Pro Arte String Quartet has survived two world wars and is still performing more than a century later -- a durability unique in the annals of such ensembles. Its membership has included such extraordinary musicians as founding first violinist Alphonse Onnou and his successor, Rudolph Kolisch. The Pro Arte was the first string quartet to be affiliated with an American university, a significant and much-imitated status, and the group continues to function in residence at the University of Wisconsin.This book traces the Pro Arte Quartet's history from its beginnings to the present, highlighted by portraits of the diverse, fascinating, and colorful personalities, musicians and others, who have been a part of that history. The phases of its repertoires are analyzed, and the legacy of its recordings, many of pioneering significance, is reviewed. As a whole, the volume offers a panoramic window into a century of musical life
String quartets (Musical groups) --- Music --- History --- Performance --- Pro Arte Quartet. --- Pro Arte Quartet --- 78.29.1 --- 78.44.6 --- Muzikanten --- Strijkkwartet --- België --- 20e eeuw
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An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
Musical groups. --- Pro Arte Quartet. --- Ensembles (Musical performance groups) --- Groups, Musical performance --- Musical performance ensembles --- Musical performance groups --- Quatuor Pro Arte --- belgium. --- cello. --- composition. --- ensemble. --- history of music. --- music. --- musicians. --- strings. --- twentieth century. --- university of wisconsin. --- viola. --- violin.
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Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015. Rotating each summer between the English cathedral cities of Hereford, Gloucester and Worcester, the Festival is a week-long programme of choral and orchestral concerts, cathedral services, solo and chamber music recitals, master classes, talks, theatre and exhibitions. At the heart of the modern festival are the daily services of Choral Evensong, representing the tradition of Anglican music and liturgy, and the large-scale evening concerts featuring established favourites of the British classical choral tradition with works drawn from a broader, more international musical canvas. Many special commissions and other works, including compositions by British composers such as Jonathan Harvey, James Macmillan, Judith Bingham and John McCabe, and composers from abroad, such as Gerard Schurmann, Jackson Hill and Torsten Rasch, have received their first performances at Three Choirs. Originally published in 1992, this revised edition brings the history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in 2015, along the way touching on the many musical milestones - premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others - and luminaries - Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few - associated with it. British music enthusiasts especially will find this new edition invaluable. ANTHONY BODEN is a writer with particular interests in music and literature. In 1989 he was appointed as Administrator of the Gloucester Three Choirs Festival, a post he held until his retirement in 1999. In 1995 he became the founding Chairman of the Ivor Gurney Society, of which he was elected President in 2015. His other books include Thomas Tomkins: The Last Elizabethan (2004) and The Parrys of the Golden Vale (1998). PAUL HEDLEY is a partner in Exart Performances, an Associate Fellow at the Saïd Business School, University of Oxford, has a PhD in theoretical linguistics, and spent five years as Chief Executive of Three Choirs Festival.
Choirs (Music) --- Choral groups --- Chorales (Musical groups) --- Choruses (Musical groups) --- Vocal groups --- Choral societies --- Three Choirs Festival. --- Gloucester Three Choirs Festival --- Hereford Three Choirs Festival --- Meeting of the Three Choirs of Gloucester, Worcester & Hereford --- Music Meeting --- Three Choirs Festivals --- Worcester Musical Festival --- Worcester Three Choirs Festival --- Song festivals --- History. --- Choir festivals --- Choral festivals --- Choral music festivals --- Chorus festivals --- Singing festivals --- Vocal music festivals --- Music festivals --- England --- Gloucester --- Anglican. --- British Isles. --- British music. --- Great Britain. --- Three Choirs festival. --- United Kingdom. --- chamber music. --- choir. --- choral. --- classical music. --- composers. --- composition. --- history. --- music. --- musicology. --- theater. --- tradition.
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"Cape Towns public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the research tools one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive mother city. Various of its constituent parts sound different from each other [T]here is the sound of the singing men and their choirs (teams they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [] There are texts of the hallowed Dutch songs but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city."
Music --- Choral societies --- Minstrels --- Social aspects --- History and criticism. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Jongleurs --- Choral groups --- Choruses (Musical groups) --- Singing societies --- Folk songs --- Bards and bardism --- Manners and customs --- Poets --- Vocal groups --- Choirs (Music) --- Societies, etc. --- Musicians
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