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Literary form.

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Autobiography. --- Biography as a literary form.

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This edited collection brings together research that focuses on historic figures who have been largely neglected by history or forgotten over time. The question of how to recover, reclaim or retell the histories and stories of those obscured by the passage of time is one of growing public and scholarly interest. The volume includes chapters on a diverse array of topics, including semi-biographical fiction, digital and visual biographies, autobiographies, and memoirs, among others. Apart from the largely forgotten, the book provides fresh perspectives on historical figures whose biographies are distorted by their fame or limited by public perception. The subjects explored here include, among others, a child author, a Finnish grandmother, a cold war émigré, an Elizabethan era playwright, a castaway, a celebrated female artist, and the lauded personalities Mary Shelley, Judy Garland and J.R.R. Tolkien. Altogether, the chapters included in this collection offer a much-needed snapshot of new research on biography and its many variations and hybrids which will be of interest to academics and students of biography and life writing in general.

Biography as a literary form --- Biography --- Authorship --- Prose literature --- History. --- History and criticism --- Technique

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"For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers--as the prelude to new big questions. Canon/Archive is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book--just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons"--Back cover.

Canon (Literature). --- English fiction --- Literary form --- Literature and technology. --- Data processing --- Data processing.

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Minimalistische Reduktionen des Textes bieten ästhetische und ethische Differenzierungen, die hier in einem weiten kulturgeschichtlichen Rahmen präsentiert werden. Der Spruch im Alten Testament, die Fragmente Heraklits oder die Aphorismen von Kafka, die Maximen der Moralisten und das japanische Haiku – sie alle sind Experimente knappster Verdichtung, die sich gerade deshalb als zeitresistent erwiesen haben. Gleichwohl setzt die Linguistik die Textgröße oftmals erst oberhalb des Einzelsatzes an. Der Band versammelt ein weites Spektrum von Beiträgen aus Philosophie, Theologie, Soziologie, Sprach-, Literatur- und Musikwissenschaft zu einem interdisziplinären, vielstimmigen Gespräch – über die Grenzen der Kulturen wie der Zeiten hinweg. Gebündelt sind diese Beobachtungen im Stichwort der Nanotextualität, um die Effizienz extremer Konzentration in ästhetischen, ethischen und logischen Konsequenzen zu vergleichen.

Literary form. --- Minimalism (Literature) --- Literature --- Literature and morals. --- Philosophy. --- History and criticism.