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Cette exposition d'envergure présente une sélection exceptionnelle des oeuvres de William Kentridge pour l'Hôpital Saint-Jean de Bruges - qui est, à 800 ans, un des plus anciens complexes hospitaliers d'Europe. Illustrant les thèmes du traumatisme et de la guérison, elle est axée sur l'installation vidéo de 2015 More Sweetly Play the Dance, interprétation contemporaine de la Danse macabre du Moyen Âge. Grâce au dialogue qui s'instaure entre les oeuvres présentées - notamment celles de l'artiste belge Marcel Broodthaers, dont les intérêts recoupent ceux de Kentridge - et le cadre remarquable de l'hôpital, l'exposition fait de l'art un outil puissant pour l'exploration des strates de l'histoire. Le catalogue réunit quatre essais originaux. Margaret K. Koerner, commissaire de l'exposition, présente Kentridge et Bruges. Benjamin Buchloh se penche sur la manière dont Kentridge a considéré l'avant-garde historique sous l'angle de l'exil, loin des pratiques néo-avant-gardistes en vigueur dans l'Amérique et l'Europe d'après-guerre. Inspiré par le décor de l'ancien Hôpital Saint-Jean et la complexité historique de la ville de Bruges, Joseph Leo Koerner analyse l'art de Kentridge comme un processus d'exploration autodéterminé, où le passé défigure et rachète simultanément. Harmon Siegel, enfin, étudie l'approche de l'histoire du cinéma chez Kentridge, abordant au passage l'oeuvre de Broodthaers. Smoke, Ashes, Fable: William Kentridge in Bruges constitue une nouvelle oeuvre majeure d'un des plus grands artistes de notre temps.

Cinéma --- Animation --- Dessin --- Kentridge, William --- Broodthaers, Marcel --- Bruges

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South African artist William Kentridge's drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich's 'The Nose' at the Metropolitan Opera; after the premiere, the New York Times noted that "Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos." In this book, Jane Taylor, Kentridge's friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show. Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful and how he works is as important as what he creates. This book is more than just a simple record of 'The Nose'. The opera serves as a springboard into a bracing conversation about how Kentridge's methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment.

Bühnenbild. --- Opera --- Stage-setting and scenery --- Stage-setting and scenery. --- Kentridge, William, --- Shostakovich, Dmitriĭ Dmitrievich, --- Šostakovič, Dmitrij Dmitrievič, --- Criticism and interpretation. --- Metropolitan Opera (New York, N.Y.). --- Nos (Shostakovich, Dmitriĭ Dmitrievich). --- New York (State)

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The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges-- at 800 years one of Europe's oldest surviving hospital buildings-- organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history.

kunstgeschiedenis --- tentoonstelling --- Brugge --- assemblages [sculpture] --- tapestries --- collages [visual works] --- artists' films --- video art --- drawing [image-making] --- graphic arts --- Art --- Broodthaers, Marcel --- Kentridge, William --- 7.07 --- 741.07 --- Beeldende kunst ; tekeningen ; 21ste eeuw ; 1994-2016 ; W. Kentridge --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Wandtapijten --- Film ; animatiefilm ; time-lapsefotografie --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Tentoonstellingscatalogi ; Brugge ; (oude) Sint-Janshospitaal --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Exhibitions --- Kentridge, William, --- Experimental films --- Artists --- Interviews --- Attitudes --- MAD-faculty 18 --- hedendaagse kunst --- Memlingmuseum --- dodendans --- trauma's --- Zuid-Afrika --- Art, South African --- Medicine in the Arts --- Psychological Trauma --- Delivery of Health Care --- Exhibitions as Topic --- Mental Healing --- Healing, Mental --- Religion --- Trauma, Psychological --- Medicine in Art --- Medicine in Arts --- South African art --- Exhibits as Topic --- Exhibits as Topics --- Topics, Exhibitions as --- Community-Based Distribution --- Contraceptive Distribution --- Delivery of Healthcare --- Dental Care Delivery --- Distribution, Non-Clinical --- Distribution, Nonclinical --- Distributional Activities --- Healthcare --- Healthcare Delivery --- Healthcare Systems --- Non-Clinical Distribution --- Nonclinical Distribution --- Delivery of Dental Care --- Health Care --- Health Care Delivery --- Health Care Systems --- Activities, Distributional --- Activity, Distributional --- Care, Health --- Community Based Distribution --- Community-Based Distributions --- Contraceptive Distributions --- Deliveries, Healthcare --- Delivery, Dental Care --- Delivery, Health Care --- Delivery, Healthcare --- Distribution, Community-Based --- Distribution, Contraceptive --- Distribution, Non Clinical --- Distributional Activity --- Distributions, Community-Based --- Distributions, Contraceptive --- Distributions, Non-Clinical --- Distributions, Nonclinical --- Health Care System --- Healthcare Deliveries --- Healthcare System --- Non Clinical Distribution --- Non-Clinical Distributions --- Nonclinical Distributions --- System, Health Care --- System, Healthcare --- Systems, Health Care --- Systems, Healthcare --- Hôpital Saint Jean (Bruges, Belgium) --- Belgium. --- dodendans. --- trauma's. --- Kentridge, William. --- Broodthaers, Marcel. --- Zuid-Afrika. --- Attitudes.