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Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

Renaissance --- Villa Madama [Rome] --- History of Italy --- humanism --- Architecture --- influence --- Raphael --- Sperulo, Francesco --- anno 1400-1499 --- anno 1500-1599 --- Rome --- Architecture, Renaissance --- Humanism in architecture --- Architectural practice --- Group work in architecture --- HISTORY / Renaissance. --- History --- Sperulo, Francesco, --- Influence. --- Criticism and interpretation. --- Friends and associates. --- Villa Madama (Rome, Italy) --- Rome (Italy) --- Buildings, structures, etc. --- architectuur, Italië --- Raphael,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

Architecture, Renaissance --- Humanism in architecture --- Architecture --- Sperulo, Francesco, --- Raphael, --- Sanzio, Raffaele --- Raffaello Sanzio --- Santi, Raffaello --- Sanzio, Raffaello --- Raffael --- Raffaello --- Urbino, Raffaello da --- Raphael --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello --- Speroli, --- Sperulus, Franciscus , --- Influence. --- Criticism and interpretation. --- Friends and associates. --- Villa Madama (Rome, Italy) --- Architectural practice --- Group work in architecture --- History --- Team work in architecture --- Teamwork in architecture --- Architect and client --- Architectural services --- Practice --- Vocational guidance --- Rome (Italy) --- Buildings, structures, etc.