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book (7)


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2017 (7)

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Book
Ein Traum von der Antike
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ISBN: 9783990201572 Year: 2017 Publisher: Wien Kunsthistorisches Museum

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Book
Pompeo Batoni als "caposcuola" der römischen Malerei und Liebling der "Milordi"
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Year: 2017

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Plautilla Nelli : arte e devozione sulle orme di Savonarola
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ISBN: 9788883479458 Year: 2017 Publisher: Livorno Sillabe

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La Capponiera
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ISBN: 9788822264732 8822264738 Year: 2017 Publisher: Firenze: Olschki,

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Il Marzocco e la nascita della Società italiana per la ricerca dei papiri greci e latini in Egitto nella corrispondenza di Girolamo Vitelli con Adolfo e Angiolo Orvieto (1896-1934)
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ISBN: 9788874680511 Year: 2017 Publisher: Firenze : Edizioni Gonnelli,


Book
Jewish, Christian, and classical exegetical traditions in Jerome's translation of the book of Exodus : translation technique and the Vulgate
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ISBN: 9789004342972 9004342974 9004343008 9789004343009 Year: 2017 Volume: 141 Publisher: Leiden Brill

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"In 'Jewish, Christian, and Classical Exegetical Traditions in Jerome's Translation of the Book of Exodus: Translation Technique and the Vulgate', Matthew Kraus offers a layered understanding of Jerome's translation of biblical narrative, poetry, and law from Hebrew to Latin. Usually seen as a tool for textual criticism, when read as a work of literature, the Vulgate reflects a Late Antique conception of Hebrew grammar, critical use of Greek biblical traditions, rabbinic influence, Christian interpretation, and Classical style and motifs. Instead of typically treating the text of the Vulgate and Jerome himself separately, Matthew Kraus uncovers Late Antiquity in the many facets of the translator at work--grammarian, biblical exegete, Septuagint scholar, Christian intellectual, rabbinic correspondent, and devotee of Classical literature."--


Book
The Politics of Opera : A History from Monteverdi to Mozart
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ISBN: 140088473X Year: 2017 Publisher: Princeton, NJ : Princeton University Press,

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A wide-ranging look at the interplay of opera and political ideas through the centuriesThe Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics-through story lines, symbols, harmonies, and musical motifs-has played an operatic role both robust and sotto voce.Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance-where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, Da Ponte, and many more.An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

Keywords

Opera --- Political aspects --- History. --- Alessandro Striggio the Younger. --- Allusion. --- Ancient music. --- Aristocracy. --- Cambridge University Press. --- Cavalieri. --- Censure. --- Claudio Monteverdi. --- Comic opera. --- Composer. --- Consigliere. --- Council of Ten. --- Counter-Reformation. --- Criticism. --- Declamation. --- Despotism. --- Dido and Aeneas. --- Discourses on Livy. --- Don Giovanni. --- Duchy. --- Eloquence. --- Emilio de' Cavalieri. --- Eumaeus. --- Euridice (Peri). --- Florentine Camerata. --- French opera. --- Genre. --- Girolamo Mei. --- Holy Roman Emperor. --- Holy Roman Empire. --- House of Habsburg. --- Ideology. --- Idomeneo. --- Idomeneus. --- Intermedio. --- Irony. --- Italian opera. --- Jean-Philippe Rameau. --- Jews. --- Justus Lipsius. --- L'incoronazione di Poppea. --- La serva padrona. --- Lament. --- Le devin du village. --- Les Indes galantes. --- Libretto. --- Literature. --- Lorenzo Da Ponte. --- Louis XIV of France. --- Madame de Pompadour. --- Majesty. --- Mirrors for princes. --- Modernity. --- Monarchy. --- Monody. --- Motet. --- Muse. --- Music Is. --- Musician. --- Nevers. --- Niccolò Machiavelli. --- Nobility. --- Oligarchy. --- Opera buffa. --- Opera seria. --- Orpheus and Eurydice. --- Ottavio Rinuccini. --- Philosopher. --- Philosophy. --- Phrase (music). --- Playwright. --- Poetry. --- Political philosophy. --- Polyphemus. --- Popular sovereignty. --- Prerogative. --- Protestantism. --- Querelle des Bouffons. --- Querelle. --- Renaissance humanism. --- Republicanism. --- Rhetoric. --- Ruler. --- Satire. --- Singing. --- Singspiel. --- Sinon. --- Slavery. --- Sovereignty. --- Stanford University. --- Suetonius. --- Tacitus. --- The Indiscreet Jewels. --- The Magic Flute. --- The Marriage of Figaro. --- Theodor W. Adorno. --- V. --- Valet. --- Vincenzo Galilei. --- Writing.

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