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Steel castings. --- Metal castings --- Steel founding --- Steelwork --- Steel, Cast
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Arabic is the third most widely used script in the world, and gave rise to one of the richest manuscript cultures of mankind. Its representation in type has engaged printers, engineers, businesses and designers since the 16th century, and today most digital devices render Arabic type. Yet the evolution of the printed form of Arabic, and its development from metal to pixels, has not been charted before. Arabic Type-Making in the Machine Age provides the first comprehensive account of this history using previously undocumented archival sources. In this richly illustrated volume, Titus Nemeth narrates the evolution of Arabic type under the influence of changing technologies from the perspective of a practitioner, combining historical research with applied design considerations.
Arabic type --- Type and type-founding --- History --- Technological innovations.
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Every day there is something happening in the world of typography and graphic design? Something new being created in Buenos Aires, Paris, Tel Aviv, Tehran, Seoul or Melbourne. The most inspiring, trend-setting and enduring stories, events and works have been collected here to guide the reader to the highlights: 52 for 52 weeks, written by more than 40 experts. Releases such as the legendary 1975 NASA Graphic Standards Manual are presented and various creative approaches discussed. New fonts, typeface designers and foundries are introduced, classic American fonts newly interpreted and the question of why new fonts are always needed examined. Important new logos are presented, the big industry events such as the Typo in Berlin reported on and the winners of the European Design Awards presented. At the end of the book there are dedications to Adrian Frutiger and Alan Rickman, who was once a graphic designer.
Graphic design (Typography) --- Design --- Type and type-founding --- Typographie --- Graphisme --- Logotype --- Caractère --- Typografie --- Grafische vormgeving
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"Stretching the boundaries of typographic expression, Type Tells Tales is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple conversations, how letters in various shapes and sizes can guide the eye through dense information, and how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. The book's 332 illustrations - including 290 in color - feature historical examples by F.T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent. The book firmly locates the letter in the realm of artistry, finding exciting common ground among the pursuits of design, illustration, writing, and typography"--Jacket flap.
Type and type-founding in art --- Letter-pictures --- Words in art --- Graphic arts --- typography --- typografie
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In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Type and type-founding --- Graphic design (Typography) --- Printing --- History --- Digital techniques
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Iron and steel workers --- Iron founding --- Iron foundries --- Noise --- Noise control --- Health and hygiene --- Physiological effect --- Measurement.
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"It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today--the typeface of modern design--more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own"-- "Conceived around the directive commonly given to students, Never Use Futura is the first major English-language book to concentrate on Futura, using the foundational typeface to open up an alternate history of modern graphic design"--
Type and type-founding --- Graphic design (Typography) --- Graphic design (Typography) --- Advertising layout and typography --- History --- Social aspects --- History --- History
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The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type.
Type and type-founding --- Printing --- Illustrated books --- Typographie --- Caractère --- Illustration, livre --- History --- Book history --- Graphic arts --- typography --- typefaces [type forms] --- naslagwerk --- 766.021 --- typografie --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- 766:655.24(091) --- Typografie ; lettertypes ; geschiedenis --- Books --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- Gebruiksgrafiiek ; typografie ; lettertypes ; geschiedenis --- MAD-faculty 19 --- geschiedenis --- Typografie --- Geschiedenis --- Lettertypes --- Lettertypes en lettergieten --- Lettertype --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Type and type-founding - History --- Type and type-founding - Pictorial works --- Printing - History --- 766.22(03) --- Grafische industrie en ontwerp ; schrift ; typografie (algemeen) ; encyclopedieën en naslagwerken
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How are typefaces designed? What is the process? Which characters are essential? What is the difference between roman, italic and cursive? What is OpenType? In How to create typefaces Cristóbal Henestrosa, Laura Meseguer and José Scaglione answer these and many other questions in a straightforward and direct way.This publication, aimed at new and novice type designers as well as those trained in the field, unravels the fascinating task of creating a font, from sketch to screen.
Type and type-founding --- Printing --- 766:655.24(035) --- Digitale grafische vormgeving ; typografie --- Grafische vormgeving ; tekst en typografie ; handboeken --- Typografie ; ontwerptechnieken --- Printing, Practical --- Typography --- Graphic arts --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- Gebruiksgrafiek ; typografie ; lettertypes ; handboeken --- Lettertypes --- Lettertekenen --- Letterontwerpen --- Digitale typografie --- Lettertype --- Letterontwerp --- 766.22.02 --- Grafische industrie en ontwerp ; schrift ; typografie ; technieken
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Type Tricks' is about typographical rules and the underlying structure of the work process in the design of new typefaces. In that way, it is both a reference book and a user manual. In an illustrative format, it presents the different stages of type design in an easily accessible manner.
Graphic design (Typography) --- Type and type-founding --- 766:655.2 --- Digitale grafische vormgeving ; typografie --- Gebruiksgrafiek; digitale typografie --- Lettervormen ; letters --- Typographic design --- Design --- Printing --- Layout (Printing) --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- Gebruiksgrafiek ; typografie --- Typografie --- Letterontwerpen --- Letterontwerp
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