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Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Samuel Taylor Coleridge (/kolrd/; 21 October 1772 - 25 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.
Poets, English --- Critics --- Correspondence. --- Coleridge, Samuel Taylor,
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Samuel Taylor Coleridge (/kolrd/; 21 October 1772 - 25 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.
Poets, English --- Critics --- Correspondence. --- Correspondence. --- Coleridge, Samuel Taylor, --- Correspondence.
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Coleridge and Contemplation is a multi-disciplinary volume on Samuel Taylor Coleridge, founding poet of British Romanticism, critic, and author of philosophical, political, and theological works. In his philosophical writings, Coleridge increasingly developed his thinking about imagination, a symbolizing precursor to contemplation, to a theory of contemplation itself, which for him occurs in its purest form as a manifestation of 'Reason'. Coleridge is a particularly challenging figure because he was a thinker in process, and something of an omnimath, a Renaissance man of the Romantic era. The dynamic quality of his thinking, the 'dark fluxion' pursued but ultimately 'unfixable by thought', and his extensive range of interests make essential an approach that is philosophical yet also multi-disciplinary. This is the first collection to be written mainly by philosophers and intellectual historians on Coleridge's mature philosophy. With a foreword by Baroness Mary Warnock, and original essays by prominent philosophers such as Roger Scruton, David E.Cooper, Michael McGhee, and Andy Hamilton, this volume provides a stimulating collection of insights and explorations into what Britain's foremost philosopher-poet had to say about the contemplation that he considered to be the highest of the human mental powers. The chapters by philosophers are supported by new developments in philosophically minded criticism from Coleridge scholars in English departments, including Jim Mays, Kathleen Wheeler, and James Engell. They approach Coleridge as an energetic yet contemplative thinker concerned with the intuition of ideas and the processes of cultivation in self and society. Other chapters, from intellectual historians and theologians, clarify the historical background, and 'religious musings', of Coleridge's thought regarding contemplation
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When this work was first prepared for publication in 1949 the Notebooks and Collected Letters were still in manuscript, and many of the printed works, if not unavailable, were scarce. The continuing publication of Coleridge's works has not lessened the demand for a general introduction to Coleridge's mind and its workings.Selections from works including The Friend, Essays on His Own Times, Aids to Reflection, the Statesman's Manual, Confessions of an Inquiring Spirit, and Table Talk, and from other lesser known works are arranged by topic. The subjects - psychology, education, language, logic and philosophy, literary criticism, the arts, science, society, religion and his contemporaries - reflect the astonishing range of Coleridge's intellectual interests. The revised edition of this anthology is still the best introduction to the prose works of an inquiring spirit.There is a fine introductory essay, and each section has an introduction of its own. The annotation is apt, and the index efficient. The whole book, in short, has been ordered with the distinction which is characteristic of Professor Coburn.
Coleridge, Samuel Taylor. --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Coleridge, Samuel Taylor --- LITERARY CRITICISM / Gothic & Romance.
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This book shows that the publishers and editors of the radical press deployed Romantic-era texts for their own political ends—and for their largely working-class readership—long after those works’ original publication. It examines how the literature of the British Romantic period was excerpted and reprinted in radical political papers in Britain in the nineteenth century. The agents of this story were bound by neither the chronological march of literary history, nor by the original form of the literary texts they reprinted. Godwin’s Caleb Williams and poems by Wordsworth, Southey, Coleridge, and Shelley appear throughout this book as they appeared in the nineteenth century, in bits and pieces. Radical publishers and editors carefully and purposefully excerpted the works of their recent past, excavating useful political claims from the midst of less amenable texts, and remaking texts and authors alike in the process. .
Book history --- Poetry --- Literature --- History --- arbeidersklasse --- geschiedenis --- literatuur --- poëzie --- boeken --- Coleridge, Samuel Taylor --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999
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Coleridge is admired as a genius and derided as an opium addict and plagiarist. The aim here has been to examine his experiences, moods, thoughts, and reactions as a whole and their relation to poems such as Christabel, the Ancient Mariner, and the Dejection ode, and to his prose works, and also to look at many of his own statements made mainly in the privacy of his notebooks about his aims and purposes. The result of the new compound should alter some of the uninformed and prejudiced generalizations about Coleridge. The new picture is of a man and poet more human, more inquiring, more sceptical, whose strength and intellectual stature can fully be understood only against a background of suffering and loneliness; a critical, radical imagination is seen not only struggling to survive but to achieve creatively in the process.One of the world's pre-eminent Coleridge scholars, Kathleen Coburn brings a long association with and intimate knowledge of Coleridge's writings, both published and unpublished, to this sensitive study of a complex mind and personality.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Aufsatzsammlung --- POETRY --- English, Irish, Scottish, Welsh. --- Beiträge --- Einzelbeiträge --- Sammelwerk
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