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Bacon's Rebellion, 1676.

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Bacon's Rebellion, 1676.

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Construction workers --- Employee rights --- Legal status, laws, etc. --- United States. --- Davis-Bacon Act (United States)

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"The lure of the biographical zooms in on the supposed relationship between the art and the personal image of artists. The book explores how visual artists use their personal history and image to make a name for themselves, and how they try to control how their artistic output is interpreted. At the same time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists' lives to their work. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through three detailed case studies of the image and work of French sculptor Auguste Rodin, American painter Georgia O'Keeffe, and British painter Francis Bacon, the book demonstrates what mechanisms and strategies are at play in creating the artist's image, from the nineteenth to the late-twentieth century, and, in addition, proposes a model for future research into questions of (self-)representation"--Back cover.

7.01 --- kunstenaarsbiografie --- Kunst ; theorie, filosofie, esthetica --- zelfportret --- portret --- Bacon Francis --- Rodin Auguste --- O'Keeffe Georgia --- kunstkritiek --- biografie --- biografieën --- kunsttheorie --- kunst --- 7.041 --- Biografieën ; (zelf)portretten ; imago beeldvorming van kunstenaars --- Kunstenaarsbiografieën --- Iconografie ; de mens, portretten --- artists [visual artists] --- Art --- Bacon, Francis --- Rodin, Auguste --- O'Keeffe, Georgia --- anno 1800-1999 --- Rodin, Auguste, --- O'Keeffe, Georgia, --- Bacon, Francis, --- Autobiography in art --- Artists --- Art, Modern --- Case studies --- Biography --- Attitudes --- Public opinion --- Social networks --- Kunst --- kunstenaars --- Self-presentation in art. --- Biography in art. --- Artistes --- Présentation de soi dans l'art. --- Biographie dans l'art. --- Biografie. --- Kunst. --- Selbstbildnis. --- Psychology. --- Psychologie. --- Criticism and interpretation. --- Critique et interprétation. --- Biography. --- Self-presentation in art --- Biography in art --- Présentation de soi dans l'art --- Biographie dans l'art --- Rapport du créateur à l'objet créé --- Image --- Esthétique --- Autoportrait --- Biographie --- Psychology --- Psychologie --- Criticism and interpretation --- Artists - Psychology --- Artistes - Psychologie --- Rodin, Auguste, - 1840-1917 - Criticism and interpretation --- O'Keeffe, Georgia, - 1887-1986 - Criticism and interpretation --- Bacon, Francis, - 1909-1992 - Criticism and interpretation --- imago --- Rodin, Auguste, - 1840-1917 --- O'Keeffe, Georgia, - 1887-1986 --- Bacon, Francis, - 1909-1992 --- Attitudes. --- Public opinion. --- Social networks.

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Chef-d'oeuvre de Nicolas Poussin (1594-1665), "Le massacre des innocents" est l'un des trésors du musée Condé à Chantilly. C'est le cri le plus poignant de toute la peinture française, celui d'une mère dont on tue l'enfant sous ses yeux. Trois figures résument le drame, l'intemporalité d'un drame d'une cruelle et quotidienne actualité qui a marqué tant d'artistes jusqu'aux plus contemporains. Le catalogue de l'exposition raconte l'histoire du tableau depuis sa création à Rome au XVIIe siècle jusqu'à nos jours, il évoque aussi les origines du sujet souvent représenté par les peintres. Enfin, il montre combien les artistes contemporains, Pablo Picasso, Francis Bacon et bien d'autres aujourd'hui encore, sont sensibles à l'oeuvre de Poussin.

Painting --- Contemporary [style of art] --- easel paintings [paintings by form] --- influence --- Picasso, Pablo --- Poussin, Nicolas --- Bacon, Francis --- Poussin, Nicolas, --- Influence --- Poussin, Nicolas, - 1594?-1665. - Massacre des innocents - Exhibitions --- Poussin, Nicolas, - 1594?-1665 - Influence - Exhibitions --- Poussin, Nicolas, - 1594?-1665. - Massacre des innocents --- Poussin, Nicolas, - 1594?-1665