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Popular music --- Sound recordings --- Production and direction.

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Applied Underwater Acoustics meets the needs of scientists and engineers working in underwater acoustics and graduate students solving problems in, and preparing theses on, topics in underwater acoustics. The book is structured to provide the basis for rapidly assimilating the essential underwater acoustic knowledge base for practical application to daily research and analysis. Each chapter of the book is self-supporting and focuses on a single topic and its relation to underwater acoustics. The chapters start with a brief description of the topic's physical background, necessary definitions, and a short description of the applications, along with a roadmap to the chapter. The subtopics covered within individual subchapters include most frequently used equations that describe the topic. Equations are not derived, rather, assumptions behind equations and limitations on the applications of each equation are emphasized. Figures, tables, and illustrations related to the sub-topic are presented in an easy-to-use manner, and examples on the use of the equations, including appropriate figures and tables are also included. Provides a complete and up-to-date treatment of all major subjects of underwater acoustics Presents chapters written by recognized experts in their individual field Covers the fundamental knowledge scientists and engineers need to solve problems in underwater acoustics Illuminates, in shorter sub-chapters, the modern applications of underwater acoustics that are described in worked examples Demands no prior knowledge of underwater acoustics, and the physical principles and mathematics are designed to be readily understood by scientists, engineers, and graduate students of underwater acoustics Includes a comprehensive list of literature references for each chapter.

Underwater acoustics. --- Waves. --- Ambient sounds. --- Ambience (Sound recordings) --- Ambient audio (Sound recordings) --- Background sounds --- Sound recordings --- Sounds --- Cycles --- Hydrodynamics --- Benjamin-Feir instability --- Acoustics, Underwater --- Hydroacoustics --- Underwater sound --- Fluids --- Sound --- Acoustic properties

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This fourth edition was prepared in 2015-2016 as a supplementary text for a graduate music cataloging course. This edition is rewritten to a large extent to conform to the new instructions and paradigms represented in Resource Description and Access (RDA). RDA instructions for printed music, recorded music and music video are accompanied by advice, examples, illustrations and complete catalog records, including versions in MARC21 format. Consistent with RDA, the chapter on form and choice of access points found in earlier editions is gone, replaced with a chapter on authorized access points. The concept of “uniform title” has evolved into the concept of the “preferred title,” as part of an authorized access point, which might require manipulation and addition of some elements for disambiguation and collocation. Only three chapters are used for description of printed music, sound recordings and video recordings. Many of the older LP examples were removed as were VHS video recordings. Multimedia packages are now rare in the marketplace, but streaming audio and video are quite evident so examples now include those media. Facsimile examples from the third edition have been retained and many new examples have been added. Most catalogers today are using RDA in combination with MARC21. Accordingly, in an appendix, we have rendered each example in MARC21 format using the OCLC Connexion approach to MARC21 record formatting. A lengthy bibliography in earlier editions has been replaced by a brief list in the introduction, with pointers to online resources that are both current and constantly updated by working catalogers.

Cataloging of music. --- Cataloging of sound recordings. --- Cataloging of video recordings. --- Descriptive cataloging --- Resource description & access.

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Sound --- Sound recordings --- Electronic music --- Music --- Recording and reproducing --- History --- Social aspects --- Interpretation (Phrasing, dynamics, etc.) --- 78.85

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Les représentations et les usages de la musique hérités de l’ère de l’enregistrement sur supports physiques (vinyle, cassette, CD) se sont radicalement transformés avec la généralisation des technologies numériques et de l’Internet. Tout sauf figés, les processus d’écoute sont à considérer dans l’histoire d’un ajustement progressif entre des dispositifs techniques et des dispositions d’écoute : le passage de la discomorphose à la numérimorphose constitue une étape essentielle de cette histoire marquée par le téléchargement illégal, le streaming, les lecteurs MP3 ou les algorithmes de la recommandation. Pour autant, nous continuons à mobiliser des catégories ou des notions insuffisamment discutées – le genre musical, l’éclectisme, la légitimité, l’émotion esthétique, etc. – pour appréhender les pratiques et les goûts des auditeurs. De même, les approches employées en situation d’enquête semblent parfois inadaptées face au changement de régime ou d’échelle imposé par le numérique. Ouvrir la boîte noire des méthodes pour étudier représentations et pratiques à l’ère de la musimorphose, telle est l’ambition de cet ouvrage, où se côtoient sociologues, informaticiens, musicologues, psychologues cognitifs, spécialistes en sciences de la communication, de l’éducation et de gestion.

Music and technology --- Music --- Sound recordings in ethnomusicology --- Computer sound processing --- Social aspects --- Philosophy and aesthetics --- Son -- Enregistrement et reproduction -- Techniques numériques --- Écoute musicale (pratique) --- Enregistrement et reproduction --- Techniques numériques --- Aspect social --- Music and teenagers --- Music appreciation --- Congresses --- Digitization --- Congresses. --- Music and technology - Congresses --- Music - Social aspects - Congresses --- Music - Philosophy and aesthetics - Congresses --- Sound recordings in ethnomusicology - Congresses --- Computer sound processing - Social aspects - Congresses