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By placing comics in a lively dialogue with contemporary narrative theory, The narratology of comic art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.

Comic books, strips, etc. --- Narration (Rhetoric) --- Narrative art --- History and criticism. --- Art, Narrative --- Narrative art (Visual arts) --- Art genres --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- comics --- graphic novels --- media studies

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This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.

Semiotics --- Sociology of culture --- Mass communications --- Art --- Architecture --- Graphic arts --- populaire cultuur --- storytelling --- communicatie --- grafische vormgeving --- kunst --- ontwerpen --- semiotiek --- architectuur --- Communication. --- Fine arts. --- Semiotics. --- Popular Culture. --- Graphic design. --- Media and Communication. --- Fine Arts. --- Popular Culture . --- Graphic Design. --- Narrative art --- Drawing --- Philosophy.

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How did Italy Italianise Byron? And how did Byron Byronise Italy? These are the key questions that the volume sets out to answer.

Poets, English --- English poets --- Homes and haunts. --- Byron, George Gordon Byron, --- Byron, George Gordon Byron --- Baĭron, Dzhordzh Gordon --- Baĭron, G. --- Baĭron, Jorj, --- Bairon, --- Bajron, Džordž Gordon --- Bajron, --- Bajroni, Xhorxh --- Bayrěn, --- Bayron, --- Bayron, Tzōrtz Gkorton Bayron --- Bayrūn --- Byron, George Gordon Noël Byron --- Byron, Jerzy Gordon --- Byron, --- Gordon, George --- Mpayron, Tzōrtz Nkorton Mpayron --- Pai-lun --- Payrěn --- Vyrōn --- בײראָן, לאָרד --- בירון --- בירון, לורד --- בירון, ג׳ורג׳ גורדון נואל, --- בירון, ג'ורג' גורדון בירון, --- בייראן --- בייראן, --- בייראן, לארד --- ביירון, לורד --- ביירון, --- Criticism and interpretation. --- Homes and haunts --- Literature --- Literary Studies: Poetry & Poets --- LITERARY CRITICISM / European / Italian --- Literature: history & criticism --- Lord Byron --- Byron --- Byron, George Gordon Noël --- Anglo-Italian identity. --- Byronic lyricism. --- Byronic satire. --- Byron’s dramas. --- Byron’s letters. --- Byron’s narrative art. --- history. --- place. --- politics. --- religion/Catholicism.