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Het Wilde Ding is een poging tot het benoemen en beschrijven van vaak ongrijpbare kwaliteiten, die we kunnen ervaren in het alledaagse gebruiksvoorwerp. Het gaat niet om functie, noch om louter vorm, evenmin om een concept en al helemaal niet om een trend. Wat is het dan wel dat ervoor zorgt dat het ene glas meer ‘aura’ heeft, meer glans, meer passie, meer ‘mystieke allure’? Er lijkt een licht te schijnen langs de binnenkant der dingen. Niet het licht van de media en de marketing, die als schijnwerpers de consument verblinden, maar een helder licht dat letterlijk tot de verbeelding spreekt en het gevolg kan zijn van de methodiek en intentie van de maker. Zoals de aloude ambachtsman ontwerpt deze vanuit een eenheid met de materie en de kosmos. Hij stelt zich ten dienste. Hierbij gebeurt als het ware een overdracht van maker naar ding, waardoor het gebruiksvoorwerp bezield raakt.Dit boek poogt om deze overdracht te beschrijven en legt daarbij de nadruk op een bepaalde manier van zowel ontwerpen, als het ervaren van dingen, waarbij een eenheid tussen mens, ding en kosmos centraal staat. Deze attitude staat in schril contrast met de hedendaagse star-designer, die vaak nodeloze producten bedenkt die de consument status geven, en vooral willen verleiden tot nodeloze aankopen.Aan de hand van essays wordt enerzijds de geschiedenis van design, de nieuwste bewegingen binnen design, als een fenomenologische methodologie aangereikt, die zowel maker als consument op een hernieuwde, poëtische manier met het alledaagse gebruiksvoorwerp laten omgaan. Het zoeken naar een duurzaamheid en zingeving die verder gaat dan het ecologische aspect van materialen, is hierbij de rode draad.

design --- designtheorie --- designgeschiedenis --- esthetiek --- cultuursociologie --- cultuurgeschiedenis --- duurzaamheid --- eenentwintigste eeuw --- 745.01 --- 7.01 --- kunstfilosofie --- gebruiksvoorwerpen --- kunst algemeen, filosofie van de kunst en vormgeving --- 905.2 --- 770.6 --- cultuurfilosofie, -psychologie en -sociologie --- productdesign, filosofie, esthetiek en kritiek --- 749.01 --- Kunst ; theorie, filosofie, esthetica --- Meubelkunst en design ; theorie, filosofie, esthetica --- Theory of knowledge --- phenomenology --- permanence --- Aesthetics --- design [discipline] --- aesthetics --- Orozco, Gabriel --- Naveau, Nadia

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"At a time when "fake news" is part of our daily cultural lexicon, 'Made Up: Design's Fictions' explores lies, fantasies, and other un-real scenarios as tools of design. Through essays, interviews, and narratives by Bruce Sterling, Fiona Raby, Sam Jacob and other significant voices in the field, this volume questions the initial discourses around "design fiction"- a broad category of critical design that includes overlapping interests in science fiction, world building, speculation, and futuring. 'Made Up: Design's Fictions' advances contemporary analysis and enactment of narrative and speculation as an important part of practice today."--Publisher's website.

Design --- Decoration and ornament --- 770.6 --- critical theory --- critical design --- ontwerpmethodiek --- design research --- design fiction --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Philosophy --- productdesign, filosofie, esthetiek en kritiek --- kritische theorie --- fictie --- storytelling --- science fiction --- productdesign --- design --- Décoration et ornement --- Philosophy. --- Philosophie --- Decoration and ornament, Primitive

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A new approach to interaction design that moves beyond representation and metaphor to focus on the material manifestations of interaction.0Smart watches, smart cars, the Internet of things, 3D printing: all signal a trend toward combining digital and analog materials in design. Interaction with these new hybrid forms is increasingly mediated through physical materials, and therefore interaction design is increasingly a material concern. In this book, Mikael Wiberg describes the shift in interaction design toward material interactions. He argues that the "material turn" in human-computer interaction has moved beyond a representation-driven paradigm, and he proposes "material-centered interaction design" as a new approach to interaction design and its materials. He calls for interaction design to abandon its narrow focus on what the computer can do and embrace a broader view of interaction design as a practice of imagining and designing interaction through material manifestations. A material-centered approach to interaction design enables a fundamental design method for working across digital, physical, and even immaterial materials in interaction design projects.0Wiberg looks at the history of material configurations in computing and traces the shift from metaphors in the design of graphical user interfaces to materiality in tangible user interfaces. He examines interaction through a material lens; suggests a new method and foundation for interaction design that accepts the digital as a design material and focuses on interaction itself as the form being designed; considers design across substrates; introduces the idea of "interactive compositions"; and argues that the focus on materiality transcends any distinction between the physical and digital.

Human-computer interaction. --- Human-machine systems. --- Materials --- Computer simulation. --- Human-computer interaction --- Human-machine systems --- 770.7 --- 770.6 --- interaction design --- interactief design --- interactiviteit --- materialen --- materialenkennis --- materiaalkeuze --- human-computer interaction --- interfaces --- user interfaces --- user-centered design --- technologie --- design research --- designtheorie --- Interactive multimedia --- Computer interfaces --- productdesign --- productdesign ; 1995 --- -Design --- Creation (Literary, artistic, etc.) --- Interfaces, Computer --- Computer input-output equipment --- Interface circuits --- Hypermedia systems --- Interactive media --- Computer software --- Human operators (Systems engineering) --- Human subsystems (Systems engineering) --- Man-machine control systems --- Man-machine systems --- Operator-machine systems --- Engineering systems --- Human engineering --- Engineering --- Engineering materials --- Industrial materials --- Engineering design --- Manufacturing processes --- Computer-human interaction --- Human factors in computing systems --- Interaction, Human-computer --- User-centered system design --- User interfaces (Computer systems) --- Computer simulation --- interaction design, participatory design, social design --- productdesign, filosofie, esthetiek en kritiek --- COMPUTER SCIENCE/Human Computer Interaction --- UmU kursbok --- Design

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We are surrounded by interactive devices, artifacts, and systems. The general assumption is that interactivity is good -- that it is a positive feature associated with being modern, efficient, fast, flexible, and in control. Yet there is no very precise idea of what interaction is and what interactivity means. In this book, Lars-Erik Janlert and Erik Stolterman investigate the elements of interaction and how they can be defined and measured. They focus on interaction with digital artifacts and systems but draw inspiration from the broader, everyday sense of the word. Viewing the topic from a design perspective, Janlert and Stolterman take as their starting point the interface, which is designed to implement the interaction. They explore how the interface has changed over time, from a surface with knobs and dials to clickable symbols to gestures to the absence of anything visible. Janlert and Stolterman examine properties and qualities of designed artifacts and systems, primarily those that are open for manipulation by designers, considering such topics as complexity, clutter, control, and the emergence of an expressive-impressive style of interaction.They argue that only when we understand the basic concepts and terms of interactivity and interaction will we be able to discuss seriously its possible futures.

Human-machine systems --- User interfaces (Computer systems) --- 528.52 --- interaction design --- interactiviteit --- Interfaces, User (Computer systems) --- Human-computer interaction --- Human operators (Systems engineering) --- Human subsystems (Systems engineering) --- Man-machine control systems --- Man-machine systems --- Operator-machine systems --- Engineering systems --- Human engineering --- informatica-data-,telecommunicatie, internet, ontw., programmeren, beheren van internetsites --- 770.7 --- interactief design --- interactieve media --- interaction design, participatory design, social design --- Human-machine systems. --- DESIGN/General --- COMPUTER SCIENCE/Human Computer Interaction

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A Fab Lab (short for fabrication laboratory) is simultaneously a workshop and a laboratory, equipped with computer-controlled tools like laser cutters, CNC milling machines and 3-D printers. A global network of Fab Labs gives teams and individuals access to digital high-tech fabrication technologies. The Fab Lab movement is founded on the groundbreaking idea of enabling alomst everybody to make almost everything, almost everywhere. The book opens with various authors sharing insight on topics including the emergence of Fab Labs, the philosophy behind them, and their commercial aspects, as well as the techniques, methods and processes used. Following this, a real-world example is presented, looking at the creative and technical processes of one project undertaken at Fablab Amsterdam. In the second half of the book, 27 noteworthy projects and products are featured in the Fab Gallery, demonstrating the full diversity of possibilities that Fab Labs offer.https://www.standaardboekhandel.be/p/fab-lab-9783721209655https://www.standaardboekhandel.be/p/fab-lab-9783721209655

Computer integrated manufacturing systems --- CAD/CAM systems --- Technological innovations --- Product design --- Inventions --- 770.6 --- FabLab --- Creative ability in technology --- Prior art (Patent law) --- Research, Industrial --- Commercial products --- New products --- Industrial design --- Breakthroughs, Technological --- Innovations, Industrial --- Innovations, Technological --- Technical innovations --- Technological breakthroughs --- Technological change --- Domestication of technology --- Innovation relay centers --- Technology transfer --- Computer Aided Design/Computer Aided Manufacturing Systems --- Computer Aided Manufacturing Systems --- Computer-aided engineering --- Production engineering --- Production management --- Automation --- CIM systems --- Manufacturing, Computer integrated --- Industrial engineering --- Flexible manufacturing systems --- productdesign, filosofie, esthetiek en kritiek --- Design and construction --- Data processing --- Innovatie --- Veranderingsmanagement --- Makerspace --- Maker movement --- Digitale techniek --- Technologische vooruitgang --- Creativiteit