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Portrait painting, French --- Peinture de portraits française --- Peinture de portraits --- Cézanne, Paul, --- Cézanne, Paul --- portretten --- Peinture de portraits française --- Cézanne, Paul, --- Cézanne, Paul --- Exhibitions. --- Expositions. --- portretten. --- Cézanne, Paul. --- landschappen. --- verzamelaars. --- iconografie. --- Rubens, Peter Paul. --- van Coninxloo, Gillis III. --- 16de eeuw. --- 17de eeuw. --- Zuidelijke Nederlanden. --- Napels. --- Vlaanderen.
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A major new study of the portraiture of one of the most important artists of the nineteenth century. Paul Cezanne (1839-1906) may be best known for his landscapes, but he also painted some 160 portraits throughout his exceptional career. This major work establishes portraiture as an essential practice for Cezanne, from his earliest self-portraits in the 1860s; to his famous depictions of figures including his wife Hortense Fiquet, the writer Emile Zola, and the art dealer Ambrose Vollard; and concluding with a poignant series of portraits of his gardener Vallier, made shortly before Cezanne's death. Featured essays by leading experts explore the special pictorial and thematic characteristics of Cezanne's portraits. The authors address the artist's creation of complementary pairs and multiple versions of the same subject, as well as the role of self-portraiture for Cezanne. They investigate the chronological evolution of his portrait work, with an examination of the changes that occurred within his artistic style and method, and in his understanding of resemblance and identity. They also consider the extent to which particular sitters influenced the characteristics and development of Cezanne's practice.
Cézanne, Paul --- Themes, motives --- Exhibitions --- Portrait painting --- France --- 19th century
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"This book, like the exhibition it accompanies, looks at the special pictorial and thematic characteristics of Cezanne's portraiture practice, including his creation of complementary pairs and multiple versions of the same subject. The chronological development of the artist's portraiture is also explored, with an examination of the changes that occurred with respect to his style and method, on the one hand, and his understanding of resemblance and identity, on the other . The extent to which particular sitters inflected the characteristics and development of his practice is also considered. Cezanne Portraits features works that mutually inform each other to reveal arguably the most personal, and therefore most human, aspect of his art, and one that has hitherto received surprisingly little attention. They range from Cezanne's earliest surviving self - portraits, dating from the 1860s, through to his final portraits of Vallier, the gardener at his house near Aix-en-Provence, made shortly before the artist's death in 1906. Exhibition curator John Elderfield contributes an illuminating introductory essay on Cezanne's portraiture, while the artist's biographer, the late Alex Danchev, provides an informative dramatis personae on the sitters featured. The catalogue texts are by John Elderfield, Mary Morton and Xavier Rey, and a chronology by Jayne Warman sets the artist's work in the context of his life."--Provided by publisher.
Painters --- Portrait painting, French --- 75.07 --- Portretschilderkunst --- Schilderkunst ; portretten ; 19de eeuw ; P. Cézanne --- Schilderkunst ; Post-Impressionisme --- Cézanne, Paul 1839-1906 (°Aix-en Provence, Frankrijk) --- French portrait painting --- Artists --- Schilderkunst ; schilders --- Cézanne, Paul, --- Saishang, Baoluo, --- Sezan, Pol, --- Sezanas, P., --- Sezann, Polʹ, --- סזאן, פאול, --- セザンヌ, --- Saishang, --- Criticism and interpretation. --- Exhibitions --- painting [image-making] --- easel paintings [paintings by form] --- portraits --- portretschilderkunst --- Cézanne, Paul --- Cézanne, Paul --- Saishang, Baoluo --- Sezan, Pol --- Sezanas, P. --- Sezann, Polʹ --- Saishang
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