Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Een blik op minder bekende kanten van de Italiaanse filmmaker Pier Paolo Pasolini (1922-1975): als poëet, opiniemaker en schrijver van polemieken.

film --- filmgeschiedenis --- filmregisseurs --- literatuur --- poëzie --- cultuurfilosofie --- twintigste eeuw --- Italië --- Pasolini Pier Paolo --- 791.471 PASOLINI

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Portraitiste malien du XXe siecle, Seydou Keïta est aujourd'hui considéré comme l'un des plus grands photographes contemporains. En 1935, de retour d'un séjour au Sénégal, son oncle qui offre son premier appareil photo, un Kodak Brownie: Keïta, alors âgé de quatorze ans, commence à photographier ses proches avant d'acquérir un appareil à chambre 13 x 18.Il ouvre son studio en 1948 et .e spécialise dans l'art du portrait en noir et blanc. Rapidement, sa maîtrise de la technique et son sens esthétique l'imposent comme portraitiste, et le Tout Bamako se presse chez lui: on vient se faire photographier seul, en couple, en famille ou en groupe. Installant ses modèles devant des tissus, l'artiste travaille la mise en scène de ses prises de vue: ajustant les poses, prêtant pour l'occasion vêtements, bijoux ou accessoires, il cherche à donner la plus belle mage de ses clients. Jusqu'à l'indépendance du Mali, en 1960, Seydou Keïta a réalisé plusieurs milliers de portraits de ses concitoyens: aussi ses photos constituent-elles en cela un témoignage unique sur la société malienne des années 1950. Cette grande exposition monographique permet de saisir, à travers plus de deux cents photos, l'oeuvre d'un des grands talents de la photographie africaine.

fotografie --- portretfotografie --- twintigste eeuw --- Mali --- Keïta Seydou --- 77.071 KEÏTA --- Exhibitions --- Portraits (photographie) --- Keita, Seydou,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a twenty-first century where documentary has reclaimed its cultural and political centrality.

Ivens, Joris --- film --- documentaire film --- twintigste eeuw --- Nederland --- Ivens Joris --- 794.471 IVENS

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of essays by Peter Gidal includes "Theory and Definition of Structural/Materialist Film" and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal's writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers' Co-operative, and taught advanced film theory at the Royal College of Art. His previous books include "Andy Warhol: Films and Paintings" (1971) "Understanding Beckett" (1986) and "Materialist Film" (1989).

kunsttheorie --- filmtheorie --- kunst --- schilderkunst --- film --- twintigste eeuw --- Gidal Peter --- Beckett Samuel --- Oulton Thérèse --- Richter Gerhard --- Warhol Andy --- 791.41

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

fotografie --- Leiter Saul --- straatfotografie --- stadsfotografie --- New York --- Verenigde Staten --- twintigste eeuw --- 77.071 LEITER --- Photographie artistique. --- Leiter, Saul, --- Photography, Artistic.